Scaling Back in X-Men Red 2

by Patrick Ehlers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

Last time we wrote about X-Men Red, Spencer and Ryan saw the series as somewhat foundational — asserting the attributes that makes an X-Men comic and X-Men comic. That means both the soapy sci-fi details of the characters’ pasts and the political commentary were turned up to 10. The scale for both was just huge — I mean, Jean addresses the United Nations and was framed for murdering the UK ambassador for crying out loud. X-Men Red 2 continues to engage in the same kind of character- and political-work, while scaling back to considerably more personal levels, and the result is almost intimate. Writer Tom Taylor and artist Mahmud Asrar have such a strong handle on these characters’ voices, the moments don’t need to be huge to make them impactful. Continue reading

The Perfect Team-Up in All-New Wolverine 31

by Patrick Ehlers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

While reading All-New Wolverine 31, I realized that I have been measuring Deadpool team-ups by how good of a foil the other character is for the Merc with the Mouth. I like Deadpool with Captain America because their differences are obvious and legion. I like Deadpool with Logan, because while they’re both immortal murder machines, Logan sees the tragedy in his existence, while Wade somehow twists that into comedy. I like Deadpool with Spider-Man because there’s a sort of one-ups-manship there: “you think that’s goofy, Pete? WATCH THIS.” All-New Wolverine 31 presents a new kind of pairing: Deadpool and a character who is excited to learn from his example. Gabby’s not a foil, but their relationship is basically perfect. Continue reading

X-Men Red 1: Discussion

by Spencer Irwin and Ryan Desaulniers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: What are the X-Men best known for? I’d honestly say that there’s two answers to this, because while thematically the X-Men are most often used to explore discrimination and social justice, in execution they’re just as well known for their unwieldy cast, soap opera dramatics, and byzantine continuity. I think what I like most about Tom Taylor and Mahmud Asrar’s debut issue of X-Men Red is how heavily it leans into that first aspect, while ignoring the latter almost entirely. There’s plenty of character within these pages, of course, but this is first-and-foremost a title with a mission and a message. Continue reading

All-New Wolverine 30: Discussion

by Michael DeLaney and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Tom Taylor continues to write one of the best Wolverine books that is actually pretty un-Wolverine-ish. Wolveriney? Wolverinian? What I mean to say is that for a character who is best known for being a bloodthirsty stab machine, this Wolverine is almost the opposite. To be clear, Logan was/is much more than a barbaric beast. But in Laura Kinney, Tom Taylor has crafted a Wolverine who is wise, humble and (mostly) peaceful. Like Logan, Laura is full of guilt over the violent life that she was born into. But in All-New Wolverine 30, Laura takes that guilt and transforms it into repentance. Continue reading

Upping the Ante in All-New Wolverine 29

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I think the best writers at DC or Marvel are those that incorporate the past — warts and all — while paving the way for the future. With secret origins, even secreter origins, clones, children and magical swords, Wolverine has a complicated and silly comic book history. Leave it to Tom Taylor to take on some of that silly and make it a strength. Continue reading

Smart Layouts Ratchet Up the Tension in All-New Wolverine 27

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

All-New Wolverine 27 is an issue that thrives off tension, and while much of that tension is simply inherent to the conflict writer Tom Taylor has created between Laura and Daken, artist Juann Cabal and color artist Nolan Woodard do a tremendous job channeling that tension into their work, creating layouts that feel taut and harrowing even if you don’t know the circumstances behind them. Continue reading

Clarity in the Mystery of All-New Wolverine 26

by Patrick Ehlers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

There are a couple mysteries at the heart of All-New Wolverine 26. What happened to Laura’s mother? What is currently happening to Daken? Those are kind of soft mysteries, where the reader can make some easy assumptions and figure out at least some version of the events. Daken is being experimented on the the mysterious Orphans of X? Yeah, okay, there’s probably a specific reason for that, but the mystery isn’t going to keep me up at night. Where writer Tom Taylor and artist Juan Cabal pull the rug out from under us is in questioning the realty of Daken’s experience all together. Continue reading

Memories Come Rushing Back in All-New Wolverine 25

by Drew Baumgartner

All-New Wolverine 25

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I think it’s fair to say that All New-Wolverine is more concerned with the idea of legacy than most comics. Laura is donning the mantle of her mentor, and the first arc of this series found her reconciling with her literal clones. Indeed, I might argue that it’s one of the greatest strengths of this series, as writer Tom Taylor has mined Laura’s history for ever more emotionally devastating gut-punches. So when issue 25 features a “Legacy” banner across the cover, it’s almost a promise of legacy-squared, somehow centralizing the idea of legacy even more than the series normally does. Those are daunting expectations, but Taylor and artist Juann Cabal more then live up to them, forcing Laura to relive some of her most traumatic memories. Continue reading

A Loss of Focus Drains the Drama from All-New Wolverine 24

by Drew Baumgartner

All-New Wolverine 24

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There has been plenty to love about Tom Taylor’s run on All-New Wolverine, from its adventurous cameos to its wry sense of humor, but I’d have to say my favorite aspect has always been its emotional intensity. Each storyline has been distinguished by its intense personal connection to Laura, whether it was battling (or teaming up with) her clone sisters, or settling a score from her earliest days. Every one seemed to leave a meaningful impact on Laura, ending or beginning new chapters in her life. It’s a breathless feat to keep that amount of emotional weight moving for that long, which is why I’m almost willing to forgive issue 24 for being the complete antithesis of that kind of importance. Continue reading

Generations: Wolverine & All-New Wolverine 1: Discussion

by Drew Baumgartner and Michael DeLaney

Generations Wolverine & All-New Wolverine 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Drew: Superhero comics have always been about wish fulfillment. We might think of a lot of those wishes (from flying to standing up to bullies) as childish, but adults are far from immune from impossible fantasies. While the wealth and power of many superheroes is certainly appealing, I’m thinking more of the more existential wishes adults may have, at once more fantastical and easier to imagine than leaping tall buildings in a single bound. The most elemental of these wishes might be to have just one more conversation with a deceased loved one. This is exactly the fantasy Tom Taylor and Ramon Rosanas mine in Generations: Wolverine & All-New Wolverine, giving Laura Kinney one last chance to interact with her father. Continue reading