A Quiet, Touching Pay-Off in All-Star Batman 14

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

All-Star Batman has been an interesting coda to Scott Snyder’s prolific run on Batman. While never reaching the sustained highs of Batman in its best years, All-Star has allowed Snyder to experiment with the type of Batman stories he tells. Not every arc has been a knockout — I don’t know how into Alfred-Pennyworth-as-ninja I am, really — but there is something inherently interesting in watching an artist stretch himself. Continue reading

Batman 32: Discussion

by Drew Baumgartner and Michael DeLaney

Batman 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I don’t know.

Teenager, Traditional

Drew: I used to work as an Assistant Dean for an academic enrichment program — basically, high-school students would come to a college campus for a few weeks over the summer to take some classes and get a feel for dorm living. The Dean’s office was there to keep kids out of trouble, or, more accurately, to address the trouble that the kids inevitably got into. Most of the time, the motives for their infractions were clear enough — they skipped class because it was boring or they tried to sneak into the girl’s dorm to see their girlfriend — but every so often, a kid would do something so inexplicable, the first question had to be “why?” And the answer, invariably, was “I don’t know.” Sometimes, our better judgement eludes us, allowing weird impulses or emotions to lead us to actions we can neither explain nor defend. It’s a phenomenon that teens are particularly prone to, with their hormonally-charged emotions and only-partially-developed impulse control, but it happens to adults, too (even sober ones). It is one of these moments that turns out to be Bruce Wayne’s “greatest sin,” as the climax of “The War of Jokes and Riddles” leads him to a rare flash of moral weakness. Continue reading

Batman/The Shadow 6: Discussion

by Michael DeLaney and Mark Mitchell 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Michael: As Drew and I suggested in our discussion of this series’ first issue, Batman/The Shadow is absolutely a Batman-centric book featuring The Shadow and not the reverse. There’s nothing wrong with that, but it just proves how strong Batman’s hold is on the heart and mind of Scott Snyder. The finale — Batman/The Shadow 6 — underlines that statement as the fantastical elements of The Shadow’s world only strengthen Batman’s very human legend. Continue reading

A Revealing Interruption in Batman 31

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s that part in The Princess Bride where the narrator announces the King died in the night and Buttercup was married to Prince Humperdink the next day. It’s a jarring bit of information, totally incongruous with the story we’ve come to expect, but the more impressive feat of storytelling is Fred Savage’s interruption a few seconds later. Savage’s character cuts in on Humperdink’s “My father’s final words were…” with an impetuous “hold it, hold it!” The effect his immediate: the audience is reminded why we’re watching this story in the first place. “Trust me,” the film implies “even if you’re momentarily upset, you’re going to have fun in the end.” Tom King and Mikel Janín’s Batman 31 pulls off a similar interruption, emphasizing the riddle (or is it the joke?) at the heart of this story arc: why is Bruce telling Selina about the War of Jokes and Riddles? Continue reading

Dark Nights: Metal 2 Learns to Stop Worrying and Love the Weird

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Over the past 50 years, relaunches like The New 52 have favored comic book “realism” — whatever that may be. As I’ve gotten older, however, I’ve found that comic books are at their best when they embrace the silly, high-concept ideas that ran without question for the first 50 odd years of comic book history. Dark Nights: Metal 2 is the type of book that blends the modern “realism” with the whacky fearlessness of the books of old. Continue reading

Batman 30: Discussion

by Michael DeLaney and Drew Baumgartner 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: I’ll admit, I haven’t really understood Tom King’s fascination with Kite Man during his tenure on Batman. King placed Kite Man in the middle of “The War of Jokes and Riddles” in Batman 27 and his tragic origin — Riddler poisoning and killing his son — still left me unmoved. Batman 30 marks the second part of “The Ballad of Kite Man” as well as my cold heart thawing to Kite Man’s tragic existence. Continue reading

[Obscuring] Place in All-Star Batman 13

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When I was a kid, my family used to spend parts of our summer vacation at a cabin in the woods outside of Hayward, Wisconsin with our good family friends, the Pfarrs. The Cabin — which was all we ever called it — had a kind of romantic mythology about it, slowly crafted by years upon years of family bonding. There was a ill-used road into town that we had nicknamed “sneak path,” and which carried a (probably bogus) story about a young couple driving too fast along it and slipping in raccoon guts and driving off the road. We were all told that the Cabin itself was drunkenly constructed backwards, so that delightful front porch was meant to be in back, overlooking the lake. I have no idea if that last one is true, but to this day it feels right. I close my eyes and I see this space – it’s a comfort, a complete flash-memory, and the most common setting for my dreams. It’s a place of subconscious and unconditional love. In All-Star Batman 13, writer Scott Snyder and artist Rafael Albuquerque tap into the connection between place and relationships. Continue reading

Batman is Always Right in Batman/The Shadow 5

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

After Frank Miller turned Batman into an angry grumpypuss, many modern Bat-tales involved The Dark Knight’s allies showing him that there might be a better way than un-trusting ultraviolence. In Batman/The Shadow 5, Scott Snyder and Steve Orlando place Batman on the opposite side of that dynamic while embracing another trope of the character: Batman is always right. Continue reading

Green Arrow Stands Apart from Batman in Green Arrow 29

by Michael DeLaney

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

I like to think of Benjamin Percy’s “Hard-Travelling Hero” arc of Green Arrow as “The Oliver Queen Apology Tour” — as Green Arrow travels across the country and ends up proving his worth to the heavy hitters of the Justice League. This time around Green Arrow is teamed up with fellow billionaire playboy/non-powered vigilante Batman. Continue reading

Dark Nights: Metal 1: Discussion

by Patrick Ehlers and Mark Mitchell 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Patrick: Throughout Scott Snyder and Greg Capullo’s run on Batman, the creative team valued invention over archeology. The character of Batman has been around for so long that deconstruction of the character is practically in his DNA, and while Snyder and Capullo found ways to riff on Batman’s history, their stories were always new. New threats, new allies, new secret identity. With Metal, the latest DC event, Snyder and Capullo turn inward, to explore, refine, and recontextualize the mythology and iconography that is already part of their multiverse. There’s a premium on re-arranging existing pieces into an entirely new whole. Continue reading