Today, Spencer and Patrick are discussing Batman 40, originally released April 29th, 2015.
Spencer: Batman 40 is a dense issue. I’ve lingered over this issue in a way I haven’t lingered over a comic in quite a while. Every page is rich with meaning, both in the writing and the art, and it would take far more space than Patrick and I have allotted here to fully unpack it. Let me assure you all, though, that doing so is more than worth the time and effort. Batman 40 is a masterpiece that can be enjoyed on numerous levels, and I think it’s an issue we’re going to be dissecting for a long time to come. So let’s get to it. Continue reading →
Today, Michael and Drew are discussing Detective Comics Endgame 1, originally released March 11th, 2015.
Michael: If there is one thing that the big two comics publishers suffer from it’s the excessive reliance on crossovers. DC especially has pimped out every major Batman storyline that Scott Snyder has produced thus far, hijacking the narratives of books like Batgirl and the like to show the goings on of Owls/Jokers/Zero Years from the other Bat-perspectives. It seems that DC has gotten hip to their overreliance on these types of stories, and instead gives us a series of one-shots that tie into the events of Batman’s current “Endgame” arc. So, does Detective Comics Endgame 1 add much to Brian Buccellato and Francis Manapul’s Detective Comics and/or Scott Snyder’s “Endgame?” Not so much. Continue reading →
Today, Drew and Patrick are discussing Batman 38 originally released on January 28th, 2015.
Drew: Fiction has a complex relationship with expectations. We want fiction to meet some expectations — that it should feature the conflicts and conceits pitched on the back cover, that it meets whatever network of expectations that might make it “believable” — but we also want it to defy others. The story of a farm girl suffering a concussion during a tornado may be believable, but it doesn’t capture our imaginations in the same way as the adventures she has when she thinks she’s whisked off to the magical land over the rainbow. Exactly how a story balances meeting and subverting our expectations varies from genre to genre, writer to writer, even moment to moment, but most stories seem to get the most mileage out of meeting our expectations just long enough to really surprise us when the unexpected hits. After three epic arcs of defying expectations, Scott Snyder and Greg Capullo’s Batman has an even more complex relationship with the expected, creating a situation where the surprises may very well be the expected norm to be subverted. Continue reading →
Today, Drew and Ryan are discussing Batman 36 originally released on December 17th, 2014.
Second verse, same as the first! A little bit louder and a little bit worse!
Drew: Repetition is everywhere in art, from the themes of symphonies to the expectation that the hero will prevail, but do you ever wonder why we like repetition so much? Doesn’t it also make art tired and predictable? I suppose some material is more conducive to repetition than others — star-crossed lovers is a more versatile premise than, say, a hot tub time machine — but I would argue that everything can overstay its welcome. Comics are particularly prone to repetition (who will Superman save the day from this week?), but Scott Snyder and Greg Capullo have taken that repetition a step further, regularly weaving recreations of iconicBatmanmoments into their run (even as recently as last issue). Their love and respect for Batman’s mythology is beyond reproach, but that very emphasis they give every moment may have hit the point of diminishing returns in Batman 36, as Snyder struggles to make Joker even worse than he was the last time he showed up. Continue reading →
Today, Patrick and Drew are discussing Batman 36 originally released on November 12, 2014.
Patrick: Joker is one of those characters that resists definition. In fact, we often use that lack of definition as a defining trait. I’m going to do a disservice to whoever made this observation — because I can’t remember where I first encountered it — but the most terrifying thing about Joker is that you never know whether he’s going to murder a child or throw a pie in Batman’s face. Arguably, the only thing that motivates the character is the desire to be a good Batman villain. Scott Snyder and Greg Capullo have played with this idea before — the Death of the Family even had Joker buying into the importance of their “relationship” — but this latest arc in Batman seems poised to establish Joker as something else entirely. He’s not a instrument of random, but intriguing, chaos, and he’s not in love with Batman. No: he’s Batman’s nemesis, and that means that he’s a sort of anti-detective, setting up mysteries that Batman cannot solve, corrupting superheroes and putting everyone’s lives in danger in the process. Continue reading →
Today, Suzanne and Taylor are discussing Batman 35 originally released on October 8, 2014.
Suzanne: As a reader, I’m constantly shifting my understanding of “realism” in comics. I try to be mindful of my relationship with suspension of disbelief, although the line between credible and ridiculous is a subjective thing. Some people look for flaws and inconsistencies in storytelling while others are just looking to be entertained. Superboy Prime’s punch through reality not withstanding, I usually am able to fully transport myself into the world of fantasy. This isn’t necessarily easy in a universe where a man can harness a ring of willpower and befriend a talking alien chipmunk in the same panel. Continue reading →