We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Amazing Spider-Man 23, Cage 4, Captain America: Sam Wilson 18, Clone Conspiracy 4, Patsy Walker AKA Hellcat 14, Star-Lord 2, Ultimates 2 3, Unbelievable Gwenpool 10 and Uncanny Inhumans 18. Also, we will be discussing Invincible Iron Man 3 on Monday, Deadpool the Duck 2 on Tuesday, and Black Widow 10 on Wednesday, so come back for those! As always, this article contains SPOILERS.
Tag Archives: Charles Soule
(p)review: Curse Words 1 – SPOILERS
Last week, we started a conversation about Curse Words 1. The issue hadn’t been released at the time and there’s an awesome twist at the end that we knew we had to discuss somewhere. If you haven’t read the issue yet, maybe check out that spoiler-free discussion, and then come back here for our conversation about That Big Twist. You’ll know it when you see it. Obviously, SPOILERS follow.
Patrick: So, okay, like 95% of this story is pretty well-examined territory in fantasy and science fiction right? An outsider from another world visits our own and falls in love with the places and the people and decides to make a home of Earth. Or protects it or whatever. Where Charles Soule and Ryan Browne’s first issue delightfully subverts that narrative by demonstrating that, while New York city has charmed Wizord, it hasn’t exactly made him a better person. For real, spoilers ahead.
Daredevil 15
Today, Ryan D. and Michael are discussing Daredevil 15, originally released January 11th, 2017. As always, this article contains SPOILERS.
Ryan D: Sometimes I forget a simple fact about Matt Murdock: he is a tricky dude. Seeing as he does not have quite as spectacular of a power set as many of our better-known Marvel heroes, Murdock relies a great deal on trickery and misdirection to best many of his foes. Off the top of my head, I recall times when he has faked his own and Foggy’s death, had Danny Rand dress up as Daredevil to help keep his own identity secret, become the Kingpin and leader of the Hand, and even become a drifter in Upstate New York. Matt has something new up his sleeve in the new arc of Charles Soule’s Daredevil, featuring a slightly different tone and art than the recent arcs of this run. The question is: did the Man without Fear bite off more than he can chew with this scheme? Continue reading
Star Wars: Poe Dameron 10

Today, Michael and Mark are discussing Star Wars: Poe Dameron 10, originally released January 11th, 2017. As always, this article contains SPOILERS.

Michael: In the beginning there was Star Wars and it was good. Then came The Empire Strikes Back, Return of the Jedi and eventually what would be known as “The Expanded Universe.” The original Star Wars films are classic stories of good vs. evil that served as the groundwork for the countless novels, comic books and video games that The Expanded Universe built on. Marvel has made it very clear that EU no longer exists within their Star Wars realm. But the current Poe Dameron arc “The Gathering Storm” has a lot of that EU spirit – specifically in the series’ antagonist, Agent Terex. Continue reading
Marvel Round-Up: Comics Released 1/11/17
We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing All-Star Wolverine 16, Captain America: Steve Rogers 9, IvX 2, Mighty Thor 15, Ms. Marvel 14, Power Man and Iron Fist 12 and Silk 16. Also, we discussed Unbeatable Squirrel Girl 16 on Thursday and Deadpool 24 today, and will be discussing Daredevil 15 on Wednesday, so come back for those! As always, this article contains SPOILERS.
Continue reading
(p)review: Curse Words 1
(p)reviews are a bit different from our usual coverage, as they discuss comics that haven’t come out yet. As such, we’ll avoid our usual spoilers — think of it as part preview, part review. Today, Drew and Patrick are discussing Curse Words 1, which will be released Wednesday, January 18th, 2017. If you’re looking for a Spoiler-y discussion, click here.
I’m outta balloons. Is a baggie all right?
-Lance, Pulp Fiction
Drew: Rules are fundamental to our understanding of any narrative. For most, the only “rules” we need to understand are those of the world we live in — physics, social norms, human nature — but other narratives take us out of this comfort zone. Pulp Fiction may seem like an odd choice to illustrate this point, but when I first saw the movie in high school, the world of recreational opiates was foreign enough to me that someone had to contextualize the line I included above, which explains why Mia Wallace later confuses heroin for cocaine. That heroin was normally packaged in balloons was an important rule, but not in the moment the concept is introduced — a kind of Chekhov’s baggie of heroin, if you will. As a story featuring magic, Curse Words promises to take us even further from the rules we know, but just like that line from Pulp Fiction, its first issue seems to lay some key groundwork for the rules that will govern the series. Continue reading
Best of 2016: Best Writers
In such a collaborative medium as comics, it can be difficult to say where a writer’s influence on the story ends, but there’s no question on where it begins: words on the page. Whether they thrill, elate, chill, or deflate, the best writers create characters, settings, and situations we want to return to, again and again. These are our top 10 writers of 2016. Continue reading
IvX 1
Today, Spencer and Patrick are discussing IvX 1, originally released December 14th, 2016. As always, this article contains SPOILERS.
Spencer: Last month’s IvX 0 did a fantastic job of summing up the conflict between the Inhumans and the X-Men and showing why their going to war was only a matter of time. Charles Soule, Jeff Lemire, and Leinil Francis Yu’s IvX 1, though, is the issue where that powder keg finally ignites into all-out war, and war…well, war is ugly. IvX 1 plays up the fun of watching these two groups duke it out, but also the pain and sadness inherent in its scenario. Continue reading
IvX 0
Today, Spencer and Drew are discussing IvX 0, originally released November 30th, 2016. As always, this article contains SPOILERS.
Spencer: I don’t know much about my ancestry or heritage other than the fact that I’ve got blood from at least six or seven different European countries in me (I’ve been known to describe my ethnicity as “White Mystery”). Combine that with a family that’s never been all that worried about tradition and you get a guy who just doesn’t care about his culture (if I could even be considered as having one). This is absolutely not the case with the mutants or the Inhumans, though; although the two groups’ concepts of culture and tradition differ greatly, they’re absolutely vital to both camps. That’s something Charles Soule and Kenneth Rocafort make abundantly clear in IvX 0 — the conflict that’s been brewing between them isn’t really about the literal deaths of individuals anymore, but about the possible figurative death of their very ways of life. Continue reading
Death of X 4

Today, Patrick and Michael are discussing Death of X 4, originally released November 23rd, 2015.
Patrick: At the risk of making a statement that’s been made a million times already: 2016 has been a hell of a year for high-profile deaths. Calling them “celebrity deaths” would be underselling it — figures like Muhammad Ali, Fidel Castro and Prince virtually changed the fabric of reality simply by existing in it. But for all their earth-shifting influence, their deaths were all quiet, ultimately meaningless affairs. These revolutionaries did not die they way they lived, which is to say, their deaths made no specific statement. Bucking the trend, was David Bowie, who had released an eerie, melancholy record in the final weeks of his life. Bowie knew that his life was performance – it was challenging and honest – and that his death should be the same. In Death of X 4 Jeff Lemire and Charles Soule close the book on the life of Scott Summers, insisting that he die the way he lived, a revolutionary, even if that’s a performance he was never putting on.






