Saga 34

saga 34

Today, Spencer and Ryan M. Patrick are discussing Saga 34, originally released February 24th, 2016.

Spencer: Every once in a while, a long running series will introduce a new concept and try to say, “hey, this has been important all along!” This can be frustrating when it isn’t true (see: all the various retcons in Star Wars) or when the concept changes the entire dynamic of the series. Yet, when a new idea seamlessly integrates itself into the structure of the story, helping to express and define concepts that have been there all along, it can be absolutely enlightening. That’s what happens in Saga 34, where Fiona Staples and Brian K. Vaughan use the idea of “diversity” to dig into both the causes and the solutions to all the problems plaguing the world of Saga. Continue reading

Saga 33

Alternating Currents: Saga 33, Drew and Ryan

Today, Drew and Ryan M. are discussing Saga 33, originally released January 27th, 2016.

Drew: I’m currently taking a class on autobiographical comics, and the discussion thus far has centered around the question of subjectivity. Many of the memoirists we’ve examined thus far have favored the “truth” found in their subjective experience, as opposed to the “historical truth” of a more objective account, but I’ve always found the assumption that history is objective to be problematic. “History is written by the victors,” as the saying goes, revealing not only that history is necessarily biased, but also that history is more the story of wars than life. Indeed, even a historical account of a war has to consider who the story is really about: Generals? Individual soldiers? Civilians? Reporters? That last one may seem out of place, taking a narrow focus on people who neither represent the masses nor the machinations of war, but as the ones literally writing the histories as they happen, reporters are the only ones capable of giving an account that isn’t filtered through the subjective experience of someone else (as, say, a civilian’s story as told by a reporter would be). There are more layers of subjectivity to explore here, but the point is: reporters’ stories are just as important as those they cover, which makes Saga 33‘s turn to Upsher and Doff so welcome. Continue reading

Saga 31

Alternating Currents: Saga 31, Ryan and Drew

Today, Ryan D. and Drew are discussing Saga 31, originally released November 25 2015.

Ryan D: The hiatus is over! Superstar creative team Brian K. Vaughn and Fiona Staples have been keeping themselves rather busy since issue 30 released a million years ago in July, hitting Comic Cons and embarking upon new series. Though Vaughn’s mini-series We Stand on Guard outsold Saga in the month of it’s debut, the Eisner-winning space opera returns with a new chapter which promises to keep returning readers satiated with its signature bend of absurdly imaginative and developed characters in an ever-expanding universe. Continue reading

Saga 29

Alternating Currents: Saga 29, Drew and Spencer

Today, Drew and Spencer are discussing Saga 29, originally released June 10th, 2015.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

William Butler Yeats, “The Second Coming”

Drew: Written in the wake of the first World War, “The Second Coming” features some of the most vivid images in modernist poetry. The second stanza takes on a more biblical tone, name-dropping the titular second coming, but the first stanza, quoted above, features no hint of the divine — this is pure horror of war stuff. Of all the concepts Yeats evokes, the notion that “the best lack all conviction” might actually be the scariest to me. If war can change our values and convictions, what are we actually fighting for? Curiously, we talk about becoming a parent in similar ways: our values and priorities shift around when we have a child to care for. Saga has always existed at the weird intersection between war and parenthood, but issue 29 makes its exploration of the values we sacrifice in the name of either a bit more explicit. Continue reading

Saga 28

Alternating Currents: Saga 28, Drew and Patrick

Today, Drew and Patrick are discussing Saga 28, originally released May 13th, 2015.

Drew: There are few things more depressing than studying altruism at a biological level. In a world driven by survival, what could possibly compel an individual to risk life and limb (or, more modestly, share food and shelter) with another? For sexually mature individuals, the most obvious answer is reproduction — helping your mate or your offspring survive increases the chance of your genes, and thus, the behavior of protecting your mate and offspring, will be carried on to future generations. But what about other relationships? Well, in 1964, W.D. Hamilton proposed that we help others for basically the same reason we protect our offspring: because we share genes with them. Importantly, we only share genes with those that are actually related to us, and a key part of Hamilton’s formula was the “relatedness coefficient” — essentially, you’re more likely to help your sibling than your cousin because you’re more related to them, or, more precisely, because you’re more likely to share genes with them. Which is to say, we don’t help people at all, we help their genes, and only because their genes are our genes. From that perspective, “altruism” doesn’t exist at all — we’re all just working in service of totally self-interested genes.

Of course, we’re not entirely driven by our genes. If genes give us our hardware, culture gives us our software, allowing us to do all kinds of things our genes wouldn’t dream of, from taking vows of celibacy to covering a live grenade to protect our platoon. Those are some extreme examples, but I think they become more relatable when we think of those acts as protecting family. Sure, a religious congregation or military unit aren’t technically families, but they can act as families for those who need it. It’s exactly these types of makeshift families — and the sacrifices they elicit — that Saga 28 is all about. Continue reading

Saga 27

saga 27

Today, Patrick and Drew are discussing Saga 27, originally released April 8th, 2015.

Grace comes home drunk some times / and beats on the doorway to my guts. / I fumble with the locks / ’til the wound opens up. / She falls in, laughing: “Honey, I’m home.”

I wince as she stumbles up my spine / leaves a trail of bruises on my ribs. / I choke on her dancing on my tongue / she kicks out a tooth. / “Honey, I’m home.”

She lights a cigarette inside my head / blows all the smoke into my eyes / until she sees a tear. / Then she sighs: “just what I thought — another fragile Buddha”

Stuart Davis, “Grace”

Patrick: The language of love and the language of violence are uncomfortably similar. I’d also argue that they are two cultural constants we never really understand. The impulses to nurture and destroy are down deep in the human subconsciousness, ungoverned by rationality. Bryan K. Vaughan and Fiona Staples explore this through Marko’s bad fadeaway trip in Saga 27, suggesting that pacifism may mute more than Marko’s passion for violence, but all of his passions. He wakes up with a clarity, but is that a clarity to be celebrated or to be reviled? Continue reading

Saga 25

saga 25

Today, Ryan and Patrick are discussing Saga 25, originally released February 4th, 2015.

Ryan: Pop culture loves rebels. We hang posters of them in our dorm rooms, whether they have a cause or not. We wear red graphic t-shirts emblazoned with their likeness, not very concerned about some of the more morally ambiguous acts this person committed. Luke Skywalker played figurehead for the Rebel Alliance and may be the most popular and beloved rebel of all time, despite the fact that the blood of 322,951 Death Star personnel (not to mention the oil of 400 thousand plus droids) stains his non-synthetic hand. Saga 25 adds another variable into the mix with the introduction of a third side to the outstanding war between Landfall and Wreath, while also providing another complication to the Dengo child-heist. Continue reading

Best of 2014: Best Series Part 2

Best of 2014: Best TitleWe all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 2 our top 14 series of 2014 (click here for part 1).
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Best of 2014: Best Issue

Best of 2014: Best IssueEpisodic storytelling is the name of the game in monthly comics. Month- or even multi-year-long arcs are fine, but a series lives and dies by its individual chapters. From self-contained one-offs to issues that recontextualize their respective series, this year had a ton of great issues. Whittling down those issues to a list was no easy task (and we look forward to hearing how your lists differ in the comments), but we would gladly recommend any (and all) of these issues without hesitation. These are our top 14 issues of 2014.
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Saga 24

saga 24Today, Ryan and Spencer are discussing Saga 24, originally released October 29th, 2014.

Ryan: You may be inclined to a small moment of panic when you begin reading Saga 24. I, personally, thought that I had skipped an issue somewhere. Last issue focused on the teased but unrealized extramarital affair between Marko and that hussy, Ginny, the fallouts of Alana’s fight with Marko, and Dengo using Yuma to abduct most of our protagonists in one fell swoop. This issue’s beautiful cover and opening scene reintroduce The Will’s sister, The Brand, toting a crash helm and her sidekick Sweet Boy on her search for her brother.

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