Huck 5

Today,  Ryan M. and Michael are discussing Huck 5, originally released March 16, 2016.

Ryan M.: One of those maxims that you hear all the time in writing classes is that conflict reveals character. Until a character is tested, you really can’t know who they are. It’s in times of turmoil that people show what they value and what they’re willing to sacrifice. By the same token, the unchallenged winner is under no obligation to show their cards. It’s easy to be invulnerable in victory. Unfortunately, lack of emotional openness does not inspire engagement. Continue reading

Superman 50

superman 50

Today, Michael and Mark are discussing Superman 50, originally released March 16th, 2016.

Michael: Mark, I’ve had a problem lately — the impending arrival of whatever DC Rebirth shapes up to be has been coloring my read of nearly every DC book. The creative behind-the-scenes shuffle that must be going on fascinates me — creators rushing their stories to conclusions earlier than they anticipated, etc. Superman 50 is the conclusion of Gene Luen Yang’s run on the book. And while it is an awkward, frantic, and deflated conclusion, it kind of seems like that’s what Yang intended all along? Continue reading

DC Round-Up Comics Released 3/9/16

dc roundup31

How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing Batman and Robin Eternal 23, Starfire 10 and New Suicide Squad 18.

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Detective Comics 50

detective comics 50

Today, Mark and Michael are discussing Detective Comics 50, originally released March 9th, 2016.

Mark: Well…huh. Is that all there is?

Writing a mystery story in any medium is an unenviable task. It’s basically impossible to nail the landing. For my money, the ideal solution to any mystery is both surprising and logical. Once the solution is revealed, the audience wants to see that the answer was hiding in plain sight all along. Writing a satisfying conclusion like that is nearly impossible. It’s why when something like The Sixth Sense comes along it is so successful. But M. Night Shyamalan learned the wrong lesson from its success, thinking that audiences craved a “GOT YA” ending. And it’s why his other films that attempted a twist failed. Sure, the twists are surprising…but they’re meaningless and add no additional understanding to what came before. So after two (and a half) strong issues of Peter J. Tomasi’s Detective Comics mystery, we reach the end of The Bronze Age arc and, again, I ask: is that all there is? Continue reading

Gotham Academy 16

gotham academy 16

Today, Michael and Taylor are discussing Gotham Academy 16, originally released March 9th, 2016.

Michael: What is the proper way for a comic book series to say goodbye? Depending on the critical and commercial success of that book, the answer may vary. You might have the fore-sight or -knowledge to plot things towards a conclusion or just have to wrap things up as quickly as possible with a few issues. Though DC’s Rebirth will be bringing us another Gotham Academy series — Gotham Academy: Next Semester — these are the last few issues of the series as we have known it. Brenden Fletcher is joined by a handful of other creators to relish in the whimsical nature of Gotham Academy before he says his (brief?) goodbye. Continue reading

Big Two Round-Up: Comics Released 3/2/16

roundup1We got us a double-header! We try to stay up on what’s going on with the Big Two, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles released by Marvel and DC Comics. Today, we’re discussing Batman and Robin Eternal 22, Black Widow 1, Green Lantern 50, Old Man Logan 3, and Spider-Man 2.

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Darth Vader 17

darth vader 17

Today, Taylor and Michael are describing Darth Vader 17, originally released March 2nd, 2016.

Taylor: Part of Darth Vader’s mystique is that he’s a loner. He’s solitary, unknowable, and ultimately dangerous to those who both know and don’t know him. This penchant for solitude is part of what makes Vader fearsome. There are few people in the universe who can take on entire platoons of soldiers alone and emerge victorious, but Vader is one of them. Pair this with his basic distrust of just about everyone and everything and it’s no wonder the galaxy fears him. He is ultimately unknowable and what people can’t know they necessarily fear. In his black robes, Vader is essentially the embodiment of black hole: he can’t be known, he destroys all that come close to him, and ultimately he is misunderstood. Issue 17 of Darth Vader explores its titular character’s isolation and shows us how that is both the source of his downfall and ultimate redemption. Continue reading

Batgirl 49

batgirl 49

Today, Michael and Drew are discussing Batgirl 49, originally released March 2nd, 2016.

Michael: DC Comics has (sort of) clarified what its upcoming “Rebirth” is, and it has been changing my reading of every comic I’ve read from them in the meantime. It’s still anyone’s guess as to what kinds of changes “Rebirth” brings to the DC line, but we are definitely at the climax/resolution threshold of each title’s story. Case in point: the semi-continuity-resolving, Inception-ish issue that is Batgirl 49. Continue reading

Superman: Lois and Clark 5

lois and clark 5

Today, Michael and Mark are discussing Superman: Lois and Clark 5, originally released February 24th, 2016.

Michael: I’m enough of a seasoned comic book reader to know that I shouldn’t be misled by/read into comic book covers. But dammit, I still get my hopes up about covers with the best of ’em. The cover for Superman: Lois and Clark 5 teases that beardy Clark will come face to face with New 52 Batman. Alas it was just a tease. Continue reading

Dark Knight III: The Master Race 3

Alternating Currents: Dark Knight 3, Drew and Michael

Today, Drew and Michael are discussing Dark Knight III: The Master Race 3, originally released February 24th, 2016.

Drew: There are a number of reasons The Dark Knight Strikes Again didn’t attain the critical and cultural success of The Dark Knight Returns, not the least of which being the insanely high expectations of following up a genuine cultural touchstone, but I think the biggest might be what DKSA reveals about DKR. That is, while fans, critics, and the culture at large tend to believe DKR was all about injecting psychological nuance to superheroes, DKSA suggests that creator Frank Miller’s interests were ultimately in the excesses of the genre — any emphasis on psychology was incidental to Miller’s pursuit of bombast. That’s not an airtight argument, but there’s no denying that DKSA went even bigger, trading the psychology of Batman for the sociology of the Justice League. Those interests are still very much in play in DKIII, though perhaps ultimately to pare the cast down to the key players of DKR‘s final showdown. Continue reading