Saga 15

saga 15

Today, Shelby and Drew are discussing Saga 15, originally released October 30th, 2013.

Shelby: I don’t have any kids, but I assume parenting is hard. Not just because you’re trying to figure out how to keep this small creature safe and provide for it and raise it in a way that it doesn’t turn out to be a total douche (presumably that is a common parenting goal), you’ve also got to put up with a deluge of “help.” Everyone who’s raised a child, as well as no small number who haven’t, believe they know the best way to do it. And they are more than happy to give you all sorts of advice on the subject. No matter how sound that advice may be (like, “you should probably get a job”), if it’s unsolicited it will probably be poorly received.

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Saga 14

saga 14

Today, Shelby and Drew are discussing Saga 13, originally released September 25th, 2013.

Shelby: One of the big parts of growing up is learning that you can’t always have what you want. As a kid, when your parents tell you that you can’t have something, you pitch a fit in the middle of the Jewel-Osco, but as you grow up you learn to more appropriately deal with disappointment. It’s a process that never stops, because we constantly have things we want taken away from us. Sometimes we have to choose between two things we want, knowing that we’ll always be a little disappointed for the option we didn’t take. Sometimes we have to face the hard truth that we can never again have what was lost, no matter how badly we want it.

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Saga 13

saga 13

Today, Patrick and (guest writer) Brandon are discussing Saga 12, originally released August 14th, 2013.

Patrick: At the midnight Saga release party at Meltdown Comics over a year ago, Brian K. Vaughan said that he wanted to tell the story of a normal family stuck in the middle of an interstellar war that they wanted nothing to do with. The series itself bears this idea directly – Marko and Alana are combatants from opposite sides of an endless war that find each other through their shared belief in peace. From a storyteller’s perspective, War is much easier to write than Peace. In war (metaphorical or otherwise), there is an objective: no matter how messy and dark it gets, conditions for victory are clear. Saga 13 finds our characters searching blindly for what they’re ‘supposed’ to do next. It’s a meditation on the hope buried in hopelessness and the origin and influence of values. That’s right – welcome back to motherfucking Saga.

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Saga 12

saga 12

Today, Patrick and Shelby are discussing Saga 12, originally released April 10th, 2013.

Patrick: Robots and aliens and monsters and ghosts and magic spells — Saga has never had a difficult time of establishing itself as a piece of science fiction / fantasy literature. The well-defined characters at the heart of the story — the young family of Marko, Alana and Hazel — go a long way toward grounding the series. In recent issues, that same humanity has been extended to peripheral characters, like The Will. This issue leaves all of those comfortable characters behind, and fills in the gaps in the surprisingly nuanced character of Prince Robot IV. When we finally meet D. Oswald Heist, it’s no surprise that he’s a fully formed person with hopes, fears and secrets. Despite itself, I’m beginning to believe that every corner of this world is fully realized.

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iOS Blocks Saga 12

Yesterday, Brian K Vaughan announced that Apple has blocked any sales of Saga 12 through any iOS apps, ostensibly over what Vaughan characterized as “two postage stamp-sized images of gay sex.” This move may come as a surprise to many readers, but will sound familiar to fans of Joe Casey’s Sex #1, which was similarly blocked last month. You can bet your ass that the Retcon Punchers have opinions on this one. Welcome to the Chat Cave.
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Saga 11

saga 11

Today, Shelby and guest writer Suzanne are discussing Saga 11, originally released March 20th, 2013.

Shelby: How am I supposed to speak intelligently about this title? In all my write-ups, I strive to find that deeper meaning, that thread of something more that runs through the book. That’s what we do here, and we do it because we believe whole-heartedly that comic books are a form of literature and deserve to be treated as such. But then I get a title like Saga, and I don’t know what to say. Brian K. Vaughn is masterfully juggling broad themes like family, love, and sacrifice, tying it all together with strongly-developed characters and moments of emotional nuance. Fiona Staples work is beyond compare; she animates the men and women (and cats) Vaughn has already breathed life into. To be frank, sometimes this book just leaves me kind of speechless it’s so good. Continue reading

Saga 10

Alternating Currents: Saga 10, Drew and Patrick

Today, Drew and Patrick are discussing Saga 10, originally released February 20th, 2013.

Drew: I owned a lot of magic sets when I was a kid. That is to say, I enjoyed magic, but I wanted to understand how it was done. In may ways, this is the approach that I’ve taken towards art — I love being amazed by good music, movies, writing, etc, but I desperately want to know the techniques (the tricks, if you will) that make art so enjoyable. In general, that has been a very rewarding approach, allowing me a much deeper appreciation for how art works than I might have otherwise, but it has its limits. Ironically, I’ve never been able to really apply that approach to magic — partially because the techniques there are guarded as a matter of course, but mostly because I simply can’t get over how dazzling the effect is. Reading Saga leaves me similarly flabbergasted. Continue reading

Saga 9

Alternating Currents: Saga 9, Drew and Shelby

Today, Drew and Shelby are discussing Saga 9, originally released January 16th, 2013.

Drew: My trumpet teacher used to talk about the “Ascending Spiral Groove Thang,” the notion that you can gain a lot from an idea by returning to it after you have different experiences to relate it to. He was using it as a (valid) justification for retreading the same lessons for his advanced players that he gave to his beginners, but I often think about it in terms of appreciating narratives. Many stories that I enjoyed well enough as a kid became significantly more meaningful once I had my own experiences with loss, heartbreak, or leaving home. Of course, I’m a far cry from having seen it all, and nothing reminds me of that more than parenting stories. Whether they feature uptight professionals (or lazy slobs) whose lives are turned upside down by an adorable street urchin, or a good old-fashioned “we’re having a baby!” story, the moral is always the same: having a kid changes everything. I suspect these stories keep being told because artists keep experiencing it — a kind of “no, seriously: HAVING A KID CHANGES EVERYTHING” — and because the stories themselves can never really do the experience justice, all of which leaves me feeling like I’m probably missing something all parents just get. Fortunately, that ignorance doesn’t prevent me from enjoying said narratives, as Saga 9 so ably demonstrates. Continue reading

Best of 2012: Best Titles

best titlesWe generally avoid quantifying our enthusiasm around here — we’ll gladly praise or condemn comics as our tastes dictate, but turning that into a grade or a score makes us uncomfortable. As there are in our pull-list, there are holes in this ‘Best of’ list. Mea culpa. We’ve had some great experiences with comics this year, and these are the series that were consistently fun, thoughtful and beautiful. Too subjective for a year-end list? Ignore the rankings. Any way you slice it, these are fantastic series that deserve the scrutiny we heap on everything. Each is a rewarding read and well worth your attention. Our picks for the top 12 series of 2012:

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Saga 8

saga 8

Today, Patrick and Drew are discussing Saga 8, originally released December 19th, 2012.

Patrick: Shelby sometimes thinks we are a little bit too detail-oriented around here. But by and large, our assignments are “write about what you find interesting in this issue,” and details can be damn interesting. Saga 8 is one of those issues where what’s good about the experience of reading it might not be the same as what’s interesting about the issue. Heads up, I’m about to lose sight of the forest for the trees. But that’s only because I see some really neat trees and we already know the forest is amazing.

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