Category Shelby Peterson

Shelby Peterson, Editor, Designer
shelby@retcon-punch.com

Location: Chicago

History With Comics: While the X-Men will always hold a special place in her heart, Shelby’s first love was Batman. Between Michael Keaton and Kevin Conroy, she fell hard. Like many, her first graphic novel was The Watchmen in college, followed by a handful of the Batman must-reads. Fast forward to last year: Shelby discovered the awesomeness of the DC universe through Geoff Johns’ Green Lantern Rebirth and Blackest Night. She once again fell in love with a comic book character, but this time it was Neil Gaiman’s Morpheus from his Sandman series, and now all her thoughts are translated into 8 or 9 panels per page with the occasional 2-page spread.

New 52 Favorites: Batgirl, Animal Man, Swamp Thing, Batman

Other Favorite Comics:

Jun 30 2014

C.O.W.L. 2

cowl 2

Today, Drew and Shelby are discussing C.O.W.L. 2, originally released June 25th, 2014.

Drew: When we first started this site, I don’t think I had ever considered how serialization changes the philosophy of a work of fiction. Movies, plays, and short stories have vastly less storytelling space than comics, television shows, even novels, which leaves them with less room for exploring truly complex themes. When I was more familiar with those shorter forms, I came to the conclusion that all stories are about those simple, easy-to-relate to themes that make the best movies so compelling — things like love, loss, fear, loyalty, or ambition. Obviously, there are short form stories that tackle more complex themes, but you really need five seasons to truly understand the systemic failures of “the system” in The Wire, or 25+ seasons to intimately know all of the denizens of Springfield on The Simpsons. Part of that is that individual episodes or chapters can focus on those more straightforward themes, which can be stacked to build to something much more complex. Of course, that means that the work will ultimately be quite varied over the course of its telling, shifting its themes, moods, and focus. That’s exactly what’s at work in C.O.W.L. 2, as things get both more political and more personal.

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Jun 26 2014

Saga 20

saga 20Today, Shelby and Patrick are discussing Saga 20, originally released June 25th, 2014.

Shelby: I have a friend who always flips to last page of a comic book first before he reads it. I know, I can hear your millions of voices crying out in terror at the thought, but he says knowing the ending means he looks forward to it while he’s reading. I’ll always give him shit for it, but in a way I can see where he’s coming from. There’s a certain appeal to the anticipation that comes from knowing where the story will end up. Brian K. Vaughan gave us that in last month’s issue of Saga, and now we’re stuck with this building anticipation for an ending we don’t actually want. In case you were hoping last month’s, “This is the story about how my parents split up,” was a mean trick on Vaughan’s part (Suzanne, I think you might have been hoping that), this issue will definitely crush that hope, and I mean that in the best way I possibly can.

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Jun 25 2014

Elektra 3

elektra 3
 Today, Patrick and Shelby discussing Elektra 3, originally released on June 18th, 2014.

Patrick: I probably bring up the Matrix movies more than I ought to when discussing comics. For all the hullabaloo that surrounded their release, the original Matrix was more of a cultural anomaly, and not the flashpoint for a vibrant new franchise. One of the biggest reasons that first film worked at all is that the Wachowskis melded arresting visuals with some rudimentary philosophy. Like, it’s just intellectual enough to engage the thinky portion of your brain, and then it switches tracks to engage the adrenaline-junky in all of us. The second and third movies got this mixture all wrong, agonizing over bare philosophy for far too long, never dressing it up as anything more abstract. And then there’s the matter of the spectacle, which got a lot less compelling with each new installment. Elektra has also toed this line, exploring how death has shaped the lives of Elektra and Bloody Lips against the backdrop of Michael Del Mundo’s glorious artwork. Issue three escalates both its spectacle and philosophy to dizzying heights, setting the stage for one hell of a heady ending to the opening arc.

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Jun 24 2014

Sex Criminals 6

sex criminals 6

Today, Scott and Shelby are discussing Sex Criminals 6, originally released June 18th, 2014.

Scott: Have you ever been surprised at your own emotional response to something? It happened to me last summer, when my grandfather died. It was unexpected, or at least as unexpected as the death of an 88 year old man could be. I was shocked and saddened by the news, but I was very aware that my reaction felt muted. I knew my grandfather very well and loved him dearly, so why wasn’t I more emotional? I started to wonder if I was incapable of truly grieving. It seemed like another step in a progression I had noticed in recent years, a general softening of my emotional responses, and the thought that I might be dead inside scared the crap out of me. A couple months ago, my entire family reunited for a memorial service and I was again surprised when, while speaking about my grandfather, I could hardly get through a sentence without bawling. Discovering that I was capable of such an emotional outpouring was a huge relief, as the thought of a lifetime of even-keeled reactions seemed dreadful. I realize I can’t always control how I will react to major life events, but I’m thankful that I can at least be comfortable with my emotions. As Sex Criminals 6 illustrates in painstaking detail, not everyone is so lucky.

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Jun 23 2014

Thunderbolts 27

thunderbolts 27Today, Shelby and Drew are discussing Thunderbolts 26, originally released May 28th, 2014.

Shelby: It’s really hard to write about a new creative team on a title; how do you manage to discuss the book as a stand-alone piece without comparing it to the previous issues? It’s even harder when you liked the title before the change, because now you have to make sure you stay objective. If there are things I dislike about the new team, is it because I genuinely dislike it, or is it just because it’s different from how it used to be? I’m faced with this dilemma now as I consider the first issue of Thunderbolts without Charles Soule at the helm, and some of the decisions Ben Acker and Ben Blacker have made with this book definitely have me scratching my head.

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Jun 20 2014

Wonder Woman 32

wonder woman 32Today, Shelby and Drew are discussing Wonder Woman 32, originally released June 18th, 2014.

Shelby: Often times for me, the hardest part about writing any of these posts is this very intro. I always want to find some overarching theme in the issue, or one relevant anecdote from my past to broadly introduce the issue. I used to write the intro last on a regular basis, so I could find that one theme as I was writing. I couldn’t possibly use that approach with this post, however. Brian Azzarello has given me so many individual moments to get excited about this issue, the best I can do at coming up with a unifying theme is to marvel at how beautifully the pieces fit together to create the whole.

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Jun 17 2014

Manifest Destiny 7

manifest destiny 7

Today, Scott and Shelby are discussing Manifest Destiny 7, originally released June 11th, 2014.

Scott: As a culture, we love making predictions. The more impossible something is to predict, the more tempting it is to venture a guess. A quick search on Google yields dozens of 2015 Oscar predictions and NFL mock drafts, despite the fact that many of the films mentioned haven’t been released yet and nobody knows which college football players will declare for the draft until next January (or which players will improve markedly, get injured, etc.). Making such predictions is an exercise in futility. And yet, we do it anyway. We talk at length about what we think will happen next on our favorite TV show, knowing full well the show’s writers are working hard to subvert our expectations. Unpredictability breeds anticipation, and anticipation is fun. Predictability, on the other hand, is a near sin. It’s capital “B” boring. Even knowing full well that writer Chris Dingess is likely trying to subvert my expectations, Manifest Destiny is starting to feel predictable, which is the beginning of a very slippery slope towards boring. I predict he’ll need to spice things up fast if he wants his readers to hang around.

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Jun 16 2014

Lumberjanes 3

lumberjanes 3Today, Shelby and Taylor are discussing Lumberjanes 3, originally released June 11th, 2014. 

slim-bannerShelby: As much as I enjoy Do-si-dos, I was never a Girl Scout. I grew up on a farm in rural northern Wisconsin, so the FFA (that’s Future Farmers of America) and 4-H were the dominant players in my household. While I never went to camp or earned badges, I can still recite the 4-H pledge from memory, so I understand the impact and importance of scout-type organizations for kids. While 4-H is for both boys and girls, and you’re just as likely to see gals struggling to show a stubborn heifer at the county fair as boys, I definitely appreciate that there are scouting and excursion groups for girls as well as boys; you may not have realized this, but I strongly support equal opportunities for both genders. Even if the series weren’t crazy and fun, I would appreciate Noelle Stevenson and Grace Ellis’ Lumberjanes for this very reason. Oh, and if you were wondering:

I pledge my Head to clearer thinking,
my Heart to greater loyalty,
my Hands to larger service,
and my Health to better living,
in my club, my community, my country, and my world.

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Jun 16 2014

Batgirl 32

batgirl 32Today, Patrick and Shelby are discussing Batgirl 32, originally released June 11th, 2014. 

slim-bannerPatrick: I was recently putting together a resume for a creative position, and I found myself completely unable to distill what’s special about me into a digestible collection of jobs and experiences. Just by virtue of being a human being for over thirty years, I’ve amassed a weird collection of skills and experiences, and the only reason I can believe that it’s all part of a single lifetime is because I was there to experience it all. I’ve got something of an obsessive mind, and a propensity to burn myself out, so my list of former passions is long. The point is, there’s a lot feeding into the person I am today, and while it’s easiest to say that I am the handful of things that have effected me most recently (i.e.: improviser, writer, comic enthusiast, administrator), that definition is woefully inadequate. The same is doubly true for superheroes, and Batgirl 32 revels in developments from the recent past while acknowledging a history (both real and invented) that demands to be honored.

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Jun 13 2014

Batman Eternal 10

batman eternal 10

Today, Shelby leads a discussion on Batman Eternal 10, originally released June 11th, 2014.

Shelby: I have some friends who are legitimate circus performers, one a pole dancer and the other a trapeze artist, and so I naturally have attended a cabaret-style circus performance held in an old warehouse. It was exactly as awesome as it sounds, with acrobats of every flavor, a hoop dancer, clowns, and a juggler. This guy was incredible, he used a rainbow array of balls that lit up, and they shut off all the lights in the place so all we could see were the glowing orbs and the trails they left behind. Comic books aren’t totally dissimilar; we don’t see the creators specifically, just the art they leave for us. Also, sometimes it feels like a team is juggling waaaaaaay too many ideas, and it’s only a matter of time before things fall apart. Continue reading →