Secret Empire 1

Today, Patrick and Michael are discussing Secret Empire 1, originally released May 3rd, 2017. As always, this article contains SPOILERS.

Patrick: Skipping ahead into the radically altered future has become one of the hallmarks of modern Marvel event stories. Both Secret Wars and Age of Ultron rushed ahead to the moment after the unthinkable had already occurred, resting in a status quo that practically begged to be undone. Secret Empire, in its #1 issue, adopts this same tactic, catapulting over an untold stretch of time and insisting on a terrifying new normal. The difference between this story and events like Secret Wars and Age of Ultron, is that Secret Empire is based in the entirely credible rise of fascism in the United States. There is real world precedent for the world over which Captain Hydra rules, and even if it is exaggerated for the medium, and the long road to this moment is paved with recognizable warning signs. But writer Nick Spencer is no longer concerned with establishing the mechanical reality of Steve Roger’s brave new world, instead turning to the emotional reality of its occupants, dialing in on how it feels to be truly helpless and hopeless. And how it feels to resist.  Continue reading

Civil War II: The Oath 1

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Today, Spencer and Drew are discussing Civil War II: The Oath 1, originally released January 25th, 2017. As always, this article contains SPOILERS.

Spencer: Why is Steve Rogers being transformed into a Nazi such a terrifying idea? It’s because we all trust Steve Rogers, both in universe and out. Not only can he use that to gain influence that should never, under any circumstances, be given a Nazi, but that trust means that we’re probably inclined to think the best of him — out of sheer habit, if nothing else — even though he’s never deserved it less. Well, no more. Civil War II: The Oath drives home that this altered Steve’s heart is as black as they come. If only the rest of the Marvel universe was privy to that fact as well. Continue reading

Invincible Iron Man 3

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Today, Drew and Taylor are discussing Invincible Iron Man 3, originally released January 18th, 2017. As always, this article contains SPOILERS.

Drew: Brian Michael Bendis is a polarizing figure in comics. I know plenty of people who consider him to be one of the best writers working today, but I know just as many who find his writing to be aimless and self-indulgent. I tend to think that he’s a very good writer with some very bad habits — I think he writes charming dialogue, but tends to write too much of it, for example — but I had been impressed at how well Bendis had curbed those habits in Invincible Iron Man, keeping scenes tight and efficient, and staying very close to the perspective of his protagonist, Riri Williams. That last piece really played to Bendis’ strengths, keeping the focus on his charming and well-written lead, avoiding the kind of wandering perspective that so often bogs his narratives down. Unfortunately, issue 3 loses some of that momentum, opening with a corporate power play between characters Riri has never met. Continue reading

Civil War II 8

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Today, Spencer and Drew are discussing Civil War II 8, originally released December 28th, 2016. As always, this article contains SPOILERS.

Spencer: The point of most blockbuster summer event crossovers is to throw as many characters together as a publisher can and coast off the spectacle, using tie-ins to boost sales and often refocusing their line of books in the aftermath. When these events are done right they can be loads of fun, but it’s hard to deny that there’s something kinda mercenary about the whole process. Is it possible for an event comic to have a soul? I’d certainly say so, and I’d imagine Brian Michael Bendis would agree with me. The problem with Civil War II, then, is that Bendis’ attempts to split the book evenly between spectacle and deeper themes results in both elements playing out unsatisfactorily. Continue reading

Invincible Iron Man 1

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Today, Taylor and Drew are discussing Invincible Iron-Man 1, originally released November 9th, 2016. As always, this article containers SPOILERS!

Taylor: For many, it is a dark time. The forces of prejudice, greed, misunderstanding, and hate have conspired to elect a man of questionable values to the highest office in the United States. Unlike a lot of bad situations, many people are finding it difficult to find any sort of silver-lining to this circumstance. When the nation so emphatically states that they would rather choose a man who would divide us rather than a woman who promises unity, it’s hard not to see the logic in this thinking. But there are still wonderful things in the world. Just because ugliness triumphs for a day, it doesn’t mean that the beauty society has created thus far has been destroyed. Maybe that’s hyperbole, but on a day like today, Invincible Iron Man reminds me that all is not lost. Continue reading

Captain America: Steve Rogers 6

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Today, Spencer and Michael are discussing Steve Rogers Captain America 6, originally released October 26th, 2016. As always, this article contains SPOILERS.

Spencer: Civil War II has killed the momentum of a lot of books, but its Steve Rogers Captain America tie-ins are an especially interesting case of this because the title never really had a chance to establish its momentum in the first place — writer Nick Spencer was still in expository mode, exploring how Steve’s new Hydra backstory changed him, when the title was dragged into a major event. Thankfully, Spencer and artist Javier Pina have been able to continue that exploration even throughout these event issues, but the moments tying directly into Civil War II feel unmoored in comparison. Continue reading

Infamous Iron Man 1

Alternating Currents: Infamous Iron Man 1, Drew and Taylor

Today, Drew and Taylor are discussing Infamous Iron Man 1, originally released October 19th, 2016. As always, this article contains SPOILERS.

Drew: I tend not to sweat spoilers — frankly, the notion that a story could be “spoiled” by knowing the plot ahead of time so disregards the importance of every other aspect of storytelling that I believe it misses the point of stories entirely. BUT, I do get how annoying it is to have the ending of a story blurted out when I wasn’t suspecting it. I may not mind clicking on articles I know contain spoilers, but I’d at least like to know what narratives those spoilers pertain to. Which is why Infamous Iron Man 1 seems to warrant a special spoiler warning: one for readers of Civil War II. Certain events in this issue fall out directly from events of Civil War II that haven’t happened yet, making it all but impossible to talk about the issue without spoilers. Consider yourself warned. Continue reading

All-New Wolverine 9

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Today,Taylor and Spencer are discussing All-New Wolverine 9, originally released June 1st, 2015.

Taylor: In middle school I was a wallflower. I would go to dances with the hopes of dancing with a girl only to find myself retreating to the sidelines once the first few bars of a slow song wafted their way across the gym. By doing so I guaranteed my safety, even though that also guaranteed my mission to dance with a girl would fail. There was, and continues to be, safety in fading into the background. There, you aren’t the focus of attention, you can be overlooked, and most importantly, you’re just part of a larger tapestry. But that doesn’t mean you’re any less important than those people on the dance floor; you’re just different. The same can be said for comics, where background, while often overlooked, is an integral part of the art, as All-New Wolverine 9 demonstrates.

Continue reading

International Iron Man 2

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Today, Patrick and Drew are discussing International Iron Man 2, originally released April 27th, 2016.

Patrick: We hear a lot of grumbling about the ubiquity of original stories in superhero fiction. Hell, I do a bunch of it myself. Aside from the fact that we’ve basically seen them all before, one of the reasons these stories feel so unsatisfying is because there’s a huge leap in logic from traumatizing inciting event to costumed superheroics. A young Bruce Wayne sees his parents gunned down, and the only gaps between that and Batman that we ever need filled in are those that answer how he become such a physical bad-ass. But obsessions, passions and pathologies don’t develop in an instant — they grow over a lifetime. International Iron Man 2 explores more of what makes Tony Stark tick in those small, measured moments between dramatic reveals, even as Tony himself searches for answer he knows will be unsatisfying. Continue reading

Invincible Iron Man 1

Alternating Currents: Invincible Iron Man 1, Drew and Michael

Today, Drew and Michael are discussing Invincible Iron Man 1, originally released October 7th, 2015.

Drew: Whether it’s being bitten by a radioactive spider or being shipped to Earth as an infant, most superhero origins are shockingly passive. We can emphasize the decisions these characters make once they have their powers, but industrial accidents and personal tragedies are the things that force them to make those decisions in the first place. In that way, Tony Stark is a bit of a man apart: he’s a superhero by sheer force of will. More importantly, his origin is necessarily active (even if “inventing” isn’t the most exciting action), putting action at the very heart of the Iron Man formula. So when Tony finishes his latest Iron Man armor in Invincible Iron Man 1, what does he do with it? He waits for the battery to charge. Continue reading