All-New X-Men 26

all new x-men 26

Today,  Patrick and Greg are discussing All-New X-Men 26, originally released April 20th, 2014.

Patrick: Superheroes are tools. No, not the “Superman is such a tool” kind of way, but in that they are all able to act as narrative and emotional shortcuts. Between shapeshifters and psychics, healers and teleporters, extra-dimensional sorcerers and reality-manipulators, there’s really nothing that the X-Men aren’t capable of. The brevity with which they can be used to evoke emotions might be even more impressive — just think of the ennui immediately invoked by the appearance of Jean Grey, or the uneasy sense of righteous revolution that accompanies Magneto. Brian Michael Bendis’ All-New X-Men seems designed to celebrate this tool box: bring the original quintet of X-Men to the present day brings all of those emotional shortcuts to the fore. Issue 26 might be the first time Bendis actually uses those tools, instead of laying them out neatly for us to all to quietly admire before putting them back in their protective cases. Continue reading

All-New X-Men 25

Today,  Taylor and Shelby are discussing All-New X-Men 25, originally released April 9th, 2014.

Taylor: They, the ever shifting and nebulous authority that knows more than us, is always saying that hindsight is 20/20. Once events have played out, we know exactly what we should have done in a given situation to obtain our desired results. It’s a damned feeling; there’s nothing you can do about it but you kick yourself for not doing the right thing. This feeling is often so frustrating that it can keep us up at night, pondering the grand “what if?” While that can be crushing, just imagine what the feeling would be like if perhaps you could change the past, if only you thought about it hard enough. Hank McCoy (the one in his proper time) knows this feeling and All-New X-Men 25 shows us just how deep and dark that hole can be.

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A + X 18

a+x 18Today, Patrick and Drew are discussing A + X 18, originally released March 28th, 2014.

Patrick: There was always going to be something artificial about the A + X conceit. For as much as it feels like they’re all good guys, so they should have no problem teaming up for a little BAM-POW superhero adventuring, there’s just too much baggage to sustain it for very long. As the series comes to close, it appears that A + X was a promise too heavy to be supported by such a fluffy, carefree experience. The final issue seems split on this opinion, simultaneously expressing how similar the two groups are while stubbornly refusing to find common ground between the two.

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A + X 16

a+x 16

Today, Patrick and Taylor are discussing A + X 16, originally released January 8th, 2014.

Patrick: We quiet, sensitive nerds at Retcon Punch tend to bask in the more intimate, honest moments in our superhero beat-em-ups. It’s not that we don’t also love a good fight or car chase or explosion or whatever, but we savor those moments when the characters stop to catch their breath. Its in those moments where the characters actually distinguish themselves, not in between punches, but after when all their precious training and superpowers can’t assist them. A+X 16 tells two such stories, neither of which have easy answers and both show the real mettle of our heroes.

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A + X 15

a+x 15

Today, Ethan and Scott are discussing A + X 15, originally released December 11th, 2013.

Ethan: A + X revels in the chance to turn big name team-ups into superpowered Laurel & Hardy shorts, and A + X 15 follows suit. Along the way, we get a rehash on an age old question of metaphysics, a bio of a famous president, and the alien invasions of our fast-food franchises.

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Uncanny X-Men 15.INH

uncanny x-men 15 INH

Today, Taylor and Drew are discussing Uncanny X-Men 15.INH, originally released December 11th,  2013.

Taylor: The wonderful thing about monthly comics is that you get to spend a lot of time with the characters you love. When you think about it, these characters become part of your life for months and sometimes even years. The massive amount of space and time allotted to authors to bring these characters to life is full of potential and can pay off in unexpected ways. By not being constricted with set schedules and the need to develop a plot quickly, authors have the chance to tell us stories with characters that are as real as the people we meet in everyday life. In Uncanny X-Men 15.INH Brian Michael Bendis shows us the limitless possibility of character development in comics as well as some of its pitfalls. It’s a fascinating read — and fun to boot.

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Weekly Round-Up: Marvel Comics Released 11/20/13

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Ethan discuss Thunderbolts 18, A+X 14, Superior Spider-Man Annual 1, Longshot Saves the Marvel Universe 2, Young Avengers 12, Uncanny X-Men 14, X-Men 7, and X-Men: Legacy 20.

slim-banner4Drew: Our Infinity-fatigue is pretty well catalogued at this point, but Charles Soule continues to find a fresh angle in Thunderbolts 18. Where other series are preoccupied with piecing together a monolithic narrative by retracing the same steps, Soule has stayed very street-level, keeping his team focused on the mission at hand, even as New York crumbles around them. They manage to succeed in that mission in spite of each of them being focused on their own problems. Indeed, with a significant portion of the resolution arriving via the coincidental overlap of those problems, this series feels all the world like the superhero version of Seinfeld. Continue reading

All-New X-Men 18

Today,  Ethan and Taylor are discussing All-New X-Men 18, originally released November 13th, 2013.

Ethan: The best part of being in a relationship is that you get to spend so much time with the one you love. The worst part of being in a relationship is that you get to spend so much time with the one you love. For the X-Men, isolated from the world by that tricky little accident of being born with the X-gene, their ties to each other are incredibly strong. It’s no surprise that they so often find passionate love and lifelong friendship inside their circle. Just like any family or couple, though, they often drive each other completely crazy. Breathing room is hard to find when you’re all stuck in the same space, whether it’s a mansion or a mountain bunker, and All-New X-Men #18 explores how they fight, how they cope, and how they move forward.

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Wolverine and the X-Men 37

wolverine x-men 37 atom

Today, Patrick and Ethan are discussing Wolverine and the X-Men 37, originally released October 23rd, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Patrick: Marvel and DC are known for their outrageously fun sandboxes. Each publisher has an impossibly large sack of toys to play with, and creators work their entire lives to have access to them. And when they finally get their hands on those toys, the gloves come off, and the story telling gets ambitious, bombastic and spectacular in every sense of that word. Brian Bendis, Brian Wood and Jason Aaron may have been given access to a shallower sandbox, but their gleeful deployment of several versions and generations of the same handful of characters has cast an enormous number of iconic characters into the spotlight. We’ve had the pleasure of watching them wrestle with the emotional result of all of these characters coming together, but Wolverine and the X-Men 37 finally gives us the Battle Royale (of the Atom) we’ve been waiting for. It trips every pleasure-center in my lizard brain, and I’m suddenly 9 years old, playing with my toys in my childhood bedroom. In this way, Battle of the Atom achieves something amazing — not only do I have to confront time traveling X-Men, I have to reconcile my own prepubescent excitement, as it rockets from the past and lands squarely in the present. Continue reading

Wolverine and the X-Men 36

Alternating Currents: Wolverine and the X-Men 36, Drew and TaylorToday,  Drew and Taylor are discussing Wolverine and the X-Men 36 originally released September 25th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Isn’t it worth a few bruised children to save the entire future?

Xavier

Drew: Sacrifice is a funny thing. If helping others requires harming yourself, people will hail you as a hero, but if it requires someone else being hurt — even with the same net result — people hem and haw about ends justifying means. Obviously, the sticking point is free will; it’s perfectly okay to willingly do something yourself, but each of us must be free to make that choice. Of course, that can become a bit of a sticking point in time travel narratives, where there’s a sense that certain things have to happen — Sarah Connor has to survive to give birth John, Marty McFly’s parents have to kiss at the enchantment under the sea dance — in order for the story to even be possible. We tend to focus on the potential paradoxes there, often forgetting that the affected characters have effectively had their free will’s sacrificed by whatever time-travelers happen to be meddling with their pasts. The morality of that act is under scrutiny in Wolverine and the X-Men 36, as Jason Aaron adds new players to both sides of the debate. Continue reading