Deadpool 38

Alternating Currents: Deadpool 38, Drew and TaylorToday, Drew and Taylor are discussing Deadpool 38, originally released December 3rd, 2014.

“I learned to recognize the thorough and primitive duality of man; I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both.”

Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde

Drew: The duality of man might just be one of the most central notions of all philosophical thought. Indeed, it might be one of the simplest — is man good, or evil? —  but that doesn’t stop fiction writers from coming up with insanely complicated ways of approaching it. Scenarios like Dr. Jekyll’s or Bruce Banner’s are obviously artificial, but they allow us to ask questions that might not make sense in our day to day lives: what actually defines us? Is it our actions at our best? Our actions at our worst? Our sense of humor? Our intelligence? If any one of those things changed, would we be fundamentally different people? Deadpool 38 puts these questions front and center, as Wade’s newfound passivity continues to effect the people around him. Continue reading

Deadpool 35

Alternating Currents: Deadpool 35, Drew and SpencerToday, Drew and Taylor are discussing Deadpool 35, originally released September 24th, 2014.

Then things started to get weird;
middle of the night he would disappear.
He’d come home smelling like bad guys
and that would make me really mad.

Cars Can Be Blue, Dating Batman

Drew: It goes without saying that the lives are superheroes are kind of weird — that’s the reason they’re of interest — but they’re often so removed from any frame of reference that it’s easy to forget just how strange a superheroes daily life actually is. Over the last year and a half, Deadpool has learned that he has an estranged daughter, befriended a group of mutants engineered using his DNA, mourned the loss of his baby mamma, gotten married, and antagonized Dracula. It’s a long, strange list that only feels more disjointed when they’re listed together like that, which is of course what Gerry Duggan and Brian Posehn do in Deadpool 35, hanging a lantern on just how weird it is to be Wade Wilson. Continue reading

Nightcrawler 1

Alternating Currents, Nightcrawler 1, Scott and SuzanneToday, Scott and Suzanne are discussing Nightcrawler 1, originally released April 9th, 2014.

Scott: He’s back! The recent Amazing X-Men arc found Kurt Wagner, AKA Nightcrawler, being brought back from the dead, an excellent set-up for a new Nightcrawler title. Nightcrawler 1 not only reintroduces Nightcrawler to the land of the living as the star of his own series, it reunites him with ex-X-Men writer Chris Claremont. There’s a lot of catching up to do, and Claremont seems more interested in writing about Nightcrawler the way he remembers him, rather than concentrating on the things that have happened to the character in the interim. Repercussions of Kurt’s death and new life are strangely absent, making for an uneven and perplexing first issue. Continue reading

Wolverine and the X-Men 1

wolverine x-men 1Today, Patrick and Taylor are discussing Wolverine and the X-Men 1, originally released March 5th, 2014.

“Those who can, do. Those who can’t, teach.”

Patrick: I have a number of teacher-friends, my colleague and responder on this article, Taylor among them. The idiom above is largely bullshit, but it stings enough that I’ve seen links posted on facebook to articles decrying the attitude that it represents. The argument always follows that teaching presents its own specific challenges, distinct from the discipline being taught. (The follow-up argument, naturally, being that teachers are under-valued in our society, but like whatever: we’re all undervalued.) For my money, the hardest thing about teaching has got to be the shifting of priorities, from the betterment of yourself to the betterment of others. When I fail myself — write a bad article, perform as crummy scene, log something incorrectly in QuickBooks — I’m mostly just hurting myself. But when a teacher blows off their duties, there are a bunch of people, children even, that pay the price. Wolverine and the X-Men renumbers itself and zeros in on this burden of responsibility, just who can deal with it and who’s struggling. Continue reading

Wolverine and the X-Men 37

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Today, Patrick and Ethan are discussing Wolverine and the X-Men 37, originally released October 23rd, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Patrick: Marvel and DC are known for their outrageously fun sandboxes. Each publisher has an impossibly large sack of toys to play with, and creators work their entire lives to have access to them. And when they finally get their hands on those toys, the gloves come off, and the story telling gets ambitious, bombastic and spectacular in every sense of that word. Brian Bendis, Brian Wood and Jason Aaron may have been given access to a shallower sandbox, but their gleeful deployment of several versions and generations of the same handful of characters has cast an enormous number of iconic characters into the spotlight. We’ve had the pleasure of watching them wrestle with the emotional result of all of these characters coming together, but Wolverine and the X-Men 37 finally gives us the Battle Royale (of the Atom) we’ve been waiting for. It trips every pleasure-center in my lizard brain, and I’m suddenly 9 years old, playing with my toys in my childhood bedroom. In this way, Battle of the Atom achieves something amazing — not only do I have to confront time traveling X-Men, I have to reconcile my own prepubescent excitement, as it rockets from the past and lands squarely in the present. Continue reading

Wolverine and the X-Men 36

Alternating Currents: Wolverine and the X-Men 36, Drew and TaylorToday,  Drew and Taylor are discussing Wolverine and the X-Men 36 originally released September 25th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Isn’t it worth a few bruised children to save the entire future?

Xavier

Drew: Sacrifice is a funny thing. If helping others requires harming yourself, people will hail you as a hero, but if it requires someone else being hurt — even with the same net result — people hem and haw about ends justifying means. Obviously, the sticking point is free will; it’s perfectly okay to willingly do something yourself, but each of us must be free to make that choice. Of course, that can become a bit of a sticking point in time travel narratives, where there’s a sense that certain things have to happen — Sarah Connor has to survive to give birth John, Marty McFly’s parents have to kiss at the enchantment under the sea dance — in order for the story to even be possible. We tend to focus on the potential paradoxes there, often forgetting that the affected characters have effectively had their free will’s sacrificed by whatever time-travelers happen to be meddling with their pasts. The morality of that act is under scrutiny in Wolverine and the X-Men 36, as Jason Aaron adds new players to both sides of the debate. Continue reading

Uncanny X-Men 12

Alternating Currents: Uncanny X-Men 12, Drew and ShelbyToday,  Drew and Shelby are discussing Uncanny X-Men 12 originally released September 18th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

atom dividerDrew: I’ve always loved the hypothetical question: “if your friend/family member/significant other committed a crime, would you hide them from the police?” It pits our relationships against our morals, or, more elegantly, our loyalty to people against our loyalty to ideas. What do you value more? Obviously, there are a number of mitigating factors, including the relationship to the given person, and the severity of the crime in question, but the point of the exercise is to think about where those factors start to matter — is this love truly unconditional, or are there conditions that trump it? Some situations are harder to call than others, but Uncanny X-Men 12 might mark the first narrative I’ve ever read where a man is conflicted with the idea of aiding and abetting himself. Continue reading

X-Men 5

Alternating Currents: X-Men 5, Ethan and TaylorToday,  Ethan and Taylor are discussing X-Men 5 originally released September 11th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

atom dividerEthan: If you’ve ever run away from home, or snuck out in the middle of the night to dodge your curfew, or even just stormed off in the middle of a fight, you know the feeling. The conviction that you’d rather be ANYWHERE but where you just left; an undirected need to get away; but the nagging little awareness that your escape is only temporary. Sooner or later, you’re going to have to turn around and confront whatever it is that pushed you away — finish the conversation with your parents, make amends with a friend or significant other — in short, come home. In X-Men #5, we find Jean and Scott on the outbound leg of this sort of journey, and contrary to their fears, they might not have to go home quite as soon as they think.

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All-New X-Men 16

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Today,  Shelby and Ethan are discussing All-New X-Men 16 originally released September 4th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Shelby: 

“I think that you X-Men are so used to the space and time and life and death craziness in your lives that you don’t even notice how crazy it is anymore.”

-Triage, All-New X-Men 16

“And which of our numerous, terrible mistakes are you referring to?”

-Wolverine, All-New X-Men 16

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X-Men 3

x-men 3

Today, Shelby and Spencer are discussing X-Men 3, originally released July 31st, 2013.

Shelby: I hate a story that drags on too long. As a creator, it’s important to be able to edit yourself; you have to know where you want a story to go and be able to recognize when it gets there. At the same time, it’s just as frustrating as a reader when the story feels rushed. If I’ve settled in to savor a story as it unfolds, a sudden, “…andthenthegoodguyswinordidtheytheend,” is incredibly unsatisfying. A full-stop, wrap-it-up conclusion to a story arc just leaves me feeling confused, like maybe I missed an issue or something. As excited as I have been for Brian Wood’s X-Men, the end of the first arc has me feeling just that: confused and unsatisfied.
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