Category Alternating Current

Cross-talks on individual issues.

Apr 22 2015

Chrononauts 2

Alternating Currents, Chrononauts 2, Drew and Ryan

Today, Drew and Ryan are discussing Chrononauts 2, originally released April 15th, 2015.

Homer: Sorry but this is a highly sophistimacated doo-whackey. If you don’t use it responsibly… Kablammo!
Lisa: Ow! Someone just punched me in the face!
Homer: It was your mother!

The Simpsons, “Treehouse of Horror VIII”

Drew: I’m endlessly amused by the notion of using sci-fi technology for mundane personal uses. Homer using his teleporter to grab a beer without getting up, or to avoid having to climb the stairs feels like an abuse of the technology, but it’s also a compelling estimation of how it would be used in the hands of an everyday person. As much as we might claim to want to use a time-machine to avert a world war or warn people of impending disaster, we’re probably more likely to use it to ace a history presentation, meddle with the affairs of our family, or just bring the younger versions of our friend group to the present in hopes of winning an argument. Doctors Corbin Quinn and Danny Reilly find even less noble uses for their chronosuits in Mark Millar and Sean Gordon Murphy’s Chrononauts 2, and it proves to be an absolute blast. Continue reading →

Apr 21 2015

Uncanny X-Men 33

uncanny xmen 33

Today, Taylor and Michael are discussing Uncanny X-Men 33, originally released April 15th, 2015.

Taylor: When watching any of the Star Trek series you quickly become aware that every episode centers primarily on one character. Depending on how important the character to the series, they’ll have more episodes than others. For example, Picard generally gets about five to six focus episodes each TNG season while Troy gets two to three. Generally, this means you know if an episode is going to be good or not. Picard episode? Yes! Geordi episode? No. With as cast that numbers somewhere in the thirties (at least) it comes as no surprise that Brian Michael Bendis would try this technique with Uncanny X-Men. This way, every character gets a taste of the limelight and most readers leave satisfied. The question though, is does this doom the series to a Star Trek-like cycle where some issues are great and others are not solely based on stars in them? Continue reading →

Apr 21 2015

The Fox 1

fox 1

Today, Patrick and Mark are discussing The Fox 1, originally released April 15th, 2015.

So the seasons change
and the storefronts change,
everything else stays the same.
The wind don’t blow
and the grass don’t grow:
you’re never leaving Silver Street.

Ben Folds “Silver Street”

Patrick: There’s a sweet mystique to the idea of the Home Town. For me, Kenosha, Wisconsin, will always be trapped in the 1990s — a place frozen in time. I know that’s not actually the case: the years pass in Wisconsin much as they do everywhere else (if a few degrees cooler), and any qualities of being fixed in time are being selfishly imposed by me. It’s easier if I can image a place that will forever house my childhood enthusiasms and explorations. It’s a shock to my system every time I go home and discover that something has changed. Dean Haspiel and Mark Waid explore these concepts of change and timelessness as Paul Patton Jr. — aka, The Fox — takes a trip down memory lane and finds it blocked by both the passing of time and time’s refusal to pass. Continue reading →

Apr 21 2015

Convergence: Green Lantern/Parallax 1

green lantern parallax 1 conv

Today, Michael and Patrick are discussing Convergence: Green Lantern/Parallax 1, originally released April 15th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

convergence div

Michael: With the leak of the trailer for Batman v Superman: Dawn of Justice this past week, I’ve been thinking about Man of Steel a lot lately. And while I could write a book on why I didn’t like that movie, it really boils down to the fact that I found most of the things that Superman did in Man of Steel to be very out of character for the hero that I know. In the realm of comic books, characters go through many changes — I mean, you’ve gotta keep things interesting. But the changes that work are typically those that essentially feel true to those characters. Tony Bedard has been handing in some very solid Convergence tie-ins so far; they’re not perfect but he really has the core of these characters down, no matter what point in time they’re in. Continue reading →

Apr 17 2015

Thor 7

thor 7

Today, Taylor and Spencer are discussing Thor 7, originally released April 15th, 2015.

Taylor: Recently I visited a friend who I’ve known for a long time. As we tend to do, we watched bad action movies, with the features this time being Commando and the more recent John Wick. Both movies feature a ridiculously high body count, the cause of which is a thin plot filled in with a lot of action scenes. Generally, audiences tend to love action, but after John Wick killed what was probably his 42nd mobster, I found the action scenes growing stale. And therein lies the rub with an action sequence whether it be on film or in a comic book: too much of a good thing makes it bad. Thor 7 is an issue that is basically all action and despite the dangers of too much action, it’s a great issue. Why you may ask? The answer is the astounding art of Russell Dauterman. Continue reading →

Apr 17 2015

The Chilling Adventures of Sabrina 2

sabrina 2

Today, Patrick and Drew are discussing The Chilling Adventures of Sabrina 2, originally released April 15, 2015.

“[Horror movies] urge us to put away our more civilized and adult penchant for analysis and to become children again, seeing things in pure blacks and whites. It may be that horror movies provide physic relief on this level because this invitation to lapse into simplicity, irrationality and even outright madness is extended so rarely. We are told we may allow our emotions free rein… or no rein at all.”

Stephen King, ‘Why We Crave Horror Movies’

Patrick: I’ve always found it hard to explain the appeal of a scary movie — even to myself. Generally speaking, I don’t consider myself a fan of horror. Why add to the anxiety in my life, right? But I have to admit that most of my most memorable moments watching movies have been forged during flicks that scared the shit out of me. Sixth grade super camp — outdoor screening of The Birds. Eighth grade, all-night movie fest, my first viewing of The Exorcist. My reactions to these movies transcend logic, appealing directly to my baser impulses. But fear is not the only thing human beings feel deep down past their rational cores; sex appeal is equally illogical. The Chilling Adventures of Sabrina 2 plays with the concepts of sex and horror and takes advantage of the reader’s lizard brain reaction to both. Continue reading →

Apr 16 2015

The Fade Out 5

fade out 5

Today, Drew and Spencer are discussing The Fade Out 5, originally released April 15th, 2015.

One of the most dangerous of literary ventures is the little, shy, unimportant heroine whom none of the other characters value. The danger is that your readers may agree with the other characters.

C.S. Lewis

Drew: I’ve been quick to praise Charlie Parish as the ideal audience surrogate, a virtually featureless cypher we’re free to project all of our emotions on to. Part of that falls out of his role as the protagonist, no more or less aware of the mystery at the heart of The Fade Out, but writer Ed Brubaker has carefully cultivated a character who’s conflicted about just about everything — he supports multiple readings so well because he’s feeling multiple things at any one moment. It’s a remarkable feat, but his openness also makes him a waifish anchor for the series. I’ve often seen that as more of a feature than a bug, allowing the series’ tone to vary widely based on the influence of the supporting cast, but as the cast begins asserting their opinions in issue 5, they run the risk of running away with the story entirely. Continue reading →

Apr 15 2015

All-New Hawkeye 2

Alternating Currents: All-New Hawkeye 2, Drew and Spencer

Today, Drew and Spencer are discussing All-New Hawkeye 2, originally released April 8th, 2015.

Drew: I’m sure many folks have forgotten Cursed, the one-season NBC sitcom about a man cursed with bad luck in its pilot episode, but I’ll never forget it. Not because it was particularly good — I’ve actually forgotten almost everything about it — but because of its abrupt title change. Suddenly, Cursed, the high-concept sitcom about bad luck had become The Weber Show, a series so generic, its most distinctive characteristic was apparently the presence of former Wings star Steven Weber. That was my first lesson in the dangers of a narrative tying itself to a limiting premise, a problem I’ve found to be relatively ubiquitous in modern culture. All-New Hawkeye is far from the disaster that Cursed was, but as issue 2 strains against the flashback structure that worked so beautifully in issue 1, I find myself wondering if that structure is more of a prison than a springboard. Continue reading →

Apr 14 2015

Convergence: Nightwing/Oracle 1

nightwing oracle 1 conv

Today, Mark and Patrick are discussing Convergence: Nightwing/Oracle 1, originally released April 8th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

convergence div

Mark: It’s been about four years since DC’s controversial reboot into the New 52, and now that it’s come to a nominal end, I think it’s fair to say it was a success. Yes, I miss old, family-man Superman (and man was it great to see him again last week) but going back is also an illustration as to why the New 52 was necessary. Having that 30 years of history (counting from Crisis on Infinite Earths) was both a blessing and a curse. These characters were fully formed over decades of discovery. They were adults with families and complicated relationships. They carried the weights of their decisions with them. The problem is that eventually the weight of all that continuity became overwhelming, the stories you’re able to tell are limited by the past. Continue reading →

Apr 13 2015

Saga 27

saga 27

Today, Patrick and Drew are discussing Saga 27, originally released April 8th, 2015.

Grace comes home drunk some times / and beats on the doorway to my guts. / I fumble with the locks / ’til the wound opens up. / She falls in, laughing: “Honey, I’m home.”

I wince as she stumbles up my spine / leaves a trail of bruises on my ribs. / I choke on her dancing on my tongue / she kicks out a tooth. / “Honey, I’m home.”

She lights a cigarette inside my head / blows all the smoke into my eyes / until she sees a tear. / Then she sighs: “just what I thought — another fragile Buddha”

Stuart Davis, “Grace”

Patrick: The language of love and the language of violence are uncomfortably similar. I’d also argue that they are two cultural constants we never really understand. The impulses to nurture and destroy are down deep in the human subconsciousness, ungoverned by rationality. Bryan K. Vaughan and Fiona Staples explore this through Marko’s bad fadeaway trip in Saga 27, suggesting that pacifism may mute more than Marko’s passion for violence, but all of his passions. He wakes up with a clarity, but is that a clarity to be celebrated or to be reviled? Continue reading →