Today, Scott and Shelby are discussing Swamp Thing 32, originally released June 4th, 2014.
Scott: We all want to feel like we’re in control. It’s a big part of growing up. We move out, get our own place, buy a car, pay bills, decide what we eat and when we sleep. But we can only control things to a certain extent. As resolute as we may want to be, we still can’t really know what to do the first time we carve a turkey, or get in a car accident, or find out we’re pregnant. In our rush to take control of our lives, we fail to realize just how much we don’t know, and in doing so we become a huge liability to ourselves. Fortunately, life is pretty forgiving, allowing us to acquire wisdom through a system of trial and error. Like the rest of us, Alec Holland has a lot to learn, in his case about being the Avatar of the Green. Swamp Thing 32 finds him fighting for control against an obstacle he brought on himself but never saw coming.
Today, Greg and Scott are discussing Batman ’66 Meets The Green Hornet 1, originally released June 4, 2014.
Greg: Christopher Nolan’s Dark Knight Trilogy are both some of my favorite and least favorite things to happen to contemporary pop culture. I love them because the movies, particularly that second one, are smashingly good entertainments, with towering performances, consistent style, and an attitude of taking the world seriously that feels naturally extended from the best Batman comics and ‘90s animated series episodes. I hate them because now it feels like every single big budget blockbuster that comes out (even the new Captain America, for goodness’ sake) is dark, gritty, oppressively somber, po-faced, and muted. It’s a conflicting feeling because as much as I love the shock and awe that comes from treating these extraordinary scenarios with verisimilitude, I similarly love the fun and joy that comes from treating them as, well, fun and joyful. Batman ‘66 Meets The Green Hornet is a strikingly contagious example of what happens when you have affectionate fun in your larger-than-life storytelling, and I’d like writers Kevin Smith and Ralph Garman to get their own big budget trilogy, please.
Today, Scott and Taylor are discussing Guardians of the Galaxy 15, originally released May 28th, 2014.
Tell my father that I’m in. I’ll be Star-Lord. If he lets the rest of the Guardians go free. I’ll be what he needs me to be. In return I promise the Guardians will disappear. They won’t give Spartax any more trouble. You have my word.
Scott: Not everyone is cut out for improvising. Believe me, as a twenty-something living in LA, I’ve been to enough improv shows to tell you it isn’t for everyone. Most people are better off sticking to a plan. I know I am. I have a writer’s mentality; my strength lies in my ability to think through a problem and come up with a creative solution. Put me on the spot in a room full of people, however, and I’m a bumbling mess. I’ll say just about anything to get through those awkward moments, whether I believe what I’m saying or not. When Quill says the passage above, it doesn’t ring true for a second. It’s one of those “say whatever you have to” moments, and no one within earshot is buying it. Quill can hardly make it through those words before moving onto an even more poorly though-out idea. In fact, all of the Guardians are operating without much of a plan in this issue, and they don’t seem to be cut out for improv.
Today, Shelby and Scott are discussing Superman 31, originally released May 28th, 2014.
Shelby: I hate being in the way. Like, to the point of anxiety: if I’m with people, trying to help, but just getting in the way, I have a really hard time with it. It’s frustrating on two levels; not only am I not helping like I want to be, I’m probably making things harder by being in the way. Apparently, I’m just like Superman; he’s infected with Doomsday spores, and while all he wants to do is, you know, help save the world over and over, he’s stuck being in the way. And by the way, I mean threatening everyone and everything around him. Heads up, I’m not reading Superman OR Doomed, so I am definitely approaching this from an outsider’s viewpoint.
Today, Patrick and Scott are discussing Daredevil 3, originally released May 21st, 2014.
Patrick: Shortly after I moved to Chicago, I was looking for jobs and had landed an interview for a secretarial job at an accounting firm. Or… maybe it was an accounting firm, maybe it was a bank? Something with money and finances, that much I knew for sure. I practiced answering questions about myself, I wore my best suit, and walked into the interview wholly unprepared to ask for a job at an institution I knew next-to-nothing about. I had underestimated just how hard it was going to be to get this job, and my confidence proved to be my undoing, as I was heading back to my car 15 minutes later. That’s the danger of moving to a new city and looking for a new job: you simply don’t know what you don’t know, and all of your previous assumptions get thrown out the window. Daredevil 3 finds Matt Murdock overestimating his likelihood of success over and over again. How do you think that works out for him? Continue reading →
Today, Scott and Drew are discussing Wonder Woman 31, originally released May 21st, 2014.
“What kind of madness?”
“Men sometimes generate a good kind…you’ll see.”
Aleka and Zola, Wonder Woman 31
Scott: Zola issues this reassurance to the Amazons, whose world is about to be turned upside down by the arrival of men on Paradise Island. It’s interesting that Zola feels this way; most of the trouble in her life has been caused by men. She was impregnated by Zeus (who’s still missing, by the way), held captive by Hades, and had her baby nearly killed by Apollo. She could easily have turned against men, but she’s wise enough to realize these are anomalies, and far more men have helped her along the way. Men, like many other groups, often get a bad rap because of the actions of a select few. As Wonder Woman 31 shows, sometimes those actions are unspeakably horrific, but prejudice will do nothing to overcome them. The good, both men and women, must unite to defeat the evil.
Today, Spencer and Scott are discussing Deadpool 28, originally released May 14th, 2014.
Spencer: Just the other day, Drew and a few of our readers took to the comments to discuss how difficult it can be to talk about our favorite titles, books that are so good that words sometimes just fail us. I felt that way in the days following my first reading of Brian Posehn, Gerry Duggan, and Scott Koblish’s Deadpool 28; this issue may not be as dark or emotional as some of the previous, but it succeeds at everything it sets out to do with such effortlessness that it practically leaves me speechless. Continue reading →
Today, Scott and Taylor are discussing Superman/Wonder Woman 8, originally released May 14th, 2014.
Scott: I just finished watching the first season of Broad City on Comedy Central, and I can’t recommend it highly enough. It’s about two girls navigating life in their twenties in New York. Not a groundbreaking premise by any means, but executed better than most. For a series with two main characters, it strikes a rare balance where both stars carry the same amount of comedic and emotional responsibilities. The co-leads, Abby and Ilana, are equally compelling and equally frustrating as they deal with issues like finding a new apartment or fitting in at a restaurant that is decidedly fancier than they are. Yes, they talk about men, too, but relationship struggles do not define these characters or fuel the season’s story arc. It’s a refreshing look at two independent characters, who are women, leading equally important lives. When reading Superman/Wonder Woman, another series with co-leads, I can’t help but feel it lacks that distribution of importance. This issue further illustrates that Superman is the dominant figure in the series, while hinting that writer Charles Soule maybe wishes that weren’t the case.
Today, Scott and Drew are discussing Swamp Thing 31, originally released May 7th, 2014.
Scott: There are two types of “bad guys”: those with real, understandable motives, and those who are just purely evil. Think Two-Face versus the Joker in The Dark Knight. Some villainous characters have a humanizing characteristic, a defining tragic trait or plight that the average person can feel sympathy for. That’s not to say they always redeem themselves, necessarily, but they’re harder to root against than those who are simple embodiments of greed or hate. In Swamp Thing 31, Alec takes on both types of bad guys, and each is socially relevant in surprising ways. If it wasn’t clear already, Charles Soule is doing things very few writers have the creative energy, or the guts, to take on.
Today, Shelby and Scott are discussing Detective Comics 31, originally released May 7th, 2014.
Shelby: I love magic tricks. Granted, I understand it’s not actually magic; I am an adult, after all. Even knowing it’s all just slight of hand, I still fall for it every time. Personally, I think the most effective illusions are the most simple; some quick misdirection, maybe some witty repartee, and suddenly there are three foam balls in my hand when I could have swore I started out with one. That’s one of the reasons I like Batman as much as I do; he’s got the fancy gadgets and whatnot, but at its core his act is one of illusion and misdirection. We look for what he leads us to believe is there, and gives us something completely different while our backs are turned. Brian Buccellato and Francis Manapul have adopted a similar approach with Detective Comics, and it’s just as effective as any close-up magic I’ve seen.