Category Marvel

Feb 25 2014

Nova 13

nova 13Today, Spencer and Scott are discussing Nova 13, originally released February 19th, 2014.

Spencer: Stop me if you’ve heard this one before: two heroes meet, but a misunderstanding causes them to fight for a while before they inevitably team-up. Wait, why didn’t you stop me? You’ve all heard this one before; TV Tropes calls it “Let’s You and Him Fight”, and it’s easily one of the best-known tropes in comics. Nova 13 is one large “Let’s You and Him Fight” scene between Sam and Beta Ray Bill, and while there’s definitely a lot of fun to be had with the fight, ultimately Gerry Duggan and Paco Medina don’t do anything interesting enough to justify devoting so much time to such a tired concept. Continue reading →

Feb 24 2014

Punisher 2

punisher 2Today, Spencer and Greg are discussing Punisher 2, originally released February 19th, 2014. 

slim-bannerSpencer: As Frank explains in Nathan Edmondson and Mitch Gerads’ The Punisher 2, there’s a strata of villains too big for the cops to handle, but not big enough for the superheroes to take notice of. This is the league of villains the Punisher usually goes up against — the kind that can give him a proper fight — but it looks like all that’s about to change. Not only are the Howling Commandos on Frank’s tail, but the Dos Soles gang also has a powerful new weapon that’s out of Frank’s usual league; this is some definite superhero-level business Punisher’s got himself tangled up in here.

Continue reading →

Feb 21 2014

Daredevil 36

daredevil 36Today, Patrick and Drew are discussing Daredevil 36, originally released February 19, 2014. 

Patrick: I haven’t been reading Marvel comics all that long — in fact, just as the New 52 got me into reading Batman and the gang, Marvel Now got me into reading Spider-Man and the gang. My constant-comic-discovering-buddy Drew pointed out something profound very early on: Marvel is much more interested in reconciling the superheroes with the secret identities than DC is. Which isn’t to say that there isn’t tension between Clark Kent and Superman or that there aren’t similarities between Barry Allen and The Flash, but Marvel heroes tend to lead two rich, full lives that grind against each other constantly. Such is the case with Matt Murdock — the guy even has a history of aggressively asserting that he’s not Daredevil. The finale to Mark Waid and Chris Samnee’s phenomenal run (for now) sees Matt Murdock and Daredevil united as a single set of priorities, values, loves, vulnerabilities and friends. Continue reading →

Feb 17 2014

Thor: God of Thunder 19

thor 19Today, Spencer and Patrick are discussing Thor: God of Thunder 19, originally released February 12th, 2014.

Spencer: It’s easy to take a cynical view of environmentalism — personally, I’m thinking specifically of how that one-time donation of $20 I gave to my state’s Wildlife Conservation Fund has been spent three or four times over just paying for the junk mail they’ve since sent me — and its even easier to turn stories about environmentalism into preachy tirades. Amazingly, in Thor: God of Thunder 19 Jason Aaron and Esad Ribic avoid those traps, somehow presenting us with a nuanced and “realistic” tale of the titular God’s fight to save the Earth itself while also taking the time to remind us of our planet’s beauty — and what the planet could end up looking like if we fail to protect it. Continue reading →

Feb 14 2014

She-Hulk 1

she-hulk 1Today, Patrick and Greg are discussing She-Hulk 1, originally released February 12th, 2014. 

slim-bannerThere’s figures on this. 70% of what people react to is the look; 20% is how you sound; and only 10% is what you say.

Eddie Izzard, Dressed to Kill

Patrick: Drew recently brought a Mutilversity article on comic book criticism to my attention. Interestingly, they posted another article that same day on the diminishing role of artists in comics — effectively arguing that we know series by their writers and not by their artists, and isn’t that fucked up? I think there’s room to argue that serialized storytelling in any format is going to be a writer’s medium (just look at how much more writer-driven TV is than the movies, which are much more director-driven). Regardless, the fact remains that there’s a problem in comics — and comic criticism — with focusing too heavily on the words that are written on the page. At one point in this issue, Jennifer Walters — a Hulk that spends very little of her time smashing — asserts that “90% of lawyering is conversation.” That’s an interesting inversion of the pearl of wisdom Eddie Izzard drops in the bit above, but that also might explain why we don’t have the most exciting piece of fiction in our hands. Continue reading →

Feb 14 2014

The Superior Spider-Man 27

superior spider-man 27Today, Spencer and Drew are discussing The Superior Spider-Man 27, originally released February 12th, 2014.

Spencer: One of the most enjoyable aspects of a writer having a long run on a title is watching elements from earlier issues resurface in surprising ways later on down the line. I think perhaps my favorite example of this is in Jon Rogers’ pre-reboot Blue Beetle run, where Jaime Reyes managed to bring back weapons, plans, and allies from nearly every one of his earlier adventures to use in his epic endgame against the Reach. It brought a nice sense of closure and finality to the proceedings, not to mention made for a thrilling game of “catch-the-reference.” I got a similar feeling from this week’s Superior Spider-Man, where plot points writer Dan Slott has been seeding for the past 27 issues begin coming back en masse, both to Otto’s relief and to his detriment. Continue reading →

Feb 13 2014

Deadpool 23

Alternating Currents: Deadpool 23, Drew and PatrickToday, Drew and Patrick are discussing Deadpool 23, originally released February 12th, 2014.

Drew: I like to think that I’m an open-minded guy when it comes to art, but I’m actually proud of the fact that I’ve never seen any of Jason Friedberg and Aaron Seltzer’s films. Frankly, the commercials alone embarrass me enough to scare me off. That’s not an embarrassment of prudishness — I can make dick jokes until the cows come home — but of intelligence: the grasping, desperately hackneyed pop culture references those movies are built on bring me closer to tears than laughter. Unfortunately, that brand of humor has dominated parody films over the past two decades, leaving only a few exceptions — like Edgar Wright’s Cornetto Trilogy — that even attempt to respect either the genre it’s sending up or the audience’s intelligence. Deadpool’s tendency to break the fourth wall has long made him the most likely source of parody in the Marvel universe, and that parody lived up the its potential for depth in the recent “The Good, the Bad, and the Ugly” arc. Unfortunately, this arc finds ‘pooly once again aiming for yuks in the cheapest ways possible. Continue reading →

Feb 12 2014

The Superior Foes of Spider-Man 8

Today, Taylor and Greg are discussing The Superior Foes of Spider-Man 8, originally released February 5th, 2014.

Taylor: Since the dawn of pop-culture, antiheroes have been those ill behaving scallywags we love despite their flaws. They may not act right all the time, but we love them despite, if not explicitly for, their flaws. In the annals of American culture, the antihero has frequently eclipsed their more traditionally heroic counterparts — just look at Han Solo or Walter White. This trend has naturally extended to comic books and while many protagonists of comics are antiheroes, few are outright villains. In case you couldn’t tell by its title, The Superior Foes of Spider Man ­­focuses on a villain, who by virtue of his narrative is an antihero. And while we all enjoy a good antihero, it is a perilous line they walk, and issue eight displays how precarious their position is. It begs the question, just how shitty can a protagonist be before we’ve had enough?

Continue reading →

Feb 11 2014

Ms. Marvel 1

ms marvel 1

Today, Drew and Spencer are discussing Ms. Marvel 1, originally released February 5th, 2014. 

slim-banner

But what did he see in the clear stream below? His own image; no longer a dark, gray bird, ugly and disagreeable to look at, but a graceful and beautiful swan.

Hans Christian Andersen, The Ugly Duckling

Drew: We all know the story, but have you ever actually read Hans Christian Andersen’s original The Ugly Ducking? It’s beyond dark. Before he realizes he’s actually a swan, the ugly duckling has embraced suicide as his only escape from a life as an outcast. Even without that particular detail, the ending has always struck me as grim. The happy ending stems from the ugly duckling actually being classically beautiful, after all, not from any kind of acknowledgement that looks aren’t everything. This particular duckling happened to be a swan, but what of ducklings that are actually ugly? I guess those end up actually committing suicide. In spite of this straight-up “difference is awful (unless it happens to make you the same as someone else)” message, this story is treated as though it empowers different-looking children. Its contradiction is almost tragic. As I read through the letters column of Ms. Marvel 1, which praised the notion of a non-white heroine, I couldn’t help but feel that same tragic disconnect, as the heroine herself turns out to be, well, you can see for yourself after the jump. Continue reading →

Feb 10 2014

Loki: Agent of Asgard 1

loki 1

Today, Patrick and (guest writer) Arielle are discussing Loki: Agent of Asgard 1, originally released February , 2014. 

slim-banner

Patrick: You guys, we live in a post Avengers world. Generally, that movie changed the way the world viewed superhero movie franchises and it changed the way we viewed shared cinematic universes (everyone’s trying to ape that shit now). But very specifically – it changed Loki profoundly. Throughout the Thor flicks and Avengers itself, Tom Hiddleston’s take on the character proved to be more charismatic and nuanced than the casts he was supporting, and the zeitgeist changed around this character. He’s not just a compelling villain, he’s a frustrated anti-hero with sex appeal and a undeniably attractive ability to work the room. Between that, and Kieron Gillen’s excellent run with Kid Loki on Young Avengers, it’s hard to deny that the meta-narrative is one of a discovering that Loki is someone we love, more than someone we love to hate. Writer Al Ewing is right on board with that assessment, but is quick to acknowledge that this version of Loki is just another story, and if we start looking at all of the Loki stories, well, me might not like what we see. Continue reading →