Yearly Archives: 2013

Dec 23 2013

Teenage Mutant Ninja Turtles 29

Today, Taylor and Patrick are discussing the Teenage Mutant Ninja Turtles 29, originally released December 18th, 2013.

Taylor: Despite its dubious reputation, the 1990 live action Teenage Mutant Ninja Turtles film is actually a pretty good movie. While some see it simply as a cash cow (which, it also certainly was), it also has a good amount of heart and depth. Midway through the movie, the turtles get pretty beat up by the Foot Clan and Master Splinter is captured. The turtles retreat to April’s farmhouse and while there, they heal and experience a spiritual and meaningful growth. They learn to function better as a team and dig into the depths of their beings and find what it is that makes them special. This is the climax of the movie. These scenes are where the turtles come into their own and turn the corner and realize they must and can defeat Shredder. With this in mind, it’s exciting to see the TMNT series move its focus to April’s farm. In the wake of City Fall, what can the turtles learn? What must they learn in order to survive as a force for good and family? Continue reading →

Dec 23 2013

Saga 17

saga 17

Today, Shelby and Spencer are discussing Saga 17, originally released December 18th, 2013.

Shelby: There’s a little snippet of folk lore that always gets tossed around when things are looking grim: the darkest hour is just before dawn. Meteorologically, I can’t speak to the accuracy of that statement, but anecdotally it means that things always look their worst just before they begin to get better. It’s meant to inspire hope; life may be dark now, but it just means that soon the sun will come up and things will be better. In the penultimate chapter of Saga’s latest arc, I would say things are definitely at their darkest hour, but since we’re reading a Brian K. Vaughan story, the old saying should probably read, “the point at which everything goes to hell in a hand-basket just before the arc is resolved, but probably someone will die.”

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Dec 23 2013

Wonder Woman 26

wonder woman 26

Today, Patrick and Drew are discussing Wonder Woman 26, originally released December 18th, 2013.

Patrick: On Brian Azzarello’s Mount Olympus, the gods and demigods all serve very specific purposes. When he shows up out of nowhere at the end of the issue, Dio identifies himself as the god of “the truffle harvest, tragedies, luxuries, parks and galleries.” That’s a weird concept, but one we always embrace when discussing mythological creatures: sure, I get why we need a god of the hunt (or wine or sword making or whatever). But, like, it’s a nonsense conceit, made all the more explicit by Zola asking “what’s a truffle?” Beyond being avatars of various nouns, the gods are also a family, and the roles they play within that family are just as indicative of the parts they play in this on-going drama. They are victims and bullies, martyrs and defenders, cousins, long-lost-sisters and little brothers. The mix of the divine and the human is sublime, making every turn of this series as surprising as it is inevitable. Continue reading →

Dec 20 2013

Deadpool 21

deadpool 21Today, Spencer and Scott are discussing Deadpool 21, originally released December 18th, 2013.

Spencer: Is Deadpool simply comic relief—a comic book Daffy Duck—or is he a deep, dark character, using jokes to mask his pain? We’ve had heated debates about this in our comment sections in the past, but the truth is that Deadpool is both, yet Deadpool is also neither; he exists on a spectrum that can slide anywhere between those two points. In their Deadpool run thus far Brian Posehn and Gerry Duggan have explored both extremes, but now—after Wade’s all time low in “The Good, the Bad, and the Ugly”—we find a Deadpool who has become much more tragic, yet still retains much of his typical humor. I’ve taken to calling him “Grumpy Old Man Deadpool.” Continue reading →

Dec 20 2013

FF 15

FF 15

Today, Ethan Patrick and Drew are discussing FF 15, originally released December 18th, 2013.

Ethan Patrick: I guess it’s appropriate that I’m stepping up to bat for Ethan for this issue of FF. There are an awful lot of substitutes and avatars in play for the invasion of Latveria. The good guys are all either trying to be something they’re not or asserting something else as themselves. In some cases, the characters are two or three steps removed from the version of themselves that’s actually doing the action. Interestingly, Doom never falls victim to this same delusion — in fact, even though everyone expects him to either a) port his consciousness over to another body or b) merge with another body. We know it can’t last, but Doom wins a victory here by being the only one refusing to be anything but himself. Maybe the kids still have one more thing to learn before the Fantastic Four comes back to town.

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Dec 20 2013

East of West 8

east of west 8

Today, Shelby and Taylor are discussing East of West 8, originally released December18th, 2013.

Shelby: The occasionally tempestuous relationship between the church and the state has a longer relationship than one might realize. In ancient times, being a ruler often came with the title of deity; your word was law because it was divine. Martin Luther was one of the first to begin to call for a separation of the two, and by the time the First Amendment of the United States was drawn up, Thomas Jefferson was speaking of “a wall of separation between the church and state,” in order to guarantee religious freedom. Personally, I believe very strongly in the idea of the separation of the two, namely because there are many religions in the world, and I see no point in a government forcing someone to follow a set of beliefs. That is not genuine worship. In East of West, however, Jonathan Hickman presents a trickier situation; there is no religion, there is no government, there is only The Message, and if the Message demands political leaders keep the populace dumb and under control to prep them for the four horseman of the apocalypse, the politicians hasten to obey.

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Dec 19 2013

Harley Quinn 1

harley quinn 1

Today, Mikyzptlk and Shelby are discussing Harley Quinn 1, originally released December 18th, 2013.

Mikyzptlk: Sometimes, what we need in life is a fresh start. That means cutting ties with what came before, moving on, and moving out. Sometimes, that also means traveling into some unknown territory and taking a leap of faith that things will work out. Harley Quinn has had a…troubled past to say the least, so if anyone in the DCU could use a fresh start it’s her. Harley Quinn 1 gives us the beginning of Harley’s fresh start. Will she make it out alive?  Continue reading →

Dec 19 2013

Daredevil 34

Alternating Currents: Daredevil 34, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 34, originally released December 18th, 2013. 

Drew: We tend to associate soapbox speeches with masturbatory lectures important only to the speaker — it’s an annoyance when someone gets on their soapbox — but at one time, soapbox speeches were actually considered a form of entertainment. I’m not entirely sure if the audiences tended to agree with the speeches, or if there was more of a morbid curiosity factor in play (the same type that might keep you up late watching youtube clips of The O’Rielly Factor), but the point is: there was a time when somebody would literally be on a soapbox, and people’s reaction wasn’t to just tell them to get of of their damn soapbox. I was reminded of this as I read Kirsten McDuffie’s soaring call for levelheadedness in Daredevil 34. Continue reading →

Dec 18 2013

Weekly Round-Up: DC Comics Released 12/11/13

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew, Patrick, and Spencer discuss Batman Black and White 4, Green Lantern Corps 26, Justice League 3000 1, Justice League 25, Nightwing 26, Li’l Gotham 9, and Forever Evil: Arkham War 3.

slim-banner4Drew: We tend to talk a lot about auteurism around here — it’s a fascinating subject as far as working with company-owned characters goes — but anyone who still needs convincing on the power a given creative team can have over a character need look no further than Batman Black and White 4. DC has once again put together a stellar (and eclectic) lineup of creators, all seemingly defined by their distinctive styles. The result is a very diverse collection of Batman stories, touching on everything from the nature of heroism to the routine of fighting crime every single night. Continue reading →

Dec 18 2013

Weekly Round-Up: Amazing Spider-Man 700.1-700.3

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Patrick and Drew are discussing Amazing Spider-Man 700.1-700.3

slim-banner4

HE’S DEAD!

Dan Slott, writer of Amazing Spider-Man, Superior Spider-Man

Patrick: I loves me some Superior Spider-Man. For my money, it’s the most dangerous and courageous thing Marvel could do with their most popular franchise. It’s un-fucking-precedented and it explores amazingly complex themes and concepts. Morality, immorality and amorality, and the relativism of all three, are forefront without making the audience feel like they’re somehow culpable for some heinous crimes. We are allowed a certain distance from Otto because he’s Otto, but we’re also invited to empathize with him because he’s Spider-Man. I know that balance has caused a lot of people to tap out, and others to demand Peter Parker’s return. With no Parker in the Ultimate Universe either, Marvel’s trotting out these Amazing Spider-Man 700.whatever issues, as if to say “you want your Peter Parker stories? Here are your fucking Peter Parker stories.” Continue reading →