Tag Archives: Gerry Duggan

Jan 5 2017

Best of 2016: Best Issues

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Episodic storytelling is the name of the game in monthly comics. Month- or even multi-year-long arcs are fine, but a series lives and dies by its individual chapters. From self-contained one-offs to issues that recontextualize their respective series, this year had a ton of great issues. Whittling down those issues to a list was no easy task (and we look forward to hearing how your lists differ in the comments), but we would gladly recommend any (and all) of these issues without hesitation. These are our top 10 issues of 2016. Continue reading →

Nov 2 2016

Deadpool 21

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Today, Taylor and Patrick are discussing Deadpool 21, originally released October 26th, 2016. As always, this article contains SPOILERS.

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Taylor: The Music Box Theater in Chicago has an ongoing series of film showings called “Is It Still Funny?” The premise of the event is that viewers go and watch an older comedy film and then listen to a discussion that begs the questions “is this film even funny anymore?” It’s an interesting idea and I think it works because unlike other genres, comedy tends to not age well. There’s a slew of reasons for that and here is not really the place to get into it, but the question is interesting when applied to a character like Deadpool. At what point do all of his antics fail to amuse and humor? More importantly, at what point do they begin to put innocent lives in danger?

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Oct 4 2016

Deadpool Annual 1

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Today, Taylor and Drew are discussing Deadpool Annual 1, originally released September 28th, 2016. As always, this article contains SPOILERS.

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Taylor: As a kid, I was a cartoon addict. I would wake up at 6:00 am every day for the sole purpose of watching cartoons for an hour before school. Needless to say, Saturday morning cartoons were like manna from heaven for me. Being young, I watched these cartoon shows for hours on end indiscriminately. In retrospect, much of the shows I watched were truly awful, sporting low production values and shoddy writing at the best of times. Still, I fondly remember these cartoons, and I’m willing to bet most children of the ’80s look back on these cartoons through a rosy lens like myself. In the Deadpool Annual, writers Gerry Duggan and Brian Posehn take a look back at these shows and wonder what would happen if the Merc with the Mouth had gotten his own crack at Saturday morning.

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Jun 7 2016

Deadpool 13

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Today, Patrick and Drew are discussing Deadpool 13, originally released June 1, 2016 

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Patrick: Hey, do you think we’re too comfortable with Deadpool? We know he’s a bastard that plays fast and loose with the value of human life, but there’s a jeu de vivre to the character that makes him immanently lovable. But what do readers and fans stand to gain from looking past Wade’s uglier qualities? He’s supposed to be chaotic, he’s supposed to be subversive — those are the Deadpool qualities that we celebrate. But readers sorta need to employ their own fan-canon in order to reconcile that chaos, with the often-adorable, infinitely accepting, ultimately heroic Deadpool we have in our minds. It’s that second version of Deadpool that writer Gerry Duggan has tapped for the better part of the last three years to build up Deadpool’s cast of friends, employees and even family. Recent issues have seen those relationships strained, or even destroyed, leaving Wade Wilson to be reflected upon and defined by people outside his inner circle in issue 13. Cleverly, issue 13 is also kind of an issue of Daredevil and kind of an issue of Power Man & Iron Fist, meaning the opinions we’re getting aren’t just from characters outside of Deadpool, but creators outside of Deadpool. The consensus? Wade Wilson kinda sucks.

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May 3 2016

Doctor Strange 7/Doctor Strange: Last Days of Magic 1

doctor strange roundupToday, Spencer and Taylor are discussing Doctor Strange 7 and Doctor Strange: Last Days of Magic 1, originally released April 27th, 2016.

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Doctor Strange 7

Spencer: Science vs. magic, in one form or another, has been a debate since the beginning of time. Those fighting this battle defend their side vehemently, probably because the conflict taps into a number of elemental aspects of the human condition, such as the origin of life, the idea of a higher power, and perhaps most fundamentally, the balance between order and chaos. The thing most people lose sight of, though — especially the Imperator of the Empirikul, villain of Jason Aaron and Chris Bachalo’s Doctor Strange 7 — is that it isn’t an either/or proposition. Science and magic can, and should, exist side-by-side. Continue reading →

Mar 4 2016

Deadpool 8

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Today, Patrick and Taylor are discussing Deadpool 8, originally released March 2, 2016 

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Patrick: Every couple years, Drew and I end up having a conversation about the “death of irony” or the “death of sincerity” and every time we have it, we’re basically blowing smoke out our asses. Concepts like “irony” and “sincerity” need not be mutually exclusive – in fact that’s where most genre fiction rest: comfortably in both camps. A superhero comic in 2016 wears the trappings of a superhero comic because its creators and its audience simultaneously love and are bored by those trappings. That puts a character like Deadpool in a tricky spot, when it seems like his mission statement is to subvert what is gradually becoming the insubvertible. Deadpool’s popularity almost works against him in this regard – how can you continue to classify him as a misfit underdog if everyone loves him? And then there’s the wildly successful Deadpool film, catapulting audiences acceptance of the Merc with the Mouth to meteoric heights. Writer Gerry Duggan and editor Jordan D. White act as Deadpool’s tonal shepherds in this series, keeping the character’s aims purely subversive, the key difference is that the subject they’re subverting is no longer as broad as “comics” or “superheroes” or “the 90s” – the subject is Deadpool.

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Jan 4 2016

Chewbacca 5

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Today, Taylor and Patrick are discussing Chewbacca 5, originally released December 30th, 2015.

Taylor: In the new Star Wars movie, it’s apparent that director J.J. Abrams wanted to make Chewbacca a more rounded character. The need for doing this is plain – Chewbacca is one of the main characters in the Star Wars movies, but he’s little more than Han Solo’s charismatic shadow. Abrams rounds out Chewbacca by having him interact with more characters than just Han and by also giving him more heroic things to do like blasting stormtroopers. For the most part I find this to be a fairly successful venture into Chewbacca’s character. He’s portrayed as being important but not to the point that his language barrier interferes with things at all. The Chewbacca comic series similarly attempts to flesh out this character, but as issue 5 highlights, it is not nearly as successful as Episode 7.

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Dec 10 2015

Deadpool 3

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Today, Patrick and Spencer are discussing Deadpool 3, originally released December 9th, 2015. 

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Patrick: The book responsible for shaping most modern improvised comedy is titled, simply Truth in Comedy. The title comes from the idea that the most honest reactions to unusual stimulus are going to be the funniest – essentially espousing that the truth is the ultimate punchline. That’s surprisingly poignant in a medium that could so easily be — and so frequently is — desperate performers mugging for a laugh. Real, sustainably funny scenes can only come from emotionally honest performances. But the title of the book actually implies something else: that the greatest truths can be found through the vehicle of comedy. I have yet to really come to a meaningful conclusion about why that is, but laughing with a character for long enough makes me sympathetic to them, and forges a connection between them and the audience. Deadpool is a fine case study of this phenomenon – through thousands of gags, and a handful of vulnerable turns, the audience is trained to trust and love him in a way we simply cannot extend to his facsimiles in the Mercs for Money. Continue reading →

Nov 18 2015

Infinity Gauntlet 5

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Today, Spencer and Drew are discussing Infinity Gauntlet 5, originally released November 11th, 2015. This issue is part of Secret Wars. To see more coverage of this week’s Secret Wars issues, check out our Marvel Round-Up.

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Spencer: There was one simple reason that I wanted to cover Infinity Gauntlet 5 this week: I just thought it would be a blast, both to read and write about. Spoiler alert: I was right, but considering the previous four issues, I suppose that was always a foregone conclusion. Even when his focus was on the cast’s hopeless task of trying to survive in a savage wasteland, Dustin Weaver imbued the story (and especially the art) with a certain spark of chaotic, creative energy that never failed to draw me in. That spark grew into a full-blown fire as the series progressed; the finale actually revolves around the power of creativity, both in terms of the ideas Weaver and scripter Gerry Duggan fill it with and within the story itself, where Anwen makes creativity her greatest weapon in the battle against Thanos. Continue reading →

Sep 24 2015

1872 3

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Today, Taylor and Drew are discussing 1872 3, originally released September 23rd, 2015.

Taylor: We just can’t seem to leave the Wild West, can we? Throughout the entire 20th century and well into the 21st the Western has endured in books, movies, TV shows, and of course comics. I guess there’s just something appealing about a world where there is no law except for the gun you hold in your hand. We all know for the most part these portrayals of the Old West are pretty inaccurate. It was neither as exciting or dangerous as one would have you believe. However, that hasn’t stopped artists from visiting a world we just can’t get enough of. Now into its third issue, I think it’s fair to judge whether 1872 is a version of the West we want to visit again and again, or one we let hit the ol’ dusty trail.

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