Avengers 42

avengers 42

Today, Patrick and Drew are discussing Avengers 42, originally released March 4th, 2015. 

“We don’t view our history as being broken or something that we need to fix. If anything we think we are building upon that history and we are taking the best and biggest pieces of it and seeing how easily they coexist with one another. We don’t expect all our moves to make everyone happy, but we think it will make for a really fascinating read through ‘Secret Wars’ and beyond.”

-Axel Alonso, Secret Wars Press Event

Patrick: The grander hyper-textual implications of Jonathan Hickman’s Avengers and New Avengers have been apparent for some time, but the importance and meaning of the meta-textual reasons have been something of a mystery. By Alonso’s own admission, Marvel doesn’t really need a Crisis-style reboot, but Secret Wars and Battleworld seem to bear all the multiversal signatures of one of DC Comics’ rebooting events. The problem with Crises (and it’s a problem that I think both DC and Marvel are starting to experience) is that the real world drama trumps the in-narrative drama. We’re more interested in answering the question “What’s going to happen to Batman?” than “What’s going to happen to Batman?” — and that means that we are necessarily less interested in the stories themselves than the companies telling those stories. Avengers 42 tries to reclaim some of that drama for itself, representing what appear to be conflicting editorial voices as characters within the Marvel Universe. Continue reading

Avengers 40

Alternating Currents: Avengers 40, Drew and Mark

Today, Drew and Mark are discussing Avengers 40, originally released January 14th, 2015. 

The more I love humanity in general, the less I love man in particular

Fyodor Dostoyevsky, The Brothers Karamazov

Drew: I think it would be fair to say that Dostoevsky’s polyphonic style — one built upon the perspectives of an array of characters — is antithetical to the notion of the hero’s journey. Indeed, Dostoyevsky’s philosophies (as articulated in the quote above) suggest that there’s an active tension between caring about an individual and caring about humanity at large. I’ve always been partial to the depth of understanding achieved by sticking with one protagonist — especially when it comes to comics — which has made me wary of the kind of expansive, Dostoyevskian scope of Jonathan Hickman’s Avengers. In my mind, a tight focus on a single character more accurately reflects how we experience the world, but with Avengers 40, Hickman makes a compelling case for how his dense interconnectedness reflects how the world actually is. Continue reading

Bucky Barnes: The Winter Soldier 1

Alternating Currents: Bucky Barnes: The Winter Soldier 1, Ryan and DrewToday, Ryan and Drew are discussing Bucky Barnes: The Winter Soldier 1, originally released October 1st, 2014.

Ryan: I love when comic books try new things. Whether the point is to advance the relatively young medium or simply to offer some variety to a landscape that sometimes feels dominated by the same handful of big names and tried-and-true styles, it excites me to read a daring, non-linear narrative or to see adventurous use of graphic design in a title. I spent the entire summer haranguing a friend to read the copy of Jonathan Hickman’s The Nightly News which I graciously let him borrow. Hickman, responsible for both the writing and art, confessed in the afterword of the trade paperback that he intentionally made the comic difficult for the reader’s eye to follow by cluttering the pages with infographics and non-sequential art. Luckily, this calculated risk works perfectly in the total package. Bucky Barnes: The Winter Soldier showcases a fun, new direction for the former covert operative/Captain America and art that looks unlike anything I have read lately, but do these strong choices translate into a great read? Continue reading

New Avengers 24

new avengers 24Today, Spencer and Drew are discussing New Avengers 24, originally released September 24th, 2014. 

slim-bannerSpencer: New Avengers hasn’t really been a title with an antagonist, at least in a traditional sense; the Illuminati are trying to stop the Incursions, but such a mysterious, primal, multiversal threat can be hard to fathom, and they largely act as the impetus behind most of the title’s action rather than the “big bad”. Instead, the Illuminati mainly grapple against themselves, dealing with matters of morality and conscience. In New Avengers 24, Jonathan Hickman and Valerio Schiti skip ahead eight months from the climatic final pages of issue 23, giving them time to establish the Cabal as a group of horrific, homicidal monsters. In a way, they may be serving as the more physical, black-and-white antagonist this title’s been missing, but that seems to be far from their only purpose. Both the Illuminati and the Cabal have done horrific things with a noble goal in mind; the methods of these two groups, and how the world at large have responded to them both, is where the differences lie. Continue reading

New Avengers 19

new avengers 19Today, Spencer and Patrick are discussing New Avengers 19, originally released June 11th, 2014. 

slim-bannerSpencer: The more I look at the following panels, the more I realize how succinctly they sum up the primary conflict of Jonathan Hickman and Valerio Schiti’s New Avengers 19.

Are we monsters, or are we DEVO?The Illuminati are no longer concerned about whether they can stop the Incursions without destroying inhabited worlds (spoiler alert: they can’t), nor are they any longer concerned about their mission turning them into monsters (they seem to have realized that it’s all but inevitable, and the title of this issue is even “We Are All Monsters Now,” as if to dissuade the reader of any hope otherwise); instead, the million dollar question now seems to be whether it’s better to die with one’s morality intact or to save the universe, but at the cost of one’s own soul.

Continue reading

New Avengers 18

new avengers 18Today, Spencer and Patrick are discussing New Avengers 18, originally released May 14th, 2014. 

slim-bannerSpencer: As I’m sure most of us do, I love the big, climatic final battles that usually come at the end of superhero stories. That said, I’m perhaps even more fond of the moments before the final battle, the calm before the storm, the time where the heroes prepare and steady themselves for the horrors to come. Many heroes use this as an opportunity to reflect on what they’ve lost or to visit with their loved ones, but the Illuminati — as pragmatic as ever — mainly use it to steel their resolve and to prepare to do the unthinkable. After all, for them this is only the final battle if they lose; if they win, they get to continue on dealing with an infinite number of Incursions. No wonder they’re so grumpy. Continue reading

New Avengers 17

new avengers 17Today, Spencer and Drew are discussing New Avengers 17, originally released April 30th, 2014. 

slim-bannerSpencer:  On the surface, the Great Society and the Illuminati — the two teams at the center of Jonathan Hickman and Rags Morales’ New Avengers 17 — seem to be as different as day and night, but the more we dig into these groups, the more similarities emerge. They may handle the Incursions differently, but deep down, both teams seem to know that they’re only delaying the inevitable: it’s the way they face the end of the world that truly defines these heroes.

Continue reading

New Avengers 16

new avengers 16Today, Spencer and Patrick are discussing New Avengers 16, originally released March 26th, 2014. 

slim-banner

Spencer: What do you do when a problem has you stumped, when you’ve tried everything you can think of to fix it, but nothing works? Perhaps you ask for help, hoping that a fresh set of eyes will provide a new perspective, or perhaps you examine how others have solved similar problems in hopes of finding an answer. Lately the Illuminati have been taken both approaches in their attempts to end the Incursions. The Mirror has provided them with an endless variety of alternate Earths to observe, but no matter how things differ on the various worlds, so far they have all been recognizable as versions of the Marvel Universe. Not so, though, in Jonathan Hickman and Rags Morales’ New Avengers 16, where we get to see how the heroes of the distinguished competition might handle an Incursion. Continue reading

New Avengers 12

new avengers 12 infinityToday, Spencer and Patrick are discussing New Avengers 12, originally released November 27th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

infinity divider

Spencer: Unsurprisingly for a group that claims to rule the world in secret, the Illuminati functions much like a government. Both are made up of various individuals each supposedly dedicated to bettering the world (or their country, whatever), but who are also devoted to personal causes of their own which quite often cause major conflicts of interest. In the past, we’ve worried that these conflicts could tear the Illuminati apart, but New Avengers 12 flips that situation by showing the Illuminati putting aside their differences (if only temporarily); their actions keep the world safe, but do serious damage to their personal lives. Continue reading

Infinity 6

infinity 6-INFINITY

Today, Ethan and Spencer are discussing Infinity 6, originally released November 27th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

infinity divider

Ethan: When I was starting college, I knew – objectively – that I would at some point no longer be a student; I’d graduate, get a job, do the adulthood thing. But at the time, steeped in the day-to-day evasion of and frantic return to schoolwork, hanging out with friends, sleeping as little as possible, the thought if college actually ending rarely crossed my mind. And then BAM it was time to get up to go to the early-morning rehearsal for the graduation ceremony. College was finished, I was moving into a new apartmen and starting a new job. That sense of disconnect – when something long awaited feels as though it happens and is shoved into the past before we have the chance to actually experience – is the same feeling I’ve gotten during most of the turning points in the Infinity event, and the same is true of its finale. Continue reading