Category Alternating Current

Cross-talks on individual issues.

Jul 24 2015

Justice League: Gods and Monsters Batman 1

JL gods & monsters batman1

Today, Michael and Spencer are discussing Justice League: Gods and Monsters Batman 1, originally released July 22th, 2015.

Michael: There are a couple of questions we face when we read an “Elseworlds” tale in regards to the main continuity. What’s the point of any of this? Why does any of this matter? We are presented with alternate versions of the heroes that we know and love and wonder, “what the hell does this have to do with anything?” The worst case scenario is that we follow the exploits of a character that has a familiar name, but is absolutely nothing like what we know, and just different for difference’s sake. The best case scenario is that the character — while different from what we know – resonates with us to a certain truth at their core. Justice League: Gods and Monsters Batman 1 stars a different Dark Knight that circles a lot of familiar Batman tent poles. Continue reading →

Jul 23 2015

Teenage Mutant Ninja Turtles: Casey & April 2

tmnt casey & april 2

Today, Taylor and Patrick are discussing Teenage Mutant Ninja Turtles: Casey & April 2, originally released July 22nd, 2015.

Taylor: Last summer’s Michael Bay-produced Teenage Mutant Ninja Turtles movie met with lukewarm reviews. There were a lot of reasons cited by critics for the movie not being great, but the one thing that was almost universally harped upon was the confusing nature of the action sequences. Bay aficionados, however, were not surprised by this: chaos is one of his trademarks. What this goes to show is that clarity is incredibly important when crafting a story. It makes sense – if the audience can’t understand what’s going on, how are they supposed to take anything from it? Casey and April 2 is an interesting study in clarity: how it succeeds, how it fails, and how it succeeds despite its failings.

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Jul 22 2015

Guardians of Knowhere 1

Alternating Currents: Guardians of Knowhere 1, Drew and Taylor

Today, Drew and Taylor are discussing Guardians of Knowhere 1, originally released July 15th, 2015.

Boy meets girl, boy loses girl, boy regains girl.

Traditional

Drew: I’ve never seen any codified theories to this effect, but I strongly believe that every narrative has an ideal length. The Old Man and the Sea couldn’t be longer without losing its essence, just as War and Peace couldn’t be shorter. I can’t claim to understand all of the factors that determine the ideal length for a story, but it’s obvious enough when the length isn’t ideal. The epigraph may functionally describe a lot of stories we’re familiar with, but it’s too short to be a satisfying story — we have no empathetic connection to “boy,” no investment in his relationship to “girl,” no context for their eventual reunion. Conversely, Brian Michael Bendis is often criticized for making his stories too long to be satisfying, with each plot point dragged out for too many issues for us to be invested in the bigger picture. Of course, one of the big mitigating factors in the world of comics is the quality of the art — a dazzling action sequence may not require much of a plot, and indeed may be better off without many distractions. Nobody does “dazzling” better than Mike Deodato Jr., which makes him an ideal pairing for Bendis’ decompressed style. So does Guardians of Knowhere 1 live up to that “match made in heaven” expectation? Continue reading →

Jul 21 2015

Robin: Son of Batman 2

robin 2Today, Spencer and Mark are discussing Robin: Son of Batman 2, originally released July 15th, 2015.

Spencer: We see a lot of redemption stories in comics (and in pop culture in general), and while many of them end in death, almost all of them end with the person seeking redemption finding some sort of forgiveness. Yes, the ideas of atoning for past crimes and being forgiven for them tend to go hand-in-hand, but should they? It’s an interesting notion, one which Patrick Gleason seems interested in examining throughout Robin: Son of Batman 2. Damian Wayne is out to atone for a year full of horrors he committed before becoming Robin, but atoning for some crimes is clearly going to be much harder than atoning for others — and it may simply come to down to who he’s seeking redemption from. Continue reading →

Jul 21 2015

Ant-Man Annual 1

ant-man annual 1

Today, Taylor and Spencer are discussing Ant-Man Annual 1, originally released July 15, 2015.

Taylor: Mentorship is an ancient practice. Any of us who have had the pleasure of reading Plato’s Republic (or were assigned to read it for class) know that the practice of an elder teaching a younger the ropes is something present in almost all societies. It’s natural then that we see this same master-apprentice relationship present in comic books. Batman, the Ninja Turtles, Wolverine, Jean Grey – they’ve all had someone there to mentor them and help them become heroes who save the day. We generally like to think of those mentors knowing it all, often forgetting that they are still human and far from perfect. Ant-Man Annual 1 examines what it’s like to find this out in typical witty fashion.

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Jul 20 2015

Justice League 42

justice league 42

Today, Patrick and (guest writer) Reid are discussing Justice League 42, originally released July 15th, 2015.

Patrick: Justice League 42 is all about gods – who are gods, who are not gods, who can defy gods, who can become gods, whose godliness can be taken away. But that’s the real difference between a ‘god’ and a ‘superhero?’ Is it physical abilities? Do our gods need to be able to destroy worlds? Do we need our gods to present pure morality? Do we just need to feel that our gods are in control and have a plan? Or maybe gods just need to come from an established pantheon? Whatever other qualities you want to ascribe to gods, I think the most important idea is that they matter in a way that mere humans don’t. Geoff Johns and Jason Fabok’s “Darkseid War” zeroes in a conflict so big and so “important” that we need to check in on the godliness of every hero and every villain. Continue reading →

Jul 17 2015

Hawkeye 22

 

Today, Drew and Jack are discussing Hawkeye 22, originally released July 15th, 2015.

Drew: Endings are hard. Whether they break our hearts or leave us wanting more, even the most satisfying ending must face the bittersweet truth of being the end. “The End” takes on a peculiar meaning in the world of month-to-month comics (especially where the next volume may already be a few issues in), but whatever we’re saying goodbye to — whether its a paradigm or a creative team — can still have an almost hallowed air of significance. This makes talking about comic book endings in a issue-by-issue format particularly difficult, as its tempting to use the final issue as a platform for talking about the series as a whole. I absolutely want to talk about Matt Fraction’s Hawkeye run as a whole, but I want to first give issue 22 its due respect as perhaps the perfect distillation of what made his run so remarkable. Continue reading →

Jul 16 2015

Dr. Fate 2

dr fate 2

Today, Patrick and Michael are discussing Dr. Fate 2, originally released July 15th, 2015.

Patrick: There are a lot of so-called “legacy” characters in comic books. Rebooting those characters has to be insanely stressful for creators – how do you make sure the latest iteration is both true to its own identity and its own time, while also honoring the legacy that birthed the hero? Let’s take the current Batman as an example: Jim Gordon has to kick his smoking habit and work within in the confines of the law, but he’s still got Bat-gadgets and fights the Penguin (or whomever). That’s simultaneously Gordon and Batman. But what about when a character actually has an active reason not to buy into their own legacy? Enter Khalid – the child of first generation Egyptian immigrants. His whole life is built on the promise that he doesn’t have to live his parents’ lives. Weirdly, the American dream — go to school, work hard, live a comfortable consumer’s life — encourages Khalid to reject any sense of cultural identity and everything his newfound superpowers come to represent. That’s who’s motivated to ignore legacy: immigrants just trying to fit in. Continue reading →

Jul 14 2015

Earth 2 Society 2

earth 2 society 2

Today, Patrick and Mark are discussing Earth 2 Society 2, originally released July 8th, 2015.

Patrick: For the vast majority of DC’s line, Convergence didn’t really effect that much. And honestly, how could we possibly expect that convoluted mythology pile-up to effect anything even remotely grounded in reality? I don’t think this is a bad thing: I love having stories I can take seriously and follow ravenously from week-to-week and month-to-month, but I also enjoyed the two-month goof-off session that Convergence afforded us. Because the wackiness of that event was always going to be self contained, we got crazy major character deaths and radical shifts in status quo and all kinds of world-ending stuff you’d never be able to get away with “in continuity.” Of course, that story was part of DC’s continuity: specifically the Earth-2 part. Earth 2 Society 2 deals with those insanely elevated stakes gleefully, hilariously putting the FATE OF THE PLANET in danger. Again. Continue reading →

Jul 14 2015

Mrs. Deadpool and the Howling Commandos 2

mrs deadpool sw 2

Today, Spencer and Michael are discussing Mrs. Deadpool and the Howling Commandos 2, originally released July 8th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, click here.

secret wars div

Spencer: One of my best friends and I quite often find ourselves arguing about how “realistic” a story should be. He loves stories that could take place in our “real” world, while they sometimes rub me the wrong way. Don’t get me wrong, there’s quite a few stories that benefit from a sense of gritty realism (The Black Hood is an excellent, recent example), but I resent the idea that all stories need to be realistic. Our world is quite often an awful place, and fiction is my way of escaping it — I get a lot of joy out of stories that can break the restrictive rules of our reality. Gerry Duggan and Salva Espin’s Mrs. Deadpool and the Howling Commandos 2 is just such a story, one which takes great pleasure in transcending the limits of both reality and traditional narrative structures. It’s a hoot. Continue reading →