Sex Criminals 18

Today, Ryan and Drew are discussing Sex Criminals 18, originally released April 19, 2017. As always, this article contains SPOILERS.

There is no intimacy without vulnerability.

Brené Brown

Ryan: I try to be a very honest person. I’m essentially George Washington with the cherry tree. Though, of course, I have to caveat that with admitting that I know the cherry tree thing is a myth. Sometimes facts are the enemies of fun. While I am truthful and people in my life find that both helpful and annoying, there is a deeper truth. I started this paragraph intending to say something and we are now at about seventy seven words, so I’ll come out with it. Vulnerability is something I struggle with every day. It’s not enough to refrain from lies, be nice to people, make sure that they are okay and carry on. You aren’t really present in a relationship until you are being truly honest about what you need, sharing your moments of shame, and peeling back the surface to reveal the parts of yourself that you aren’t sure will be accepted. In Sex Criminals 18, Matt Fraction and Chip Zdarsky explore the struggle to be emotionally honest.

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Weekly Round-Up: Comics Released 4/19/17

Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Star Wars Poe Dameron 13, Black 5, Curse Words 4, Descender 21, and Injection 12. Also, we’re discussing World Reader 1 and Archie 19 on Tuesday and Sex Criminals 18 on Wednesday, so come back for those! As always, this article contains SPOILERS. Continue reading

Captain America: Sam Wilson 21

Today, Ryan M. and Drew are discussing Steve Rogers: Captain America 12, originally released February 22nd, 2017. As always, this article contains SPOILERS.

Ryan M: Empathy and understanding can only be built by listening. That’s why representation is so important. Reinforcing norms of exclusion only bolster the narrative of inequality. An outsider telling your story, however well-meaning, influences the message. The speed and breadth of modern media only add more veils between the truth and the version people hear. In Captain America: Sam Wilson 21, Sam wrests back control of his own story.

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Marvel Round-Up: Comics Released 4/12/17

We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Amazing Spider-Man 26, Old Man Logan, Silver Surfer 10, Unbeatable Squirrel Girl 19, and Unstoppable Wasp 4. Also, we’ll be discussing Captain America: Sam Wilson 21 and Unbelievable Gwenpool 14 on Monday and Black Panther: The Crew 1 on Wednesday, so come back for those! As always, this article contains SPOILERS.

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Eleanor and the Egret 1

Today, Patrick and Ryan M are discussing Eleanor and the Egret 1, originally released April 5, 2017. As always, this article containers SPOILERS!

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Patrick: Comic book fans have a weird relationships with the medium. For as much time as we spend staring at visually stunning works of art, we tend not to place too much value on what the art itself means to us. Oh sure, we can complain that some something is too cartoony or too pin-up or too grim-dark, and we can praise action sequences and cool-looking costumes, but all comic art is necessarily tied to something beyond the art itself. There’s a story, a message, a political point of view, a joke — the art straining to express something other than itself. Eleanor and the Egret is poised to flip those priorities, insisting on both the value and the meaning of the art by making it both subject and medium. The first issue is delightfully soothing, and nearly impossible to analyze against psychological and narrative norms. It’s so singularly beautiful, I wish I could eat it. Continue reading

Marvel Round-Up: Comics Released 4/5/17

We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing All-New Wolverine 19, America 2, Captain America: Steve Rogers 15, Nova 5 and Royals 1. Also, we’re discussing Hawkeye 5 on Tuesday, so come back for that! As always, this article contains SPOILERS.

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Captain America: Steve Rogers 14

Today, Ryan and Patrick are discussing Captain America: Steve Rogers 14, originally released March 22th, 2016. As always, this article contains SPOILERS.

Ryan: Sometimes, if a character is too interesting or too dynamic, they can take over a narrative. I call it the Dawson’s Creek conundrum, since that was a show that was hypothetically built around (and named after) the least engaging character.  It’s not always a problem. It can be fun to have a character enter the story, take over for a bit and then step out, as long as the story knows that it’s happening. In Captain America: Steve Rogers 14, writer Nick Spencer and artist Jesus Saiz have a character taking over, but don’t cede the entire book to her. Continue reading

Marvel Round-Up: Comics Released 3/22/17

We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Black Panther 12, Hulk 4, Invincible Iron Man 5, Ultimates 2 5 and Uncanny Inhumans 20. Also, we discussed Unworthy Thor 5 on Thursday, and will be discussing Iron Fist 1 on Monday and Captain America Steve Rogers 14 on Tuesday, so come back for those! As always, this article contains SPOILERS.

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Archie 18

Today, Taylor and Ryan M. are discussing Archie 18, originally released March 15th, 2017. As always, this article contains SPOILERS.

Taylor: There is an art to making conversation. If you deny this then you clearly have never tried to talk to me over the phone. When I attempt a conversation over the ol’ horn I feel like one of those poor dogs forced into booties. It feels unnatural and stilted and it’s not uncommon to endure long, awkward periods of silence. In person I’m better, but still not great, so I’ve come to appreciate those people who can make conversation. My experiences have taught me that talking truly is an art form where flow is supremely important. The same can be said for comics, where conversations and narratives alike need to flow easily. Archie 18 is a lesson on the importance of conversational and narrative flow, just perhaps not in the way it intended.

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Man-Thing 1

Today, Ryan M. and Ryan D. are discussing Man-Thing 1, originally released March 8th, 2017. As always, this article contains SPOILERS.

Ryan M: I read a lot of R.L. Stine’s Fear Street books. At age 10, they struck the perfect balance between the somewhat goofy Goosebumps series and Christopher Pike’s darker take on teen horror. Horror is a genre that needs to offer an entry point that you can latch on to. In Fear Street books, the protagonist may not be perfect (I’m looking at you, cheating hero of The Boyfriend) but you are with them every step of the way as their world gets more and more terrifying. In Man Thing 1, Stine and artist German Peralta present their take on a man turned monster, but leave a hole in the center where a protagonist should be.

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