Thor: God of Thunder 15

thor 15Today, Shelby and Drew are discussing Thor: God of Thunder 15, originally released November 13th, 2013.

Shelby: I am no stranger to drinking with my coworkers. It happens less now, but back when I started with company I’ve been with for the past six years, we used to go out all the time. Drinking with coworkers is strange; you have the weird anxiety about introducing these people to your true, non-work self. If you’re lucky enough like I am to work at a pretty casual place, the difference between work-you and real-you isn’t that extreme. Casual workplace or no, afterhours outings can definitely bring the group together. Sure, things are probably going to be awkward the next day, with everyone exchanging stories, gossiping about who hooked up with whom, but the shared experience of the evening brings people together and makes the team tighter. It helps, too, when the boss picks up the tab.
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All-New X-Men 18

Today,  Ethan and Taylor are discussing All-New X-Men 18, originally released November 13th, 2013.

Ethan: The best part of being in a relationship is that you get to spend so much time with the one you love. The worst part of being in a relationship is that you get to spend so much time with the one you love. For the X-Men, isolated from the world by that tricky little accident of being born with the X-gene, their ties to each other are incredibly strong. It’s no surprise that they so often find passionate love and lifelong friendship inside their circle. Just like any family or couple, though, they often drive each other completely crazy. Breathing room is hard to find when you’re all stuck in the same space, whether it’s a mansion or a mountain bunker, and All-New X-Men #18 explores how they fight, how they cope, and how they move forward.

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The Rocketeer & The Spirit: Pulp Friction 3

rocketeer 3

Today, Drew and Ethan are discussing The Rocketeer & The Spirit: Pulp Friction 3, originally released November 13th, 2013.

“It’s the moment, when the movie … becomes an entirely different movie.”

DJ McCarthey

Drew: I’ve said it before (and I’m sure I’ll say it again): I love thinking about form. It’s one of the most fundamental elements of storytelling, and I believe that studying a narrative’s form informs us more about our own experience reading it than even the best plot or character analyses. I’m always looking for new perspectives on form, and was happy to see John Roger’s post on 3-Point Plotting on Mark Waid’s own Thrillbent. It’s a fairly straightforward introduction to the standard three act structure, but I had never seen it broken down so succinctly into “disruption, reversal, and conclusion.” I was particularly intrigued by Roger’s discussion on the reversal — which he defines using that McCarthey quote — as it explains the all-too familiar experience of a narrative changing direction abruptly after I’m already invested in what was going to happen. What happens when you liked what a story was more than the story it becomes? Continue reading

Manifest Destiny 1

manifest destiny 1

Today, Patrick and Mikyzptlk are discussing Manifest Destiny 1, originally released November 13th, 2013.

“(It is) our manifest destiny to overspread and to possess the whole of the continent which Providence has given us for the development of the great experiment of liberty and federated self-government entrusted to us.”

John L. O’Sullivan, New York Morning News, 1845

Patrick: The term “Manifest Destiny” is strange – I’m not totally convinced that those words make sense when put up next to each other like that. I mean, I see how you can make one’s destiny manifest: essentially just realizing one’s potential. My objection — I think — is that it’s redundant: both “manifest” and “destiny” can imply that what is going to happen is meant to happen. And maybe that’s all O’Sullivan was going for, he felt that the US was “supposed” to conquer all the lands between the Atlantic and Pacific Oceans. The genius of the term is that it feels as though the right and responsibility to do so is innate – you’ll notice that he doesn’t say that any man, government or god has granted us this opportunity, just “Providence.” Whatever was out there, it was just ours. No question, no doubt, no reason. It’s already a dangerous and intriguing concept, so what happens when you add secret missions and monsters? You get the best kind of alternate-history comic – one that makes you chuckle in recognition and gasp in shock in the same breath. Continue reading

Batman 25

Batman 25

Today, Mikyzptlk and Shelby are discussing Batman 25, originally released November 13th, 2013

Mikyzptlk: From the moment that Zero Year was first announced, it has been shrouded in mystery. What exactly was the “Zero Year” and how would it change the origin of Batman that we’ve been familiar with for so long? We are now five issues into the story, and while some of the mysteries are becoming clear, there seems to be tons of new ones cropping up left and right. Issue 25 of Batman is no exception. At the same time, we are introduced to a brand new/really old Batman villain that may just be revealing more about our hero than he is about himself at this point.  Continue reading

The Superior Spider-Man 21

superior spider-man 21

Today, Patrick and Spencer are discussing The Superior Spider-Man 21, originally released November 13th, 2013.

Patrick: Any time I join a new social group, I like to think that I’m starting over in terms of my identity. Like, I get to use all the skills and stuff I picked up over my lifetime, but I can newly define myself with a whole new set of activities and goals and values. All the previous versions of me inform this, of course, but it’s too simplistic to say that their sum is my new persona. Current Patrick isn’t Orchestra Dork + Magic: The Gathering + Ska Bands + Drama Club + RA + all the other things I’ve been. Sometimes that means letting go of things that used to seem the most important (I haven’t played a game of Magic in over a decade, and yes it feels like I’m in AA when I say that). I’m not saying I know exactly what Otto is going through, but I know, exactly, what Otto is going through. Continue reading

The Manhattan Projects 16

Today, Taylor and Drew are discussing The Manhattan Projects 16, originally released November 13th, 2013.

Taylor:  You know that one picture of Einstein, the one where he’s looking at the camera and playfully sticking his tongue out at the camera? Of course you do — of all the hundreds of pictures of Einstein that exist, that particular portrait sticks out in our collective consciousness. There are probably several reasons for that, but perhaps one of the most powerful is that the picture portrays the author of the general theory of relativity in the way we would like to think he existed. With his frizzy white hair and iconic mustache, Einstein cuts a figure that is both endearing and intelligent. We like to think of Einstein, the grand scientist, as having a playful and childlike streak because it makes him lovable and human, rather than untouchable and superhuman. In this way, we all liken ourselves to Einstein. If that zany dude can revolutionize the world, why not me?  However, this disregards the real Einstein, who was often angry and frustrated with himself and the science he devoted his life to. But which of these pictures of Einstein is more accurate and, more importantly, does it matter?

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Superman/Wonder Woman 2

superman wonder woman 2

Today, Shelby and Scott are discussing Superman/Wonder Woman 2, originally released November 13th, 2013

Shelby: I know I’ve mentioned before that I’ve been reading Robert Jordan’s Wheel of Time series for quite some time. Since it was not unusual for more than a year to pass between books, when a new volume was released I would frequently re-read a book or two that had come before to remember where the story was. I noticed that each new book would have to devote a solid chunk of pages to re-hashing basic concepts, presumably to familiarize new readers with way this world worked, just in case someone decided to jump right in at book 7, I guess. I’m sure there was an element of reminding the long-time readers as well, but I always skim through those parts with some annoyance. I understand the purpose and the necessity of the quick recap (hell, we do it here), but if I don’t need it I just want to skip it and get to the meat of the story. Charles Soule finds himself with a similar situation on his hands; he’s got to find a way to tie together the disparate worlds of Superman and Wonder Woman, using the existing New 52 framework, while telling his own story of these two characters. A Herculean task, to be sure.
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Deadpool 19

Alternating Currents: Deadpool 19, Drew and PatrickToday, Drew and Patrick are discussing Deadpool 19, originally released November 13th, 2013.

Drew: What do we expect when we read Deadpool? When I picked up my first issue just over a year ago, I was looking for a famously goofy character written by famously funny writers, and thought that issue delivered everything a Deadpool comic should. Then we published our first discussion, and started one of the longest, most in-depth comment threads we’ve ever had, all about how this version of Deadpool is missing the point entirely. It’s a strange contradiction, but comics are full of them. Is Batman a brooding spirit of vengeance or a campy man-about-town? Is Wolverine a violent savage or an impatient schoolmarm? Or, more to the subject at hand, is Wade Wilson an irreverent, fourth-wall-breaking yukster, or a tragic figure of the highest order? With the conclusion of their “The Good, the Bad, and the Ugly” arc, writers Brian Posehn and Gerry Duggan make the strong case for “both.” Continue reading

Weekly Round-Up: Comics Released 11/6/13

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Patrick discuss Forever Evil 3Green Lantern 25Batman Black and White 3, Action Comics 25 and Detective Comics 25.

slim-banner4Drew: You know you’re reading a Geoff Johns-penned event when the previous two issues (and the entire previous event) can be summarized in a single page, which is exactly how Forever Evil 3 begins. Like much of Johns’ big event writing (which seems to be the only type of writing he does anymore), this issue is largely content to move the pieces around the board, though things actually seem in place to build some momentum at the issue’s close: Batman and Catwoman are striking out to rescue Dick Grayson, while Lex Luthor’s team of rebelling villains has perhaps grown large enough to take on the Crime Syndicate. Continue reading