Tag Archives: Beast

Aug 29 2013

New Avengers 9

Alternating Currents: New Avengers 9, Drew and PatrickToday, Drew and Patrick are discussing New Avengers 9, originally released August 28th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Drew: The US is lucky to have never fought a modern war on its own soil. Wartime always divides our attention between the warfront and the home front. Of course, governing a country can be a handful even in peace, so one of these often gets put on the back-burner. During World War II, it seemed that the emphasis was on the war, with resources being reallocated such that almost every American was consciously aware of the war effort. It was this kind of attitude that made George Orwell see war as an effective means of controlling the populations of Oceania in 1984 — war acts as both an explanation for a shitty situation AND a rousing source of patriotism. More recently, however, it’s been the war front that people push to the back of their minds, at times all but forgetting we’ve been at war for over a decade. That very well could have been the attitude on Earth as the Avengers rode off to face the Builders, an abstract threat that no earthling has ever even seen (hell, it’s likely that the public doesn’t even know about the threat), but they sure start to feel it in New Avengers 9. Continue reading →

Aug 19 2013

Cram Session: New Avengers 1-8 – Incursions

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

What’s worse than parallel worlds smashing into each other? Not even knowing that that’s what’s happening in New Avengers. Here’s the story of what the Illuminati are putting on hold to fight aliens in your precious Infinity.

Aug 14 2013

All-New X-Men 15

all new x-men 15

Today,  Shelby and Patrick are discussing All-New X-Men 15, originally released August 7th, 2013.

Shelby: No one knows better than I the importance of taking a break every once in a while; heck, I took several writing breaks before I even started this post. But seriously, it’s important to take breaks to keep from getting burned out, and the same applies to comic books. Stories take little breaks with what we call “hang-out issues,” where the bulk of the plot consists of the characters hanging-out. The beauty of the hang-out issue is, when it’s done well, we get a story break AND character development. Artists take breaks too, but the obviously visual nature of art can make an artist break more jarring and disruptive. This month, Brian Michael Bendis gives us a story break as we wait for Battle of the Atom to start, and David Lafuente gives Stuart Immonen a break on pencils; the result is a story which feels very different from what we’re used to in All-New X-Men.

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Jul 31 2013

New Avengers 8

new avengers 8

Today, Patrick and Drew are discussing New Avengers 8, originally released July 24th, 2013. 

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Patrick: “What have you done?” This phrase appears a couple times throughout the issue. It’s a fantastically loaded question, both accusatory and sincerely seeking an answer. With so many balls in the air, and so many mysteriously motivated characters, I find myself asking the same question of our heroes. But rather than being motivated by anger or desperation or any emotion whatsoever, I’m asking for clarification. “Hey, Tony,” I ask, hands sheepishly in my pockets, “what did you do?”

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Jun 26 2013

New Avengers 7

new avengers 7

Today, Spencer and Patrick are discussing New Avengers 7, originally released June 19th, 2013. 

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Spencer: The more responsibility you have, the harder it is to find time to yourself. I consider myself fortunate to have a job that I can ignore completely on my days off, but if I was, say, a CEO or the president, I just wouldn’t have that luxury; there are no days off when you’re that important. As the self-appointed protectors of our universe, the Illuminati fall firmly into that camp. Even as the threat of the Incursions recedes for the moment, they’ve still got more than their fair share of life-or-death, morally gray decisions to make.

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Jun 4 2013

New Avengers 6

new avengers 6

Today, Patrick and Drew are discussing New Avengers 6, originally released May 29th, 2013. 

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Patrick: My favorite game in the Resident Evil series is the 2002 Game Cube remake of the original. There were a lot of ways that it improved on the quality of the first game, while finding inventive new ways to escalate that feeling that everything could fall apart at a moment’s notice. The most startling addition to the game was that any zombie that hadn’t been properly decapitated (or burned) could re-rise from the dead and attack you as some kind of super-zombie. The in-game written materials speak of this in vagaries, but you’re largely left to discover this new gameplay mechanic by experiencing it first hand — usually while screaming that you hadn’t saved in over an hour. But that moment when you’re walking through a room you cleared out 20 minutes earlier and you’re set upon by an enemy you can’t easily defeat is one of the most effective expressions of horror in video games. Just when the Illuminati seem to have figured out how to defend themselves against a collision of parallel Earths, the threat is immediately revealed to be well beyond what any of them understand, so why do they all look so relieved?

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May 6 2013

All-New X-Men 11

all new x-men 11

Today, Drew and guest writer Charles Cress are discussing All-New X-Men 11, originally released May 1st, 2013.

Drew: Superhero comics have a strange line to walk when it comes to serialization. We want a sense of forward movement — we want the characters to grow and change — but we also want to read stories with them forever. In essence, we want the excitement of serialization (your LOSTs or your Breaking Bads) with the comfort of a more episodic structure (your Seinfelds or your Law and Orders). The problem with that is when something we expect to move forward doesn’t, we notice it. “Wheel spinning.” This is strictly a problem with expectations — nobody would ever accuse an episodic series of spinning its wheels — but Brian Michael Bendis has done such a stellar job at telling a propulsive story in All-New X-Men, it’s a little jarring when issue 11 retraces its steps.

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May 6 2013

A + X 7

a+x 7

Today, Spencer and Taylor are discussing A + X 7, originally released April 24th, 2013.

Spencer: We live in an era of comics where six-month storylines are the norm and accusations of decompressed storytelling abound. Some stories are worth the space, but others just feel like they’re grasping for ways to fill out a trade paperback. Regardless, I’ve found myself greatly appreciating shorter storylines as a result, and as a writer who often struggles in vain to be concise, I admire a creative team that can fit a complete story into a small amount of space and not have it feel lacking. This month’s A+X not only tells two such stories, it even manages to throw in a twist ending; color me impressed!

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Apr 8 2013

All-New X-Men 10

Alternating Currents: All-New X-Men 10, Drew and Shelby

Today, Drew and Shelby. are discussing All-New X-Men 10, originally released April 3rd, 2013.

Drew: They say that history is written by the victors. Generally, we mean that in a societal sense: the winners of wars paint their cause in a favorable light, which is why successful overthrows of the government are called “revolutions,” while failures are called “civil wars.” But what if we applied the phrase personally? Our lives are made up of decisions and compromises, which we tell ourselves were the right ones. This is easy enough to do, since we can always paint the opposing choice as naiveté or ignorance — sure, being a fireman seemed like a cool idea when I was six, but I realized it really wasn’t what I was interested in as I grew older — but does that mean it’s always right? This is hard to know because of the one-sided relationship we have with the past — we may know the mindsets of our past selves, but those past selves can’t know the circumstances that lead to where we are now. All-New X-Men has reveled in the idea of a dialogue with the past, forcing its characters to defend their actions in ways that they never would otherwise. Issue 10 brings this dialogue to a head, as Old, Evil Scott (as we’ve taken to calling him here) provides a measured response to Young Scott’s impassioned “how could you?”

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Apr 1 2013

Superior Spider-Man 6AU

superior spider-man 6AU AU

Today, Ethan and Patrick are discussing Superior Spider-Man 6AU, originally released March 27th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Ethan: Familiarity is a funny thing. The exposure we have to a thing or activity, the more hard-wiring space our brains devote to it. That’s great when you need to do something quickly — like recognize and react to a baseball flying at your head — or when you do something the same way over and over — like driving a route to work every day. That hard-wiring can save you from injury, or save on processing power that could be put to other use. Automatic responses aren’t always helpful though; sometimes your conditioning assigns a label and to situation too quickly and funnels you into a course of action that almost always works, but not this time. In the Age of Ultron crossover Superior Spider-Man #6, writer Christos Gage and artist Dexter Soy demonstrate the folly of this kind of snap judgement as Otto Octavius (in the body of Spider-Man Peter Parker) faces off against the malicious artificial intelligence. Continue reading →