Category New 52

Mar 6 2013

Talon 5

talon 5

Today, Shelby and Mikyzptlk are discussing Talon 5, originally released February 27th, 2013. 

Shelby: Anytime there’s some sort of big upheaval, you usually here the phrase “a return to normalcy” bandied about. When some serious shit goes down, we the people just want things to go back to the way they were before everything went wrong. Unfortunately, sometimes there’s just no going back, as proven by the history of the phrase itself; it was first used by Warren Harding in reference to World War I. Instead of the return to normalcy he was looking for, we got the Great Depression and World War II. So, what do you do when, try as you might, there’s just no going back to normalcy? Continue reading →

Mar 4 2013

Justice League Dark 17

justice league dark 17

Today, Patrick and Shelby are discussing Justice League Dark 17, originally released February 27th, 2013.

Patrick: Have you ever been introduced to a group of new people with a specific adjective? Someone says “this is my funny friend Patrick” or “you’ll be working with Patrick, he’s really smart.” Suddenly, it doesn’t matter how you view yourself, it becomes your singular goal to live up to that defining adjective. It’s stressful, but having your friends state their expectations of you right upfront increases that likelihood that you will be the thing they say you are. So what do you say about someone to turn them into your hero?

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Mar 4 2013

The Flash 17

Alternating Currents: The Flash 18, Drew and Pivitor

Today, Drew and guest writer Pivitor are discussing the Flash 17, originally released February 27th, 2013.

Drew: “Move forward” are the words the Flash lives by — both the man and the title. We’ve seen both accept rather profound changes, from the newfound abilities of the Rogues to his own death, rolling with the punches where most superheroes (and their series) might work to return things to their status quo. At the same time, writers Brian Buccellato and Francis Manapul are ever committed to their own continuity, recalling and building upon details first mentioned months earlier. The fact that those elements don’t come into play until long after they are introduced gives the series a propulsive sense of forward motion, allowing it to build incrementally. Thus, issue 17 can resolve plot elements first established in issue 6, as the Rogues, Gorillas, and the victims lost in the Speed Force finally get their due. Continue reading →

Mar 1 2013

Batman Incorporated 8

batman inc 8

Today, Mikyzptlk and Drew are discussing the Batman Incorporated 8, originally released February 27th, 2013.

Mikyzptlk: Spoiler Alert. Hahaha, just kidding. Fuck you very much, internet. Alright, now that I’ve gotten that out of my system–Seriously, couldn’t you have just kept your mouth shut for a few more days?!? Okay, it’s okay, I’m all better now. As I write this, I’ve just finished reading issue 8 of Grant Morrison’s Batman, Inc. and I’m still not quite sure what to make of things. We all know by now that Damian “The Boy Wonder” is dead. And though I have some wild theories that say he’s not actually dead, the issue leaves us with that conclusion. Grant Morrison has stated (a bit earlier than he should have mind you) what the death of Damian means in the greater sense of the themes he was presenting us with, but I’d like to focus on the character of young Damian and what his death means in the context of the world in which these characters live. I’ll leave the heavy lifting to Drew.  Continue reading →

Mar 1 2013

Aquaman 17

aquaman 17

Today, Patrick and Shelby are discussing Aquaman 17, originally released February 27th, 2013.

Patrick: When I originally got my friend Taylor into comic books, I suggested Scott Snyder’s Swamp Thing series. Taylor was intrigued, saying that the idea of a Captain Planet made of Plants seemed like a really fun book to read. Of course, Snyder’s Swamp Thing has more to do with elaborate mythologies and alternate futures and cool stuff like that, but that idea stuck with me. We read so few comic books about superheroes that stand for anything. Our heroes are driven by revenge or obligation or circumstance to fight crime, but none of them end up championing any causes – they just keep fighting whatever supervillains pop up to challenge them. After the events of Throne of Atlantis, Aquaman finds himself wedged uncomfortably between the roles of superhero and supervillain. What other choice does he have than to enact his own values and forge his own path?

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Feb 28 2013

All-Star Western 17

Alternating Currents: All-Star Western 17, Drew and Patrick

Today, Drew and Patrick are discussing All-Star Western 17, originally released February 27th, 2013.

Drew: For all of the subtle differences fans can talk about in DC’s current publishing lineup, the fact is: they publish A LOT of superhero comics. A simple lack of capes and tights is enough to make a title like All-Star Western stand out, but writers Justin Gray and Jimmy Palmiotti aren’t content to rest on those laurels. Indeed, recent issues have cribbed stylistic elements form the likes of parlor dramas and Victorian novellas, in addition to the old Westerns that inspired the characters in the first place, all while seamlessly folding in elements of DC’s own fictional universe. It’s a tonal chameleon, taking on whatever style best fits the material at hand. Continue reading →

Feb 27 2013

Green Lantern: New Guardians 17

new guardians 17 wrath

Today, Shelby and Drew are discussing New Guardians 17, originally released February 20th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage.

Shelby: There are times it’s important we don’t let our emotions get the best of us. Emotions are beautiful, terrible, irrational things that can lead us to commit wonderful, stupid acts. While acting on our emotions alone can be totally awesome, sometimes we gotta let cooler heads prevail, and let reason dictate our next move. The Guardians, evil little bastards though they may be, were half right; sometimes dispassionate logic is the correct choice. Volthoom, of course, takes the opposite approach; he is powered by emotion, the more he can make everyone feel the better off he’ll be. So, on a scale from Guardian to Volthoom, where does our favorite master of the emotional spectrum fit?

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Feb 27 2013

Sword of Sorcery 5

sword of sorcery 5a
Today, Drew and Patrick are discussing Sword of Sorcery 5, originally released February 20th, 2012.

Drew: Let’s talk motivation. It’s an important thing for characters (both good and evil) to have, but what is it? In the most abstract terms, it’s simply what the character wants, be it an object, a result, or a status (or avoiding any of those things). Morally, we can set up a continuum of motivation from altruism to greed, with most daily motivation falling somewhere in between. Comics, being a medium of contrasts, tend to focus on the extreme ends, with heroes often acting selflessly, with villains serving only their own ends. It’s an arrangement so ubiquitous, it can start to feel trite (which is why writers are so keen on subverting those expectations), but when it’s done well, as it is in Sword of Sorcery 5, it can remind us why we value those traits the way we do.

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Feb 26 2013

Batwoman 17

batwoman 17

Today, Patrick and guest-writer Suzanne are discussing Batwoman 17, originally released February 20th, 2013.

Patrick: We’re posting this two days after the Academy Awards, but I’m writing this at 9:25PM, Pacific Standard Time, the Thursday before the ceremony. I’m being so specific because I want to make a prediction: Lincoln will not win Best Picture (editors note: called it!). For everything Lincoln does well, it does not earn the sentiment expressed in its many soaring speeches. Endings are so naturally powerful, and it’s a shame how frequently Spielberg employs John Williams’ moving score and the impassioned performances of some of the best living Hollywood actors to approximate the feeling of catharsis. It’s a shortcut, it’s phony, and it stinks. J.H. Williams III and Hayden Blackman employ no such tricks as they wrap things up in Batwoman 17 and every single moving moment — and there are many — is earned.

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Feb 26 2013

Supergirl 17

supergirl 17 Hel

Today, Patrick and guest writer Zach are discussing Supergirl 17, originally released February 20th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: I likes me a good anti-hero. There’s nothing quite like cheering for a character’s success and failure at the same time. Let’s take Walter White as a perfect example of this in modern fiction. He is a terrible husband and father, and an even worse friend, who makes dangerous decisions in the name of greed, power and desperation. And yet, I cheer every single one of his personal victories, no matter how immoral they might be. So much of Breaking Bad is about that character finding a way to feel powerful in the face of illness and poverty, and about how that need to feel powerful never goes away. The ride is exhilarating because there’s nothing more satisfying than a character with agency. Say what you will about Walter White — he has goals and he takes the steps necessary to achieve those goals. Supergirl has no such agency. She spends the majority of issue 17, fighting Wonder Woman just because, and then stops fighting her for equally arbitrary reasons. Neither a hero, nor an anti-hero, Supergirl ends up the clueless victim of her own series. 

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