Category Drew Baumgartner

Drew Baumgartner, Co-Editor-In-Chief
drew@retcon-punch.com

Location: Milwaukee

History With Comics: Drew grew up with Superman pajamas. His best days were when he never had to change out of them. He fell in love with Batman the Animated Series when he was 5. He had never read a comic in his life, but started reading Batman trades when he was in high school. He continued to pick up trades and one-offs throughout the 00’s, but never got into the monthly swing. After almost a decade of being an outsider looking in, Drew seized upon DC’s relaunch to start picking up monthlies.

Jun 17 2015

Injection 2

Alternating Currents: Injection 2, Ryan and Drew

Today, Ryan and Drew are discussing Injection 2, originally released June 10th, 2015.

Ryan: The sophomore issue of proves the series of Injection to be one of shifts and contrasts. Before, we saw sweeping establishing panoramas, and now we see tight, personal framing. The locales change from an everyman’s pub to austere Manhattan penthouse and a Parisian embassy. Mysticism drenched number one; technology informs number two. The focus shifts from character and settings to a burst of intense action. This action shows that there is a surprising amount of moving parts to follow. Luckily for us, Warren Ellis and Declan Shavley imbue each of these wheels within wheels with interesting distinctiveness, and make all of these choices very intentionally. Continue reading →

Jun 16 2015

Saga 29

Alternating Currents: Saga 29, Drew and Spencer

Today, Drew and Spencer are discussing Saga 29, originally released June 10th, 2015.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

William Butler Yeats, “The Second Coming”

Drew: Written in the wake of the first World War, “The Second Coming” features some of the most vivid images in modernist poetry. The second stanza takes on a more biblical tone, name-dropping the titular second coming, but the first stanza, quoted above, features no hint of the divine — this is pure horror of war stuff. Of all the concepts Yeats evokes, the notion that “the best lack all conviction” might actually be the scariest to me. If war can change our values and convictions, what are we actually fighting for? Curiously, we talk about becoming a parent in similar ways: our values and priorities shift around when we have a child to care for. Saga has always existed at the weird intersection between war and parenthood, but issue 29 makes its exploration of the values we sacrifice in the name of either a bit more explicit. Continue reading →

Jun 12 2015

Secret Wars Round-Up: Issues released 6/10/15

secret wars roundup4

Today, Patrick, Drew, Spencer and Michael discuss Ms. Deadpool and the Howling Commandos 1, Ghost Racers 1, Captain Marvel and the Carol Corps 1, Weirdworld 1, Inhumans: Atillan Rising 2, Spider-Verse 2, Secret Wars 2099 2, Ultimate End 2, and X-Men ’92 Infinite Comic.

secret wars div

Patrick: I’m not reading all of Secret Wars, but I am reading an awful lot of it. What’s impressing me the most about the world building is how patiently and deliberately various kingdoms are established and how they intersect. These aren’t simply re-imaginings of classic Marvel stories for the sake of re-imagining the classics, but a complex world wherein the conflict frequently comes from so many stories being forced to co-exist. In many ways, it’s an indictment of continuity: how can you possibly expect everything from 75 years of storytelling to all jive together? For the same reason, we don’t have peace in Battleworld, even with the editorial oversight of God Doom. But — and this is the important part — that doesn’t mean we can’t tell fun stories amid the conflicting continuities. Continue reading →

Jun 12 2015

Nameless 4

nameless 4

Today, Patrick and Michael are discussing Nameless 4, originally released June 10th, 2015.

So kiss me baby, like a drug, like a respirator
And let me fall into the dream of the astronaut.
Where I get lost in space that goes on forever
And you can make the rest just an afterthought.
I believe it’s you who can make it better.
Though it’s not. No, it’s not. No, it’s not.

Aimee Mann, It’s Not

Patrick: Aimee Mann’s album Lost In Space, is one of my favorite records of all time. It’s got all of the hallmarks Mann’s genius — smart, sensitive lyrics, beautiful melodies, a sophisticated chord palette — but where the album separates itself is in its subtly self-referential nature. The title of the record appears both here (on the last track) and on the album’s title track. Calling the same imagery, of being “lost in space” back at the end of the record, makes the singer sound like she’s so mired in her own frame of reference as to make her actual experience secondary to her ability to express it. Grant Morrison and Chris Burnham’s fourth issue of Nameless is similarly focused on expressing a character’s ability to express what he’s experienced through his specific cultural and personal lens. And curiously, he make reference to the astronaut’s dream. Continue reading →

Jun 12 2015

Gotham Academy 7

gotham academy 7

Today, Drew and Taylor are discussing Gotham Academy 7, originally released June 10th, 2015.

Aren’t you two just the most precious, holding hands like that?!

Professor MacPherson

Drew: There are few experiences in life more alien than navigating your first crush. Fairytales and Disney movies insure that we’re all familiar with the idea of romance long before we ever feel those feelings ourselves, which makes them all the more bizarre when they start happening. With so much of childhood filled with understanding our emotions, it’s almost cruel that we’re thrown a totally new one just as we enter the most awkward stage of our lives. Indeed, that we don’t know how to process those feelings is exactly we tend to be so bad about acting on them, pulling pigtails or standing sheepishly at the middle school dance. It takes a while for kids to gain the confidence to push past that awkward confusion. Unless, of course, you’re Maps Mizoguchi, in which case a magic quill will take care of that for you. Continue reading →

Jun 11 2015

Silk 5

silk 5

Today, Spencer and Drew are discussing Silk 5, originally released June 10th, 2015.

Spencer: Asking for help isn’t easy. It should be, because we all need help from time to time (or, perhaps more accurately, almost constantly), yet there’s often a stigma against asking for help. Needing helps means admitting that you can’t do everything all by yourself; oftentimes it means admitting that you were wrong, or that you failed. In the case of Cindy Moon — a.k.a. Silk — it also means revealing some of her deepest secrets. Yup, asking for help can be downright difficult, but it’s also absolutely essential if we want to keep moving forward in life. Robbie Thompson and Stacey Lee’s Silk 5 finds Cindy finally reaching out for help in both her superheroic and civilian personas, and in both cases it’s without a doubt the best possible decision. Continue reading →

Jun 10 2015

Weekly Round-Up: Comics Released 6/3/15

round up

Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Spencer, Patrick, Drew and Michael discuss Spider-Woman 8, The Amazing Spider-Man 18.1, Groot 1, Archie 666, Jupiter’s Circle 3, The Autumnlands: Tooth and Claw 6, Action Comics 41, Batman Beyond 1, Bat-Mite 1, Bizarro 1, Green Lantern 41, Omega Men 1, Dead Drop 2, and The Woods 13.

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Spencer: Convergence is over — as is the New 52, technically — and DC is eager to trot out their new, more diverse roster of titles. Do these books succeed at being a breath of fresh air for DC? We’ll give you our takes soon enough, but first, we’re catching up with some of the last remaining Marvel titles that have yet to get tied up in Secret Wars, celebrating the end of an era over at Archie, and, believe it or not, even discussing a few books that aren’t somehow affected by line-wide changes! We’ve got a lot on our plate this week, so let’s dive right in, shall we? Continue reading →

Jun 9 2015

All-New X-Men 41

Alternating Currents: All-New X-Men 41, Drew and Michael

Today, Drew and Michael are discussing All-New X-Men 41, originally released June 3rd, 2015.

…it was a good metaphor for what was happening with the civil rights movement in the country at that time.

Stan Lee on creating the X-Men

Drew: The X-Men’s role as a metaphor for the civil rights movement is as well-known as it is obvious — a group of people, marginalized by a coincidence of birth, struggle to be accepted by a society that fears and hates them. With so many institutions codifying racism with backwards rules, from school boards to lunch counters, it didn’t take much exaggeration to blow up that marginalization to comic book proportions. As those policies fell out of use, though, the X-Men came to stand in for other groups that were institutionally marginalized. As society continues to discard bigoted policies, however, the struggle for civil rights becomes less and less about fighting institutional rules that can be pointed at, and more about combating smaller day-to-day injustices. By their very nature, those smaller conflicts don’t lend themselves as well to superhero action: exaggerate them, and you lose the insight into how they affect people every day; don’t exaggerate them, and you don’t have anyone for your hero to shoot eye-beams at. Brian Michael Bendis and Mahmud Asrar opt for exaggeration in All-New X-Men 41, and may lose their message along the way. Continue reading →

Jun 8 2015

The Wicked + The Divine 11

Alternating Currents: The Wicked + The Divine 11, Drew and Spencer

Today, Drew and Spencer are discussing The Wicked + The Divine 11, originally released June 3rd, 2015.

Mr. Ross: Firestorm, that’s a hell of a picture. Remember when they had the helicopter land on top of that car —
Frank Costanza: Hey! I haven’t seen it yet!
Mr. Ross: It has nothing to do with the plot!
Frank Costanza: Still, I like to go in fresh!

Seinfeld, “The Rye”

Drew: I wouldn’t say my girlfriend has a lot in common with Frank Costanza, but she also prefers to “go in fresh” to narratives. For her, any information beyond the barest gist of the genre and mood constitutes a spoiler. Of course, I’ve always been on the opposite end of the spoiler spectrum — because I’m most interested in how the story is told, knowing plot points ahead of time can’t “spoil” the experience. Every so often though, I’ll encounter a twist so shocking that I have to admit I’m glad I didn’t know it was coming. Which is to say, when I say that you should only read on if you’ve already read The Wicked + The Divine 11, I really mean it. Seriously: spoilers after the jump. Continue reading →

Jun 5 2015

Secret Wars Round-Up: Issues released 6/3/15

secret wars roundup3Today, Drew, Patrick and Spencer discuss Secret Wars 3, Giant-Sized Little Marvel AvX 1, Future Imperfect 1, Years of Future Past 1, and Secret Wars Battleworld 2.

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Drew: There’s nothing like comics continuity — and I mean that quite literally. Virtually no other narratives feature the same kinds of questions about whether something happened, how so and so exists if that didn’t happen, whether or not characters remember events that did happen before they didn’t, or if all of the events we’re reading will somehow be undone in the future. I’ve never been particularly interested in what is and isn’t canon (as far as I’m concerned, the only stories that “count” in comics are the ones that I’ve read), but it’s certainly interesting to see how the Big Two twist themselves up in knots to explain things. Marvel has long touted its continuity as being unbroken (a few retcons notwithstanding), in contrast to DC’s system of periodically “resetting” their universe with a massive crisis, but Secret Wars began with proudly proclaiming the death of the Marvel Universe as we know it. Indeed, this week finds writers not just defending that break, but reveling in it. Continue reading →