Weekly Round-Up: Comics Released 3/5/14

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Patrick discuss Forever Evil: Arkham War 6, Green Arrow 29, Action Comics 29, Batman Superman Annual 1, Punisher 3, Nova 14, Uncanny X-Men 18, Starlight 1, Velvet 4, and Daredevil: Road Warrior Infinite Comic 2.

slim-banner4Patrick: The tagline for Alien Vs. Predator was “whoever wins, we lose.” It’s an oddly aware criticism of the film itself, but it’s meant to sound menacing — as though the only thing we liked about Alien and Predator movies was watching people die. As it comes to a close, it’s clear that Forever Evil: Arkham War suffered from this same problem. Even as Peter Tomasi attempts to ground Bane, by dressing him up as Batman, and tries to make monstrous the other side — Scarecrow et. al get doused with Venom — it’s still totally unclear who we’re supposed to root for. Who exactly the Talons are fighting for seems to switch on a dime, and the utter pointlessness of the whole conflict is underlined by the way Penguin is able to swoop in at the last second to gently request that the fighting stop. The whole journey has been fueled by such stupid shit, and I think Tomasi might be making that point by having the brainier villains turn into hulking venom-beasts for the finale. It’s hard not to take the Penguin’s side when shows up, sarcastically clapping for all the senseless violence. You’re right, Oswald, let’s move on. Continue reading

Green Lantern 29

Alternating Currents: Green Lantern 29, Drew and SpencerToday, Drew and Spencer are discussing Green Lantern 29, originally released March 5th, 2014.

Drew: We often talk about “close readings” in our discussions, but the most rewarding works of art are interesting from far away, too. When zoomed out, you can appreciate the broader form and plotting, while when zoomed in, you can appreciate the moment-to-moment mechanics that make those larger parts work. Indeed, it’s this scalability that allows stories to remain interesting in spite of our familiarity with Joseph Campbell’s monomyth — at some scales, the non-essential details don’t matter at all, but at other scales, they’re the only thing that matters. Any halfway decent discussion of a work of art needs to focus on multiple scales, but certain works of art strongly suggest one scale over the other. More formulaic stories — an episode of Law & Order, for example — tend to offer more rewards for those looking at the details (and certain boredom for anyone looking at form). I’d argue that the controversy of LOST‘s finale stems largely from confusion over the suggested scale — is this a show about a weird island, or about the people who encounter it? — which may have changed from episode to episode. I’d argue that that ever-shifting scale is part of what made that show so great, but there’s no denying that abruptly changing gears can bring discomfort, even if it reaps the kinds of rewards we see in Green Lantern 29. Continue reading

Trillium 7

trillium 7

Today, Shelby and Patrick are discussing Trillium 7, originally released March 9th, 2014.

Time has stopped before us / The sky cannot ignore us / No one can separate us / For we are all that is left

  The Beginning is the End is the Beginning, Smashing Pumpkins

Shelby: While the execution is a little more angsty than I might prefer at my advanced age of 29, the lyrics to The Beginning is the End is the Beginning from the soundtrack of The Movie Which Shall Not Be Named very well match Jeff Lemire’s penultimate issue of Trillium. More than anything else, the song’s title (as well as its partner, The End is the Beginning is the End) seem to capture Lemire’s whole approach to time and the relationship of William and Nika. It’s an interesting love story that finds its beginning at the end of the universe, possibly at the end of time itself.
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Wolverine and the X-Men 1

wolverine x-men 1Today, Patrick and Taylor are discussing Wolverine and the X-Men 1, originally released March 5th, 2014.

“Those who can, do. Those who can’t, teach.”

Patrick: I have a number of teacher-friends, my colleague and responder on this article, Taylor among them. The idiom above is largely bullshit, but it stings enough that I’ve seen links posted on facebook to articles decrying the attitude that it represents. The argument always follows that teaching presents its own specific challenges, distinct from the discipline being taught. (The follow-up argument, naturally, being that teachers are under-valued in our society, but like whatever: we’re all undervalued.) For my money, the hardest thing about teaching has got to be the shifting of priorities, from the betterment of yourself to the betterment of others. When I fail myself — write a bad article, perform as crummy scene, log something incorrectly in QuickBooks — I’m mostly just hurting myself. But when a teacher blows off their duties, there are a bunch of people, children even, that pay the price. Wolverine and the X-Men renumbers itself and zeros in on this burden of responsibility, just who can deal with it and who’s struggling. Continue reading

Veil 1

Alternating Currents: Veil 1, Drew and GregToday, Drew and Greg are discussing Veil 1, originally released March 5th, 2014.

Drew: What is an identity? Is it a name you call yourself? Is it a series of values that dictate your actions? I think we often tend to think of our identity as some kind of immutable part of our being, but I personally believe that it changes with the context. Sometimes we’re outgoing, other times we’re shy. Sometimes we’re funny, other times we’re humorless. I tend to think that context-dependence means that we define ourselves — at least in part — by the way others treat us. I tend to be a pretty mature guy, but as soon as I go home to visit my parents, I’m a little bit seventeen again. I often find myself rising (or falling, as the case may be) to those expectations, but Veil 1 introduces a character who refuses to be defined by the way she’s perceived. Continue reading

Loki: Agent of Asgard 2

loki 2Today, Scott and Spencer are discussing Loki: Agent of Asgard 2, originally released March 5, 2014. 

slim-bannerScott: The world is built on lies. I don’t think it’s a stretch to say that anyone who’s achieved great success wouldn’t have gotten there without at least a little bit of dishonesty. We’re encouraged to lie on our resumes. It’s practically a requirement during job interviews. Can you imagine if politicians couldn’t make any false promises while campaigning? They wouldn’t be able to say anything. And it’s not always such a bad thing. We lie to be polite. We tell our waiters that everything tastes great even though we’ve only taken one bite. They smile and life goes on. It’s harmless. In Loki: Agent of Asgard 2, writer Al Ewing and artist Lee Garbett point out just how common lying really is. It may not be possibly for two people to converse for ten minutes without one of them lying. Now what if Loki, the God of Mischief, is put in a situation where he can’t lie? The outcome might surprise you…

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She-Hulk 2

she-hulk 2Today, Shelby and Drew are discussing She-Hulk 2, originally released March 5th, 2014. 

slim-bannerShelby: There is something fascinating about the regular lives of celebrities. They can be doing the same, boring stuff I do every day, and I’m still going to be interested in it. In fact; it’s better if they’re doing regular stuff like me; it de-mystifies them, taking them down from the pedestal we’ve put them on. Celebrities are people, too, after all. I have a similar fascination with the regular lives of comic book characters. I love seeing the balance between their super lives and their regular lives. It’s extra intriguing when we’re dealing with a super who can’t look like an ordinary civilian; Scott Lang can blend into a crowd pretty well, but Ben Grimm is going to stand out no matter what he does. It’s really no wonder I like Charles Soule’s take on She-Hulk so much; it’s more about Jennifer Walters trying to live her life around She-Hulk, instead of She-Hulk smashing things. There is still some smashing, though; it wouldn’t be a [fill-in-the-blank] Hulk book without it. 

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Forever Evil 6

forever evil 6Today, Spencer and Patrick are discussing Forever Evil 6, originally released March 5th, 2014. 

villain div

Spencer: One of the biggest issues I’ve had with Forever Evil has been trying to figure out just how, exactly, its interpretation of Earth-3 works. Before the reboot Earth-3 was a world of opposites, where all evil characters were good guys and all the good guys were villains, and villains always won, but ever since the Crime Syndicate forced their way onto our world at the end of “Trinity War” writer Geoff Johns has largely shown Earth-3 as a world where everybody is evil, which I haven’t quite been able to wrap my head around up to this point. Johns and David Finch’s Forever Evil 6 has finally helped put things in perspective for me, though, by unmasking the Syndicate’s prisoner and showing us exactly what a hero looks like on Earth-3. Continue reading

Moon Knight 1

moon knight 1

Today, Patrick and Drew are discussing Moon Knight 1, originally released March 5, 2014.

Patrick: What do we call what we’re doing here at Retcon Punch? Literary criticism? Art criticism? Pop psychology mixed with informed gawking? I like to think that we’re simply exploring narratives and what makes them interesting. No matter what you think we’re trying to do, one thing we end up doing a lot is explaining. Occasionally, we lack the tools to properly explain something we read — maybe there’s a character who’s history we don’t have an adequate handle on or maybe the cultural references fly over our heads — but we always need to attempt to explain the issue in front of us. Moon Knight is one of those characters I don’t know shit about, but it’s cool — writer Warren Ellis is counting on my ignorance, and is waiting in the wings to exploit my every assumption. Continue reading

Magneto 1

Alternating Currents: Magneto 1, Taylor and ScottToday, Taylor and Scott are discussing Magneto 1, originally released March 5th, 2014. 

slim-bannerTaylor: I’ve always been intrigued by villains. From an early age I remember being bored with the rudimentary morals most heroes possess. Instead, I gravitated to the other side to the spectrum, choosing to root for the bad guys. I found Cobra Commander fantastic, Megatron enviable, and Darth Vader the most impressive person I had ever seen. Something about their ruthlessness always drew me to them. These aren’t simple men — they have agendas and were willing to do anything to see them carried out. Yet each character also possesses a certain cerebral quality that sets them apart from your average thug. It’s this quality that draws me to these characters and it also happens to be the same quality that draws me to Magneto. He’s smart, ruthless, and devoted. But can an entire series based on this metal-bending character be sustained by these qualities alone?

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