Justice League 14

Today, Mikyzptlk and Shelby are discussing Justice League 14, originally released November 21st, 2012, 

Mikyzptlk: My complaint with the first 12 issues of Justice League was that there was too much emphasis placed on the action and not enough on the characters. Being a fan of Geoff Johns for many years, I’ve seen what he can do with characters big and small and have read many tales of his that were rich with deep characterization. As year 2 of Justice League is starting to rev up, I’m happy to see Johns starting to focus more on his characterization. Even though this issue isn’t perfect, I’m glad to say that it’s less a Jerry Bruckheimer summer blockbuster and more of a return to what I come to expect from Johns.

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Supergirl 14

Alternating Currents: Supergirl 14, Drew and Patrick HelToday, Drew and Patrick are discussing Supergirl 14, originally released November 21, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Drew: For being a site run by DC fanboys (and girls), we’re not great about covering Superman’s corner of the DC universe. In fact, aside from a few annuals and zero month, we’ve barely covered any titles anchored by DC’s oldest superhero. There’s plenty to not like about the way DC has handled Supes in the New 52, but our two biggest problems hinge around the increasingly strained explanations to superpower villains and the often lazy assumption that Krypton is automatically interesting. With Supergirl 14, the H’el on Earth crossover seems poised to give us an emotionally satisfying exploration of both of those ideas, which could serve as an important turning point for the Superman family.

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Green Lantern 14

Alternating Currents: Green Lantern 14, Mikyzptlk and DrewToday, Mikyzptlk and Drew are discussing Green Lantern 14, originally released November 7th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Mikyzptlk: Simon Baz is so fucking real I JUST LOVE IT. He just seems like such an authentic character to me. I barely just met the guy but I’m already convinced of his motivations and his heroism. Much of this has to do with how well Baz’s background has been set up by the series writer, Geoff Johns.

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Action Comics Annual

Today, Shelby and Drew are discussing the Action Comics Annual, originally released October 31st, 2012.

Shelby: I was talking with a friend recently about Superman. He had listed Supes as one of his favorite superheroes; I’ve made my opinion of the Man of Steel pretty well-known ’round these parts, so we don’t have to go into great detail. I made the point that I think Superman is boring because he’s too powerful, that there’s no believable source of conflict in a Superman story. He made the very good point that boring Superman stories are the product of lazy story-telling, not a flat character. A good Superman story should not be about making up some even more powerful bad guy to threaten Superman physically. A good Superman story is about a man dealing with the strengths he has and finding a way to use them well: striking a balance between Clark Kent and Kal-El. Unfortunately, the Action Comics Annual doesn’t give us any of that, focusing instead on a cookie-cutter Superman story that starts with kryptonite and ends with a feeble attempt to explain what a hero truly is.

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Superman: Earth One 2

Today, Patrick and Michael are discussing the Superman: Earth One 2, originally released October 31st, 2012.

Patrick: You remember that scene in Mallrats where they’re talking about how Clark has sex? I believe the term “Kryptonite condom” was applied rather liberally to that sequence. It’s a funny conversation, and certainly sparks one of those “oh yeah, how does Superman have sex?” questions. So when J. Michael Straczynski explores the issue of Clark’s sexuality, you can’t say he’s answering a question that no one asked. After all, human sexuality is an immensely complicated subject, and there are countless works of fiction that ask uncomfortable questions about it — throw an all-powerful being with unknown limits into the mix and you’ve got yourself some compelling story-fodder. Right? Turns out that when you address Kryptonian sexuality, you need the same maturity and attention to subtlety that you would need to explore human sexuality. I’ve never known either of these to be qualities of Straczynski’s writing, so Superman Earth One 2 is less a disappointment and more an inevitability.
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Superman 13

Today, Patrick and Scott are discussing Superman 13, originally released October 24th, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: Poor Superman just doesn’t belong in the 21st century. As readers and audiences grow more sophisticated, the desire to see an invulnerable man of infinite strength and unquestionable morality has waned. Hell, even the modern James Bond gets his ass kicked from time to time. So when Scott Lobdell starts his first proper issue of Superman with Clark bench pressing the Earth, you’ve got to wonder what he’s aiming for. And it’s in the wondering that Superman 13 gets interesting.

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Justice League 13

Alternating Currents: Justice League 13, Drew and PatrickToday, Drew and Patrick are discussing Justice League 12, originally released October 17th, 2012.

Drew: We’ve talked a lot about the five year rule here at Retcon Punch, and while we certainly have our gripes with how it affects continuity, I think we all understand why they did it. Giving every character some past allows them to maintain certain aspects of their pre-relaunch history, but does so without committing to anything specific. This gives writers a great deal of flexibility, without shutting the door for any future writes. Having a mysterious past also allows writers to pull out unknown details to add emotional weight to the proceedings. Doing this runs the risk of coming off as clumsy or cheap, but in Justice League 13, Geoff Johns provides an excellent case study in how to pull it off. Continue reading

Superman 0

Today, Shelby and (guest writer) Pete Peterson are discussing Superman 0, originally released September 27th, 2012. Superman 0 is part of the line-wide Zero Month.

Shelby: What more is there to know about the origin of Superman? Krypton blows up, baby Kal-El is loaded into an escape pod, crashes to Earth as the only survivor of Krypton (except for his cousin Supergirl, but that’s a different story), and becomes Superman because science. I have never stopped to think more about Superman’s story; turns out, there are a lot of details I’ve been glossing over. For example, what exactly caused an entire planet to blow up in the first place? Scott Lobdell gives us a clue to the destruction of Krypton, and decides the best place to start the origin of Superman is with his father.

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Worlds’ Finest 0

Alternating Currents: Worlds' Finest 0, Peter and Drew

Today, Peter and Drew are discussing Worlds’ Finest 0, originally released September 5, 2012. Worlds’ Finest 0 is part of the line-wide Zero Month.

Peter: There is something to be said for the best-friend formula for dramas. You see it all the time with things like buddy-cop dramas and best-friend roommates. However, there are some basic formulaic elements that must be present for it to work well. Up to this point, Worlds’ Finest has been lacking. Trust me, I know. Hell, we all know. We constantly talk about what could make this book better, and what it’s specific issues are. No matter how long that list is, it must start with the basic components of friendship and duality.

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Action Comics 0

Alternating Currents: Action Comics 0, Peter and Shelby

Today, Peter and Shelby are discussing Action Comics 0, originally released September 5, 2012. Action Comics 0 is part of the line-wide Zero Month.

Peter: I have a bit of a love-hate relationship with Grant Morrison. Sometimes he has very crisp writing that really delves to the point of the story and the characters. Sometimes it’s full of meta references and allusions that overwhelm the story he is trying to tell. Sometimes it’s good, and sometimes it isn’t. Really it boils down to how well does Grant Morrison fit into the work he is writing. I mean the man can write just about anything, but does it actually work? The fundamental question is of pairing a writer with a specific character or book; what makes a good match?

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