Knowledge is the Key to Victory in the Flash 24

by Spencer Irwin

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Knowledge is power. Yeah, it’s cliche, but that doesn’t make it any less true; it’s especially true throughout Joshua Williamson, Carmine Di Giandomenico, and Pop Mhan’s The Flash 24, where the power dynamics between each character are defined almost solely by how much they know. Not only does the Flash’s victory over Multiplex come, not from brute strength, but from using his CSI skills to learn about his opponent, but Reverse Flash’s utter domination of all who face him is largely powered by his knowledge of the time before the New 52. Continue reading

The Flash 23

Today, Spencer and Mark are discussing The Flash 23, originally released May 31st, 2017. As always, this article contains SPOILERS.

Spencer: I’ve never liked Barry Allen’s “new” origin story. It’s always struck me as an attempt to make the character — a likable, yet bland presence in his Silver Age heyday — more palatable to modern audiences by loading him with unnecessary angst, angst which tends to consume and overwhelm both Barry and his title. I’d be curious to see if current Flash writer Joshua Williamson agrees with me on that front or not. Flash 23 does indeed find Barry becoming consumed by angst, but not only do Williamson and Carmine Di Giandomenico present a rather compelling reason for it (in the form of Eobard Thawne), they also present it as being a rather glaring flaw on Barry’s part. Continue reading

Forever Evil: Rogues Rebellion 5

rogues rebellion 5Today, Patrick and Spencer are discussing Forever Evil: Rogues Rebellion 5, originally released February 12th, 2014.

Patrick: Let’s talk a little bit about the need for, and the necessity of, spectacle in superhero comics. At first blush, it seems absolutely crucial, right? If our characters aren’t using their powers and punching each other in the face and teleporting and zapping each other with lightning, then like, what’s the point of making them superheroes in the first place? There’s something about the non-stop, out-of-the-frying-pan-into-the-fire pacing of Rogues’ Rebellion that feels like superhero comics stripped down past the concepts of good and evil and great responsibility all that stuff. It’s pure adrenaline-powered action, with only a modicum of scheming to slow things down. Perhaps it’s fitting, then, that these are Flash’s baddies — and that we even get some time with Johnny Quick — as the plot ramps up to a fever pitch heading to the conclusion. Continue reading