Batman and Robin Annual 1

Alternating Currents: Batman and Robin Annual 1, Drew and Shelby

Today, Drew and Shelby are discussing Batman and Robin Annual 1, originally released January 30th 2013.

Drew: At its best, Batman and Robin is a very straightforward father and son story. Sure, the father is Batman, and the son has homicidal tendencies, but the sense of love and obligation is universal. The strictures of crossover events often force writer Peter Tomasi to contort the story in odd ways to stay true to this theme (which miraculously happens more often than not), but when those distractions fall away, this series can be a moving study of Bruce and Damian’s relationship. Tomasi smartly seizes upon the annual to return Batman and Robin to it’s resting position, delivering a clever, subtly moving story about both Bruce and Damian. Continue reading

Batman and Robin 16

batman and robin 16 DoF

Today, Michael and Patrick are discussing Batman and Robin 16, originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Michael: A series is generally more gratifying when it subverts expectations without betraying our understanding of the characters. In a New 52 series like Batman and Robin, this balance is difficult to achieve; readers demand a basic level of fidelity to beloved genre tropes and character traits, but expect narratives that stand up to the scrutiny of a savvy, cliche-fatigued audience. This issue doesn’t drop any groundbreaking twists, but it works deftly within a familiar framework

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Batman 16

Alternating Currents: Batman 16, Drew and ShelbyToday, Drew and Shelby are discussing Batman 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: One of the most thrilling things about Christopher Nolan’s The Dark Knight was the surprisingly strong case it made for Joker’s way of thinking. Obviously, we aren’t meant to agree with his murderous methods, but any time he’s given a chance to explain his worldview, he actually makes a pretty compelling argument. The effect was a surprisingly nuanced take on the nature of freedom, drawing our attention to just how untenable Batman’s outlook is, as well. Scott Snyder manages a similar trick in Batman 16, making Joker’s argument alluring, even as his methods are utterly horrifying. Continue reading

Batman and Robin 15

batman and robin 15 DoF

Today, Shelby and Michael are discussing Batman and Robin 15, originally released December 12th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Shelby: I have some friends who have a young daughter who has just reached the age of willfully not listening. The other day she wanted to use some scissors, which she never has before. Her mom told her not to, but she just didn’t listen. It’s ok, she didn’t get hurt at all; the point of the story is that her mom was looking out for her, trying to keep her safe, and despite that she wouldn’t listen to her. Even when it’s for their own good, once kids think they know better than their folks, there is no telling them otherwise; they only way they’ll learn is by being wrong. A lot of times, being wrong means getting hurt, and Damian is definitely about to learn a lesson about being wrong.

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Batman 15

Alternating Currents: Batman 15, Drew and PatrickToday, Drew and Patrick are discussing Batman 15 originally released December 12th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Scott Snyder has stated that his first three pitches for Batman (The Court of Owls, Death of the Family, and the next arc) form a kind of triptych examining different aspects of Batman. The Court of Owls put Bruce’s relationship with Gotham under the microscope, revealing a great deal about both. Joker’s relationship with Batman is equally indelible (and worthy of scrutiny), but Snyder has dug much deeper with Death of the Family, taking on a much more fundamental — but often unexamined — characteristic of Batman: his leadership. Continue reading

Batman and Robin 14

Today, Patrick and Drew are discussing Batman and Robin 14, originally released November 14th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Patrick: A few summers ago, Drew and I went to a screening of Rise of the Dead at the Winnetka theatre in the suburbs of Chicago. The event was hosted by Dan Tefler — a comedian who had stumbled upon the movie earlier that year with his wife. Tefler invited the film’s director, Will Wedig, and the AV Club’s Keith Phipps to talk about the extreme disappointment that Tefler experienced on his first viewing. Rise of the Dead sounds like it’s going to be a zombie movie, right? It’s advertised that way, and it has all the trappings thereof. But it’s really about the ghost of an aborted baby possessing bitches. When pressed, Wedig simply offered that he hadn’t set out to make a zombie movie, and Tefler very graciously owned his disappointment. Last month, Batman and Robin started to show us a sorta-zombie story, and I’m going to place the onus of my disappointment in the hands of the books creators.

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Batman and Robin 13

Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.

Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading

Batman 13

Today, Drew and Patrick are discussing Batman 13 originally released October 10th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Bruce Wayne knows those closest to him can be taken away. It’s an idea that was violently embedded in his mind as a child, and has driven every waking moment of his life since. A person driven to such lengths obviously values the closeness of others, yet it’s one of the bitterest ironies of Batman that his goal of stopping violence actually puts the people around him in greater danger. Bruce has been reminded of this all too often, as Jason was killed and Barbara paralyzed, but he can’t help but rely on others; as Batman Incorporated  recently pointed out, Alfred was there from the start. That reliance is often one of Bruce’s greatest assets — he could not have defeated the Court of Owls without them — but it’s also one of his greatest liabilities. Fortunately, very few criminals have the express goal of harming Batman emotionally, but of course, the Joker isn’t just any criminal. Continue reading

Nightwing 0

Alternating Currents: Nightwing 0, Drew and ShelbyToday, Drew and Shelby are discussing Nightwing 0, originally released September 19, 2012. Nightwing 0 is part of the line-wide Zero Month.

Drew: The past is complicated. Or rather, our relationship with the past is complicated. Time has a way of changing our opinions of events, placing even our emotional attachment to our own memories in flux. That shifting relationship to the past is made exponentially more complicated in the comics world, where the actual events of the past are open to revisions, reboots, and retellings every few years or so. While those changes are often jarring for the characters, they’re particularly difficult for the audience, who may be attached to previous iterations of the story (not to mention the fact that they may be particularly anal about continuity). Like I said; shit’s complicated. It’s impressive, then, that Nightwing 0 isn’t just a successful retelling of Dick’s origin, but a compelling essay on the value of such retellings. Continue reading

Batgirl 0

Alternating Currents: Batgirl 0, Drew and HesperToday, Drew and (special guest writer) Hesper Juhnke are discussing Batgirl 0, originally released September 12, 2012. Batgirl 0 is part of the line-wide Zero Month.

Drew: Batgirl is pretty unique among the New 52. Where most titles opted to return to an earlier time the the characters’ history or just plow ahead like the reboot never happenedBatgirl 1 found Babs in a very different position than when we last saw her, throwing a big question mark over her past in the DCnU. It quickly became clear that at least some of what we know is true, but writer Gail Simone cleverly left just enough out to make her past a tantalizing mystery she could tease out as the series progressed. The thought of a zero issue was bittersweet, then, as my desire to know more about Barbara’s past came into direct conflict with my desire to see these answers slowly revealed in the series proper. Simone cleverly side-steps this issue by avoiding those question marks altogether, effectively broadening the mystery by introducing new unknowns.

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