Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Agent Carter S.H.I.E.L.D. 50th Anniversary 1, Star Wars 9, Lando 4, Miracleman 2, Southern Cross 5, Tokyo Ghost 1, and Secret Identities 7. Continue reading
Today, Andrew and Taylor are discussing Captain America: White 1, originally released September 16th , 2015.
Andrew: After being unfrozen from the ice after 7 years, Jeph Loeb and Tim Sale have delivered on their long teased series dissecting our favorite Nazi kicking boy scout, Steve Rogers. In line with their color series (including Daredevil: Yellow, Hulk: Grey, and Spiderman: Blue), Captain America: White presents a retelling of what made Loeb and Sale fall in love with Captain America in the first place, focused through a thematic color. Loeb and Sale paint a critical picture of this icon without being cynical. The Cap we’ve seen so far is calm, confident, but above all, naive. He is a soldier but not a leader. He has the enormous privilege of superhuman abilities which separate him from ever truly sharing the average soldier’s experience. This privilege and optimism blinds him to the dangers he puts Bucky through. It’s his relationship and loss of Bucky that is put at the forefront of this issue and what ultimately makes him into the nuanced Marvel character that he became today. Continue reading
How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing Bizarro 4, Robin: Son of Batman 4, Green Lantern: The Lost Army 4, and Martian Manhunter 4.
Today, Drew and Michael are discussing Sex Criminals 12, originally released September 16th, 2015.
Drew: Human beings find meaning in things. It makes sense as a survival mechanism — recognizing patterns or hypothesizing causal links can lead us towards food or away from danger — but it’s also not something we can turn off. A friend of mine once pointed out that you can fill one of those logical analogies (you know, “puppy is to dog as kitten is to cat”) with four totally random words and it will still make some kind of sense — that is, we can find meaning in connections that are literally drawn out of a hat. To me, that means that “meaning” doesn’t necessarily have objective basis in reality — it’s a thing that we construct because that’s what our brains do. This has some rather profound existential consequences, but for the purposes of our discussion of Sex Criminals 12, I want to focus on what it means for the characters, as this issue finds them each extrapolating meaning that might not be there. Continue reading
Today, Patrick and Ryan M. are discussing Jem and the Holograms 7, originally released September 16th, 2015.
Patrick: One of the things I find most invigorating and fascinating about serialized fiction is the series’ need to evolve beyond its initial premise. And I’m using “premise” in the broadest possible sense of the word, to include things like patterns of storytelling, linguistic ticks, artistic vocabulary. If had stopped reading Scott Snyder and Greg Capullo’s Batman after a dozen issues, I never would have known that the series and its creative team was capable of telling beautifully colored stories, or if I had given up on LOST after two years, I never would have known that there’s a time-travel component to the story. These developments to both the narrative and how the narrative is expressed arise organically and only over time. As Jem and the Holograms begins a new story arc with artist Emma Vieceli stepping in for Sophie Campbell, the new DNA of the series reveals itself, promising a richer experience to come. Continue reading
Secret Wars is a mammoth event — Marvel has populated an entire Battleworld with Wolverines, Captains America and Spider-Men. There’s a lot in here that’s worth reading, but we don’t always have the time to dig deep into all of them. The solution? A quick survey of what we’re reading. Today, we’re discussing Infinity Gauntlet 4, Secret Wars Journal 5, Spider-Island 4, and Spider-Verse 5.
Today, Taylor and Spencer are discussing All-New Hawkeye 5, originally released September 16th , 2015.
Taylor: Often times I wonder what my life would be like had I made an important choice, differently. When I try to make this abstract thought game more concrete, I think about the decision I made of where to go to college. My life would be incomparably changed if I had attended a different university. Different friends, maybe a different major, and most likely living in a different city for the past eight years of my life. Hawkeye 5 at first has us thinking big choices never affect the totality of our lives, but as events unfold, it becomes clear a single choice can affect your life greatly.
Today, Michael and Patrick are discussing Constantine: The Hellblazer 4, originally released September 16th, 2015.
Michael: I’m going to tell you something that you’ve heard so much already that you’re going to want to stop reading after I tell you (but please, don’t): fiction is escapism. The simplest bit of escapism is tossing our problems aside and putting ourselves in the shoes of someone sexier, stronger, more likeable and generally just better than what we’re working with. There’s an equal amount of catharsis and distortion at play in this escapism. John Constantine isn’t the guy you are wishing you could be – he’s the guy who you’re thanking your lucky stars that you’re not. I mean, afterlife existential grief/survivor’s guilt makes your last break up look pretty vanilla. Continue reading
Today, Spencer and Drew are discussing The Fade Out 9, originally released September 16th, 2015.
Spencer: Those in power always prey upon those they consider “beneath” them. This is true in pretty much every aspect of life, but especially in the Hollywood depicted in Ed Brubaker and Sean Phillips’ The Fade Out. Almost every character in this title is a victim in one way or another, and issue 9 takes a special interest in the damage those with power inflict upon those less fortunate than themselves. Continue reading
Today, Spencer and Shane are discussing Phonogram: The Immaterial Girl 2, originally released September 9th, 2015.
Spencer: Quite a few people who know me in real life think that I’m very quiet and shy. I suppose that’s closer to the truth than I’d like to admit, but the reality is that if you get me talking about the right subject, I’ll never shut up. Sometimes, it actually scares me how I can only seem to relate to people if we can chat about comics or music or pop culture — especially as I grow older and my friends and family turn their attention more and more to falling in love and raising families. I have to wonder if there’s something wrong with me, if my hyper-intense focus on my hobbies makes me a lesser, “two-dimensional” person. The cast of Kieron Gillen and Jamie McKelvie’s Phonogram: The Immaterial Girl seem to be dealing with the same kind of worries in issue 2, even if they’re not quite self-aware enough to articulate them yet. Continue reading
Retcon Punch 