Chat Cave: Man of Steel

chat-cave-header

Between the commercial success of a near-constant stream of Marvel Studios Avengers movies and the critical success of Christopher Nolan’s Dark Knight trilogy, there are impossible expectations for Man of Steel. Expectations like reigniting the public’s love for Superman; expectations like launching a blockbuster film franchise; expectations like being any good in its own right. Zach Snyder’s Superman slug-fest has a lot to accomplish. Does it achieve any of that? Welcome to the Chat Cave.

Drew: Like many comics fans, I was incredibly excited by the teaser trailer for this movie. In spite of the trailer’s own prominent reminder that Zach Snyder directed both Watchmen and 300, it felt like this movie got Superman. Indeed, the trailer trades in Snyder’s standard embarrassing music cues and slow-motion punches for meditative statements about Superman’s power as a symbol. Between story credits by Dark Knight Trilogy scribe David S. Goyer and director  Christopher Nolan, I dared hope that Man of Steel might be to Superman what The Dark Knight films were to Batman: an operatic drama that understands the defining nature of the hero.

Continue reading

Nightwing 21

nightwing 21

Today, Scott and Spencer are discussing Nightwing 21, originally released June 12th, 2013.

Scott: Obsession can be a very dangerous thing. For Superheroes, letting emotions dictate the decisions they make often muddles the line between justice and personal satisfaction. Dick Grayson is obsessed with Tony Zucco, a man he rightly feels deserves punishment for murdering Dick’s parents. But Dick has shown that he will go to any lengths to get to Tony, even if it means compromising many of the things Nightwing stands for. Nightwing 21 finds Dick Grayson venturing further into the realm of moral ambiguity, with implications as fascinating as they are frightening.
Continue reading

Deadpool 11

deadpool 11

Today, Ethan and Drew are discussing Deadpool 11, originally released June 12th, 2013.

Ethan: Stories have to follow a lot of formulas — rising action, tension, struggle, resolution. Comics are often even more constrained — extraordinary people, powers, and villains combine to make extraordinarily predictable outcomes. Familiarity sells. But while you could say a lot of horrible things about Deadpool — and they’d all be true — if there’s one thing that he is NOT, it’s conventional. Maybe it’s because his superpower has more to do with the basic act of survival rather than leaping a building in a single bound; maybe it’s because he’s just a bastard of a guy who lucked out with the world’s most impressive healing factor. Maybe it’s because he’s Canadian. I dunno. Either way, he’s up to his eyeballs in demonic intrigue right now, so perhaps the standard operating procedures wouldn’t be the best fit anyway. As he continues his contract with Vetis, hunting and killing superpowered humans who sold their souls for their abilities, writers Brian Posehn and Gerry Duggan continue to entertain while Wade Wilson continues to backstab his way to freedom.

Continue reading

Suicide Squad 21

suicide squad 21

Today, Mikyzptlk and Shelby are discussing Suicide Squad 21, originally released June 12th, 2013.

Mikyzptlk: Ales Kot completely blew me away with issue 20 of Suicide Squad, giving fans of the original series a taste of what made it so great, while completely reinvigorating the New 52 version of the book. With issue 21, Mr. Kot has blown me away again (along with a few security guards) and has delivered another absolutely thrilling entry. Best of all, Kot manages to continue his course correction of the character Harley Quinn by brilliantly using her to fix yet another troubled character of the New 52: Amanda Waller.

Continue reading

Constantine 4

constantine 4Today, Patrick and Taylor are discussing Constantine 4, originally released June 12th, 2013.

Patrick: For all it’s crude early-90s wordplay and carefully constructed explorations of popular culture, the greatest strength of the movie Clerks is Dante’s refrain “I’m not even supposed to be here today.” The indignity of living his life is made all the worse when we realize there’s no escape for the poor guy, even on his day off. It’s like the universe is only happy when Dante’s stuck behind the register at the Quick Stop. Just as the DC Universe is only happy when John Constantine is up to his neck in charms, angry wizards and grifter-assassins. It turns out magic doesn’t take a holiday, even when Johnny needs it so badly. Continue reading

Batman 21

batman 21

Today, Spencer and Drew are discussing Batman 21, originally released June 12th, 2013.

Spencer: Two gunshots ring out in a dark alley. A string of pearls falls to the ground. Sound familiar? It should — Batman’s origin story is one of the best-known and most beloved in comic book history. It’s been told and retold countless times, and while many of these stories are flat-out classics — Year One, Batman Begins, Mask of the Phantasm — one still wonders: Is another Batman origin story really necessary? Can Batman’s origin still be retold in a fresh way that doesn’t rehash or invalidate those earlier stories? The jury’s still out on the first question, but in Batman 21, Scott Snyder and Greg Capullo prove that they’re capable of telling a Batman origin story the likes of which we’ve never seen before.

Continue reading

Superman Unchained 1

Alternating Currents: Superman Unchained 1, Drew and Scott

Today, Drew and Scott are discussing Superman Unchained 1, originally released June 12th, 2013.

Drew: When DC began its New 52 experiment in 2011, they made a point of putting their best foot forward. The first issue (and ostensibly their flagship title), Justice League 1, featured one of comicdom’s most popular writers paired with one of its most popular artists. It’s a bit strange that they would repeat the same big guns formula (even going so far as to tap Jim Lee again) for an entirely new title in Superman Unchained. Of course, the way the title features the standard Superman logo with “unchained” incongruously typeset below suggests that this isn’t so much a new title as it is the Superman DC wishes it could publish if it weren’t tied (chained, if you will) to Scott Lobdell. But here I am reading between the lines on the cover. What about what’s inside? Continue reading

Guardians of the Galaxy 3

guardians of the galaxy 3

Today, Shelby and Patrick are discussing Guardians of the Galaxy 3, originally released June 12th, 2013.

Shelby:  I AM GROOT!
Continue reading

Guardians of the Galaxy: Infinite Comics 1-4

guardians infinite 1-4Today, Patrick, Shelby, Mikyzptlk and Drew are discussing Guardians of the Galaxy: Infinite Comics 1-4, originally released March 6th, March 20th, April 10th and May 1st, 2013. 

Patrick: Marvel Studios makes no great secret of their film plans. We already know that a Guardians of the Galaxy movie is to be released in 2014 as part of their second phase of Avengers movies. Unlike Thor or Hulk or Iron Man, regular movie goers have absolutely no idea who these “Guardians” are, and — truth be told — I could use the introduction as well. Enter: Guardians of the Galaxy: Infinite Comic, a series of free digital comics that will introduce the four non-human members of the team.

Continue reading

Fearless Defenders 5

Alternating Currents: Fearless Defenders 5, Drew and ShelbyToday, Drew and Shelby are discussing Fearless Defenders 5, originally released June 5th, 2013.

Drew: Comics love engaging in their own history. Whether they’re rehashing origin stories, resurrecting campy villains, or just making winking nods to their own pasts, comics always find ways to reference their own histories. It makes sense — both creators and fans love comics — but what do you do when the history your referencing isn’t so charming? It’s no secret that comics don’t always have the most enlightened views when it comes to female characters, but what is a writer’s obligation to that history? Should they ignore it? Reclaim it? Embrace it? These are the weird questions Cullen Bunn is forced to address in Fearless Defenders 5, as he blows up the scope to comment on virtually all of Marvel’s female characters. Continue reading