This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Drew: Bruce Wayne understands that his responsibilities as Batman demands sacrifice. He devotes his time, body, and earthly resources to his mission to fight crime, and generally takes that mission very seriously. All of which can look like he’s sacrificed his own happiness in order to be Batman. Or, more precisely, that his happiness is a necessary sacrifice for his existence. Batman’s drive, the argument goes, comes from his grief, anger, and sadness, so anything that blunts or dilutes those feelings weaken his mission. It’s a position DC Editorial staked out back in 2013, when Dan DiDio explained why Batwoman’s marriage could never happen, but it’s not necessarily a philosophy writer Tom King ascribes to. Indeed, King has argued that Batman’s happiness is a valuable source of drama, stating “There’s no conflict in having Batman be sad. There’s conflict in having Batman be happy.” That may mean King sees Batman’s happiness as only a temporary condition, but it’s obviously not out of the question. The point is, it’s a hotly debated topic, and one that King cleverly allows to play out in the pages of Batman 50. Continue reading →
Today, Drew and Patrick are discussing Captain America: Sam Wilson 7, originally released March 30th, 2016.
Those who cannot remember the past are condemned to repeat it.
Drew: Perhaps its ironic that I never knew the origin of the oft-paraphrased quote above, but it actually comes from the first volume of Santayana’s The Life of Reason, published in 1905. In its original context, the quote seeks to balance progressivism with retention of the past. Of course, it’s possible to take that too far, and some might argue that superhero comics are too obsessed with their own history to make any meaningful progress. It’s a difficult balance that I certainly don’t envy trying to strike — fans want new stories, even as they want their favorite stories and characters celebrated — but its one that Captain America 7 aims for. Marvel assembles one hell of a creative lineup for this celebration of Captain America’s 75 year history, but circumstances may have put them all in a no-win situation. Continue reading →
Today, Michael and Spencer are discussing Bizarro 6, originally released November 18th, 2015.
Michael: With the countless stories we have read or watched we have (most likely) seen the same number of finales. We’ve seen finales we’ve loved, ones that are easily forgettable and, of course, the ones that the general public can’t ever seem to forgive. We are all our own experts on the “art of the finale.” Heath Corson and Gustavo Duarte treat their Bizarro finale with the same unique and fun approach that they’ve taken with the series thus far, while still playing to the finale tropes we recognize. Continue reading →
Today, Taylor and Drew are discussing Captain America: White 2, originally released September 30th, 2015.
Taylor: For some reason, when I think about World War II, it doesn’t seem like it happened all that long ago. Maybe this is because the war shares many of the same things we see in warfare today like airplanes and tanks and machine guns. Or perhaps the reason it seems fresh is that WWII was a substantially photographed and filmed war, making it an frequent topic of documentaries. Still more, WWII has been the backdrop for much of the pop-culture that has pervaded the 20th and 21st centuries, and with each new story set between the years 1939 and 1945 the war comes alive once again. But WWII ended 70 years ago and few still live who actually saw or took part in its events. It’s a weird dichotomy, this difference between perceived and actual length of time, and if nothing else, Captain America: White 2 has me considering this subject deeply.
Today, Andrew and Taylor are discussing Captain America: White 1, originally released September 16th , 2015.
Andrew: After being unfrozen from the ice after 7 years, Jeph Loeb and Tim Sale have delivered on their long teased series dissecting our favorite Nazi kicking boy scout, Steve Rogers. In line with their color series (including Daredevil: Yellow, Hulk: Grey, and Spiderman: Blue), Captain America: White presents a retelling of what made Loeb and Sale fall in love with Captain America in the first place, focused through a thematic color. Loeb and Sale paint a critical picture of this icon without being cynical. The Cap we’ve seen so far is calm, confident, but above all, naive. He is a soldier but not a leader. He has the enormous privilege of superhuman abilities which separate him from ever truly sharing the average soldier’s experience. This privilege and optimism blinds him to the dangers he puts Bucky through. It’s his relationship and loss of Bucky that is put at the forefront of this issue and what ultimately makes him into the nuanced Marvel character that he became today. Continue reading →
Drew: This past weekend, I had the distinct pleasure of attending Boston’s own Comic Con. Like Peter and Shelby‘s recent experience at C2E2, this was my first con. I arrived a little late, and found the line stretching around the block (the entrance to the convention center is around the corner and down a looong city block from where I took that picture), but was only the first of many lines I would enjoy that day. Continue reading →