Mister Miracle 6: Discussion

by Patrick Ehlers and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: I had a little bit of a rebellious streak in high school. No, no — not actually in school, but during my confirmation classes. See, I was a good kid, studied hard and had a lot of extracurricular activities, but I couldn’t help but be a smart-ass where it came to my religious education. It’s easy to recognize this as some pretty impotent angst in retrospect: I was only resisting a belief structure which relinquished control over me as soon as I decided there was no God. One of my shit-eatingest points of rebellion was my constant assertion that Jesus didn’t really pay the price of death the way we understand it. Even granting the reality wherein he was crucified and suffered horribly for a couple days, he got to come back afterward. It’s not the act of dying, but the cold state of “not living” that should be the sacrifice. I don’t want to speak for Tom King and Mitch Gerads’ respective rebellious streaks, but it seems like Mister Miracle 6 agrees with at least part of 16-year old Patrick. Risking or sacrificing one’s life is only valuable is the the life itself is something you have to do without.  Continue reading

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It’s Kirby vs. Lee in Mister Miracle 5

by Drew Baumgartner

Mister Miracle 5

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Charlie: I’ve written myself into my screenplay.

Donald: That’s kind of weird, huh?

Adaptation

To call Adaptation “kind of weird” would be putting it mildly — ostensibly about Charlie Kaufman’s attempt to adapt Susan Orlean’s The Orchid Thief, the movie is ultimately about itself, but becomes this weird fictionalized version of itself, as Kaufman invents a twin brother to introduce hackneyed thriller elements to the film’s closing acts. It’s much, much weirder than someone simply writing themself into their own screenplay. Heck, the actual script is credited to both Charlie and Donald Kaufman, and both were nominated for an Academy Award for best adapted screenplay even though Donald is a fictional character (or, arguably, a manifestation of Charlie’s most commercial writing instincts). But I think Mister Miracle 5 might just top it for meta weirdness, serving as a kind of final word on comics’ own Charlie and Donald Kaufman — Jack Kirby and Funky Flashman. Continue reading

The Burden of “Figuring It Out” in Mister Miracle 4

by Patrick Ehlers

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

There’s really nothing quite like seeing a good close-up magician. As a jaded mega-skeptic, I always convince myself that if I focus hard enough, I can spot the trick. I’m not even sure that I want that–I love being fooled by illusions–but I always try. It feels like a survival tactic: if I can identify the trick, I can rest assured that the universe functions more or less the way I believe it does. If I can’t spot the trick? Well, then how can I ever be guaranteed of what is and is not real? Mister Miracle 4 zeroes in on this idea of focusing harder on what we believe to be a trick. And the truly disquieting thing is, no matter how hard we look, we can’t figure out what’s really happening. Continue reading

The Evasiveness of Identity in Mister Miracle 2

by Drew Baumgartner

Mister Miracle 2

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

You are what you think all day long.

Ralph Waldo Emerson

Identity is a frustratingly slippery thing. We all have one, but most of us would be hard pressed to describe what it actually is — what it is that actually makes us who we are. Is it our life experiences? Our relationships? Our interests? The information we absorb? It’s both none of and all of those things (and more). It’s the messiness of that notion that makes characters like Scott Free so compelling; born of New Genesis, raised on Apokolips, he has two families that are now locked in war with one another. The question of who he sides with slips into the messy details of who he is, an issue already strained by the questions he has regarding the very nature of his reality. To extrapolate from Emerson: who are you if you don’t know what to think? Continue reading

Dark Days: The Forge 1: Discussion

by Spencer Irwin and Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Spencer: By some sort of weird cosmic coincidence, I’ve been re-reading Grant Morrison and Howard Porter’s late 90s JLA run this week. While that series is rightly remembered for its grand, heady ideas and breakneck-paced tales, what impressed me the most this time around was Morrison’s regard for the DC universe — every story was sprinkled with guest stars and allusions to past stories, well-known and deep cuts alike. Despite Rebirth’s best efforts, that sense of history is something I’ve been missing from DC the past few years, so I was pleasantly surprised when I opened Dark Days: The Forge — the prelude to Scott Snyder and James Tynion IV’s big summer event — and discovered that it’s practically an ode to DC’s past. Snyder and Tynion are clearly having a blast digging into DC’s sandbox, and it’s hard for that sense of enthusiasm and wonder not to rub off on the reader. Continue reading