Yearly Archives: 2013

May 8 2013

Aquaman 19

aquaman 19 Today, Mikyzptlk and Brandon are discussing Aquaman 19, originally released May 1st, 2013.

Mikyzptlk: The game of Tetris is one of the most popular videogames of all time. To this day, people still enjoy that particular puzzle game, making sure that the many pieces fit together just right to get the best score. Similarly (just go with me on this), there’s been quite a few moving pieces in Aquaman during the fallout of Throne of Atlantis. Geoff Johns has been busy pushing his story elements and its characters forward, and I’m (mostly) interested in where this story is going. However, while there are certainly pieces of this puzzle I’m fascinated by, this issue may suffer from paying too much attention to getting all pieces to fit in the right place, and not enough to the titular hero.  Continue reading →

May 8 2013

Animal Man 20

animal man 20

Today, Scott and Drew are discussing Animal man 20, originally released May 1st, 2013. 

Scott: I guess Animal Man readers better have good memories. If you were caught off guard by “Tights: Part Two”, try to recall how you reacted to Part One, way back in Animal Man 6. At that point, the story of Chaz Grant bore little resemblance to the life of Buddy Baker, who had considerable power as Animal Man and good standing as a husband and father. Since then, however, Buddy’s life has fallen to pieces: he’s lost his son, his relationship with his family is in disrepair and he’s been cut off from The Red. Buddy’s life at the start of Animal Man 20 is eerily similar to that of his character in “Tights” midway through the film. The second half of the movie effectively shows us that there might still be hope for Buddy Baker, while even more effectively showing us that there might not.

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May 8 2013

Hawkeye 10

hawkeye 10

Today, Shelby and Ethan are discussing Hawkeye 10, originally released May 1st, 2013.

Shelby: There are two sides to every story, even stories wherein our favorite, loveable auxiliary character is shot in the head by a new bad guy for seemingly no reason. Even though we’re all still a little sad about the loss of Grills last issue (Matt Fraction included, as indicated on the title page of this month’s issue), we have to remember it was a man who pulled the trigger, a man with his own story to tell.  Continue reading →

May 7 2013

Batwing 19-20

batwing 19-20

Today, Patrick and Drew are discussing Batwing 19 and 20, originally released April 3rd and May 1st, 2013.

Patrick: We’ve seen a lot of creatives shifts in the DC line-up in the last couple of months — and there are a few more up-coming — but none have been quite so bold as Batwing to explicitly toss out the old version of the character for a new one. Not only does the Batwing costume change, but the man behind the costume changes, and there’s nothing to connect one Batwing to the next. And that’s the real problem: the concept of Batwing is one that require justification and understanding. Through this transition, new series writers Jimmy Palmiotti and Justin Gray do nothing to explore that for either the venerable David Zavimbe or the newbie Luke Fox. Continue reading →

May 7 2013

Chat Cave: Iron Man 3

chat-cave-header

Marvel Studio’s follow-up to the uber-successful Avengers movie, Iron Man 3, came out this weekend to mixed reactions from critics and fans, but it cleaned up at the box office, certifying the longevity of the whole Avengers’ stable of films. The movie also serves a double roll — concluding the Iron Man series while kicking off Marvel’s Phase II. How well did it succeed in any of these capacities? Welcome to the Chat Cave.

Patrick: I had the pleasure of seeing this movie with my little brother, Jack — who until recently, had been writing about a title-a-week with us. He’s the fascinating case of someone who had never seen any of the Iron Man movies and also has not seen The Avengers. As a self-contained adventure, this worked amazingly well for her. I don’t know how the Marvel Studios guys do it, but they manage to make relatively faithful superhero movies that aren’t steeped in dense mythology. Walking out of that movie, Jack concluded that Tony’s superpower was “data management,” which sounds like it should be boring. But there are enough ultra-fast-talkin’ sequences and super-computer-assisting-crime-solving sequences to dramatize this super-collation of data in engaging and funny ways. Continue reading →

May 7 2013

Iron Man 9

iron man 9

Today, Patrick and (guest writer) Pete Pfarr are discussing Iron Man 9, originally released May 1st, 2013.

Patrick: Expectations are a bitch. Sometimes we perceive quality based solely on the similarity a work of art has to what qualities we were expecting it to have. Expectations make us say things like “Fantastic Four is supposed to be fun!” or “Evil Dead is supposed to be campy!” Thanks to the cinematic juggernaut that is the Iron Man film series, there are an awful lot of “supposed to”s for Tony Stark. As Kieron Gillen starts a new story arc for Iron Man, he lays all our precious expectations out on the table and then shakes his finger sternly. Whatever we’re getting here, it ain’t what we expect. Continue reading →

May 7 2013

Green Arrow 20

green arrow 20

Today, Spencer and Shelby are discussing Green Arrow 20, originally released May 1st, 2013.

Spencer: They say a hero is only as interesting at the villains he fights. That’s true, but I’m going to take that theory one step further: A hero is only as interesting as the world he lives in. World building is often overlooked, but Green Arrow writer Jeff Lemire clearly understands its importance, and he’s worked overtime to provide Oliver Queen’s world with a tangible sense of history. Magus only knows how that past will come to shape Ollie’s future.

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May 6 2013

All-New X-Men 11

all new x-men 11

Today, Drew and guest writer Charles Cress are discussing All-New X-Men 11, originally released May 1st, 2013.

Drew: Superhero comics have a strange line to walk when it comes to serialization. We want a sense of forward movement — we want the characters to grow and change — but we also want to read stories with them forever. In essence, we want the excitement of serialization (your LOSTs or your Breaking Bads) with the comfort of a more episodic structure (your Seinfelds or your Law and Orders). The problem with that is when something we expect to move forward doesn’t, we notice it. “Wheel spinning.” This is strictly a problem with expectations — nobody would ever accuse an episodic series of spinning its wheels — but Brian Michael Bendis has done such a stellar job at telling a propulsive story in All-New X-Men, it’s a little jarring when issue 11 retraces its steps.

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May 6 2013

A + X 7

a+x 7

Today, Spencer and Taylor are discussing A + X 7, originally released April 24th, 2013.

Spencer: We live in an era of comics where six-month storylines are the norm and accusations of decompressed storytelling abound. Some stories are worth the space, but others just feel like they’re grasping for ways to fill out a trade paperback. Regardless, I’ve found myself greatly appreciating shorter storylines as a result, and as a writer who often struggles in vain to be concise, I admire a creative team that can fit a complete story into a small amount of space and not have it feel lacking. This month’s A+X not only tells two such stories, it even manages to throw in a twist ending; color me impressed!

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May 3 2013

The Superior Spider-Man 9

superior spider-man 9

Today, Ethan and Drew are discussing Superior Spider-Man 9, originally released May 1st, 2013.

Ethan: I’m not sure why so many of my posts have dealt with issues of identity lately. Maybe modern comic authors really like to incorporate this theme; maybe it has something to do with the inherent conceit of people donning costumes to play out parts of their life as someone else; maybe it’s just a concept I like to think about. Probably some mixture of all of them. Regardless, in Superior Spider-Man #9 Dan Slott provides a great forum for exploring the ideas of what makes us who we are by throwing science, emotional relationships, and morality into a figurative salad spinner and, um, spinning it.

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