We all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 1 our top 14 series of 2014 (check back here for part 2 tomorrow).
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Tag Archives: Michael Lark
Lazarus 12
Today, Drew and Ryan are discussing Lazarus 12, originally released October 22nd, 2014.
‘Inspire a generation’ is our motto. Not necessarily ‘Create a generation’ … which is what they sometimes get up to in the Olympic village.
London Mayor Boris Johnson on the 2012 Olympics
Drew: The bacchanalian nature of the Olympic village is well-documented, with anecdotes about the athletes’ exploits reaching near-legendary status, but even without all of the stories, the orgiastic qualities of the village should come as no surprise — what else would you expect of an international group of twenty-somethings in peak physical condition with little else to do? Throw in the fact that any given day, somebody is celebrating the most important win of their lives, and you have an obvious recipe for partying. Curiously, this is exactly the situation the Lazari find themselves in in Lazarus 12. With their families preoccupied with the formalities and strategies of the conclave, the Lazari are left with little to do other than admire each other’s super-human bodies. The result is a decidedly lighter — and alluring — respite amidst all of the tension of the conclave. Continue reading
Lazarus 11
Today, Drew and Patrick are discussing Lazarus 11, originally released September 10th, 2014.
Drew: There’s a scene late in Lazarus 11 that finds Malcolm Carlyle dictating a message for Forever to deliver. We’ve seen Forever take on the role of messenger/negotiator before, but what’s remarkable here is how open Malcolm is about his means of manipulation. He’s considered every action and reaction that will happen as Forever carries out his orders, and is able to maintain exacting control in spite of being thousands of miles from the actual negotiations. It’s an unsettling display of raw power, but also opens the possibility that Malcolm is himself being manipulated — it would only take a mind equal to Malcolm’s to have anticipated all of his actions here. With all of this subterfuge, it’s easy to see why Forever might question if she’s getting the whole truth from her father about her parentage. Continue reading
Lazarus 8
Today, Shelby and Spencer are discussing Lazarus 8, originally released April 23rd, 2014.
Traditional
The nail which sticks out gets hammered down.
Japanese Proverb
Shelby: Two opposing ideas: one, that speaking up about problems is the only way to call attention to them and get them fixed, the other, that maybe standing out from the crowd and speaking out is more dangerous than it’s worth. I am firmly in the former camp; I believe dissent is the first, important step to affect change. After all, if no one knows there’s a problem, how’s it going to get solved? But maybe I only feel that way because I’ve had the luxury of never being in a situation where that would be the more dangerous approach.
By Cupid’s pistols, it’s Valentine’s Day!
For Valentine’s Day last year, you may recall, we here at Retcon Punch showed you our love with corny, superhero valentines. Obviously, we had to do it again. So, Internet, this is our way of saying Be Mine; please enjoy these free, awesome valentines! Print them, share them, just keep our name on them; more after the break!
Lazarus 6
Today, Patrick and Drew are discussing Lazarus 6, originally released February 4th, 2014.
Patrick: Matt Groening had been writing and drawing his comic strip, Life In Hell, for five years before The Los Angeles Way of Death caught the attention of James L. Brooks. Brooks had received a framed copy on the strip and the simple message of the piece eventually lead him to mentor Groening, ultimately developing The Simpsons together. That’s a Cliff Notes version of their history, but that specific Life In Hell strip is notorious for all the right reasons — a quick, clear series of images that expressed the existential slog of living and working in LA, but without being beholden to any narrative, save that which the reader projected onto it. There are clever observations throughout — like that “Gun” and “Cop” are basically the same drawing, or that “Sea” and “Air” are both true and elemental (come to think of it, Fire and Earthquake would also fit) — but the most poignant panels are the last two: “Failure” and “Success.” Both are prisons in their own right, and the uber class system at play in Lazarus makes the similarity between these apparent opposites explicit. Continue reading
Lazarus 5
Today, Shelby and Drew are discussing Lazarus 5, originally released December 11th, 2013.
Shelby: With family dramas like Lazarus, it seems to always come down to loyalty. With family, a certain amount of loyalty is assumed; they’re your family, you have to be loyal to that. Greg Rucka really tests that with the Carlyles; the first issues are rife with schemes and betrayal. Poor Forever is stuck with the task of not only remaining loyal to the back-stabbingest family, but also not really having a choice as the family’s Lazarus. Despite her unwavering facade, there’s that tiny seed of doubt planted by the anonymous message that she’s not actually a part of the family. If blood ties are the driving force behind her loyalty, what’s she to do if those ties don’t even exist?
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Lazarus 4
Today, Drew and Shelby are discussing Lazarus 4, originally released October 2nd, 2013.
Drew: Ah, feudalism. Its simple, incestuous power dynamics make for some fascinating drama. Sure, there can be warring families, but the real dangers are those from within, as family members pit their love for one another against their thirst for power. It completely upends our notions of who we can trust, leaving each member of the ruling class open to betrayal and manipulation. As an effectively immortal killing-machine, Forever Carlyle was always above that kind of base power-grubbing, but Lazarus 4 finds her pulled into the fray with an anonymous tip about her family. Continue reading
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