Birds of Prey 13

Today, Shelby and Patrick are discussing Birds of Prey 13, originally released October 17th, 2012.

Shelby: A common trope for team titles is the “member with a problem.” You’ve got one member of the team with some sort of personal issue which spills into their superhero-ing. The team wants to help, the individual says they can do it alone and end up in trouble, the team saves the day. It’s tired, but it works; as a plot device, it injects character moments into the story while bringing the team closer together and providing a quest for us to read. Birds of Prey 13 delivers perfectly on this trope, so why do I feel like I’m missing something?

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Batwoman 13

Today, Patrick and Jack are discussing Batwoman 13, originally released October 17th 2012.

Patrick: One summer time during collegeI was looking for a job and I stopped by the mall in Appleton, Wisconsin. There was a sign at the info desk in the food court that said “Help Wanted” and then listed all the stores that were hiring. I didn’t know why, but I was really uncomfortable asking for this information – to the point where I almost wasn’t going to do it. But then I swallowed hard and just to myself “okay, I’ll just be funny.” Humor is the one tool I have at my disposal that I can use to address any situation I get myself into. God help me if I ever find myself pitted against the spawn of Chaos – I’d be fucked. Batwoman’s tools, on the other hand, we can have some confidence in those.

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Nightwing 13

Today, Scott and Shelby are discussing Nightwing 13, originally released October 17th 2012.

Scott: The other night I just could not get to sleep. I was lying awake restlessly, my mind racing through any number of thoughts until the desire to know what year a certain Guided By Voices album came out was nagging at me so much that I convinced myself to open my computer and look it up. 40 minutes later I found myself on John Woo’s Wikipedia page and decided it was time to call it a night once and for all. Dick Grayson is having one of those restless nights, but instead of GBV’s chronology, what’s nagging at him is Gotham’s lack of gang activity — the city is too quiet for him to sleep easy. The sequence of events that follows is something like a night spent with Google and Wikipedia: a bunch of tangentially related bits and pieces — some very intriguing, others merely dead ends — that by the end has you wondering what you’ve really learned.

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Sword of Sorcery 1

Today, Shelby and Taylor are discussing Sword of Sorcery 1, originally released October 17th, 2012.

Shelby: It seems a common element of fantasy is the quest for power. You’ve got multiple countries, or cities, or houses, or whatever, all scrambling for as much power as they can get. In Dune, the power comes from control of the geriatric spice melange. In Game of Thrones, the power is in owning land and controlling trade. Amethyst seems a little different: the power is in your blood, is literally passed from generation to generation. This isn’t a power that can be bartered for, or distributed through a treaty; there appears to be one way to obtain more power in Gemworld, and it is a bloody one.

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Justice League 13

Alternating Currents: Justice League 13, Drew and PatrickToday, Drew and Patrick are discussing Justice League 12, originally released October 17th, 2012.

Drew: We’ve talked a lot about the five year rule here at Retcon Punch, and while we certainly have our gripes with how it affects continuity, I think we all understand why they did it. Giving every character some past allows them to maintain certain aspects of their pre-relaunch history, but does so without committing to anything specific. This gives writers a great deal of flexibility, without shutting the door for any future writes. Having a mysterious past also allows writers to pull out unknown details to add emotional weight to the proceedings. Doing this runs the risk of coming off as clumsy or cheap, but in Justice League 13, Geoff Johns provides an excellent case study in how to pull it off. Continue reading

Chat Cave: The Amethyst Controversy

Zero month saw the launch of several new titles, including the fantasy-infused Sword of Sorcery. As soon as the issue was released, the return of Amethyst: Princess of Gemworld was overshadowed by controversy surrounding a scene of an attempted rape. Reactions ranged from outrage and disappointment to outrage and disappointment over said outrage and disappointment. The only thing that could really be said about the reactions is that everybody had one. Not to be left out of the dialogue, the Retcon Punchers have their own thoughts on the issue. Welcome to the Chat Cave.

Drew: The charge against this issue is largely lead by Chris Sims of Comic Alliance. Sims’ objection basically boils down to two key points: 1) that rape as an overused trope writers use to darken comics needlessly, and 2) that it’s particularly inappropriate in a kid-friendly title.  This blogger does a pretty good job of rebutting Sims first point, so I’ll just add that while rape can be misused as a narrative bludgeon — as can death, love, war, hate, or pretty much anything else that makes stories compelling — it doesn’t mean it should be off-limits. Whether or not it was used inappropriately should be determined on a case-by-case basis, so its perceived overuse shouldn’t enter into the conversation at all. Continue reading

Frankenstein: Agent of S.H.A.D.E 13

Today, Shelby and Scott are discussing Frankenstein: Agent of S.H.A.D.E 13, originally released October 10th, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Shelby: I liked the zero issue of Frankenstein. I already know the original Frankenstein story, so I just enjoyed this comic book take on it. Sure, I didn’t know anything about S.H.A.D.E., including what the acronym stands for, but it didn’t get in my way of appreciating the story being told. Knowing that we’d be covering the title at least through Rotworld, I foolishly thought I didn’t need to know anymore, that I’d be able to pick up issue 13 just fine. Apparently, I forgot how comic books work; even with the familiar faces of the Red and the Rot to guide the story, I have almost no idea what is going on here, so bear with me.

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Green Lantern Corps 13

Today, Patrick and Drew are discussing the Green Lantern Corps 13, originally released October 10th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Patrick: For months, Green Lantern fans have been asking themselves “what are those rascally Guardians up to this time?” Their track record with regard to all the life in the universe has ranged from casually negligent to downright evil. In the Guardians’ defense, there is usually some amount of misinformation or good intentions that sets off the worst of their actions. Their latest endeavor employs an army of body-snatchers to replace the Green Lanterns (along with all the other colors of lanterns corps). Where it goes from there is still sorta anyone’s guess — I don’t recall where, but I think it’s been suggested that they will go on to DESTROY ALL LIFE IN THE UNIVERSE. And that’s evil as shit, no doubt, but it’s their effort to psychologically ruin Guy Gardner that intrigues me the most. Yeah, yeah, yeah, wiping out life in the universe can wait, we’ve got an ego to dismantle. Continue reading

Batman and Robin 13

Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.

Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading

Phantom Stranger 1

Alternating Currents: Phantom Stranger 1, Taylor and Patrick

Today, Taylor and Patrick are discussing The Phantom Stranger 1, originally released October 10th, 2012.

Taylor: A long time ago I was talking to a friend about how we enjoy the use of biblical imagery and myth in our media. Neither of us is particularly religious but we both had to admit that there is something really engaging about the use of stories and symbols that have been a primary pillar of western civilization for over 2000 years. When an author is able to integrate religious themes into his or her work without bludgeoning you over the head with theology, the result is often highly entertaining, as fans of John Constantine will attest. However, it can never be stated enough that the author must have a clear vision in mind when alluding to religious imagery. While borrowing from a story here or a symbol there is fine, the most important thing is that it all hangs together with a clear vision held by the author. Phantom Stranger teeters on the edge of this abyss and in the proper first issue of the series the reader has to wonder on which side it will fall.

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