Saga 8

saga 8

Today, Patrick and Drew are discussing Saga 8, originally released December 19th, 2012.

Patrick: Shelby sometimes thinks we are a little bit too detail-oriented around here. But by and large, our assignments are “write about what you find interesting in this issue,” and details can be damn interesting. Saga 8 is one of those issues where what’s good about the experience of reading it might not be the same as what’s interesting about the issue. Heads up, I’m about to lose sight of the forest for the trees. But that’s only because I see some really neat trees and we already know the forest is amazing.

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Green Lantern 15

green lantern 15 3rd

Today, Mikyzptlk and Shelby are discussing Green Lantern 15, originally released December 19th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Mikyzptlk: When it comes to big events like Rise of the Third Army, pace is a very important thing. If an author moves too quickly, they may run the risk of undermining the scale or importance of the story. If they move too slowly, they may start to bore or even frustrate the audience. We are now 4 issues into the event (not counting the tie-ins) and series writer, Geoff Johns, has slowed things down a bit too much for me to really enjoy this issue as much as I wanted to. Continue reading

Before Watchmen – Moloch 2

Alternating Currents: Before Watchmen - Moloch 2, Michael and DrewToday, Michael and Drew are discussing Moloch 2, originally released December 19th, 2012. Moloch is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Michael: Breaking the Before Watchmen project into character-specific series makes is a novel but logical way to approach the prequel. After all, each of the Watchmen characters are their own distinct protagonists, each with a different set of skills, challenges, ethics, and goals. And while the technique might be somewhat novel in the comic book world, the last 20 years of cinema have acclimated us to disparate, chronologically skewed vignettes that reveal more of the story as they overlap. It’s a fun narrative technique that can enhance a nuanced story, allowing the storyteller to layer information and keep the reader interested with shifting perspective. But what of Watchmen? It wasn’t initially conceived in that fractured vignette style and not all the characters are equally interesting. This was my initial concern when starting Moloch/Edgar, because I barely remembered who Moloch was from the original Watchmen. Once I did recall him, I got bummed out, because he’s a sniveling pathetic character, a witless victim, and a dubious subject for a series. However, the second issue — which mercifully brings us all the way to Moloch’s death — crystalizes the series as a sober portrait of a sincere, tortured pawn amidst the narcissism, swashbuckling, and grand-scheming of the other Watchmen characters. Continue reading

Sword of Sorcery 3

Today, Taylor and Patrick are discussing Sword of Sorcery 3, originally released December 19th, 2012.

Taylor: It’s the end of the year and even though Christmas has yet to happen, we are beginning to see the obligatory end of the year lists that have become a staple of most review sites. On the one hand, I find these lists to be particularly useful and interesting when I’m trying to scout out all of the media I shouldn’t have missed in the past year. On the other hand, these lists can be quite arbitrary when you consider that measuring cultural themes by a mostly pointless time span is not a valid means of assessing something’s cultural capital. Whatever your feelings are on these lists it can’t be denied that they cause us to pause and reconsider a period of time in our lives that is quickly coming to an end. It also causes us to consider where we are going in the future and all that we hope will happen. These themes of change, beginnings and endings pervade the fourth issue of Sword of Sorcery and have us wondering, just what will become of this series in the new year.

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Wonder Woman 15

Alternating Currents: Wonder Woman 15. Drew and ScottToday, Drew and Scott are discussing Wonder Woman 15, originally released December 19th, 2012.

Drew: We’ve said it before, and I’m sure we’ll say it again: comic books are modern mythology. This is an idea Brian Azzarello has devoted Wonder Woman to exploring. I always like when art self-reflects in this way, but Azzarello never does anything so simply. The intersection of ancient mythology and comics mythology has proven to be fertile ground for essays on the nature of myth, but has tied the discussion to the world of fiction. In Wonder Woman 15, Azzarello confronts us with mythologized characters from reality, opening up the whole world of art-imitating-life-imitating-art discussions. It’s a strange, complicated arena of thought, but with Azzarello at the helm, I’m sure it will be a satisfying one. Continue reading

Green Lantern: New Guardians 15

new guardians 15 3rd

Today, Patrick and Drew are discussing New Guardians 15, originally released December 19th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Patrick: Everyone experiences loss at one point or another. And your response to that loss is usually sadness. “Sadness” isn’t part of the Green Lantern emotional spectrum — not active enough to dramatize. We’ve seen this weird little problem before (take last week’s Green Lantern Corps for example), but it always ends up feeling like the character appeals back to whatever emotion suits them. John regrets blowing up a planet, he’s going to will the thing back together; Atrocitus misses his family, he’s going to rage all over the bad guys. But as the All Color Lantern, Kyle Rayner can show what the proper response to loss is: all those awful emotions at once. Too bad there’s so much loss to be had. [Especially if you’re a Green Lantern fan, you should know: there be SPOILERS after the jump.]

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Batwoman 15

Today, Shelby and Jack are discussing Batwoman 15, originally released December 19th, 2012.

Shelby: Speaking in the broadest of terms, there are a couple ways to define a person: in relation to the other people in their lives, or based solely on who they are as a person. So far in Batwoman, Maggie Sawyer has largely been defined as a character through her relationships, with Kate, with her daughter Jamie, even her relationship with her job and the missing children. This issue, we get a glimpse of just Maggie, and it looks like she’s starting to come apart at the seams. She’s got a job that’s pretty terrible even on the good days, a girlfriend who just isn’t around often enough, and a stubbornly independent streak which prevents her from asking for help. The batshit crazy she’s had to deal with these last 15 issues is catching up to her in a bad way; I have faith in her, but I worry she won’t make it through to the end.

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Superboy 15

Alternating Currents: Superboy 15, Drew and ShelbyToday, Drew and Shelby are discussing Superboy 15, originally released December 12th, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Drew: We’re pretty big fans of meta-commentary here at Retcon Punch. That is, the notion that the way a story is told can reflect the themes of the narrative itself (or vice versa), adding another level of meaning to the work, and often some kind of experiential element. This can happen when a character experiences time in an unusual way, or when our expectations for a title might be unreasonable, but we generally treat those moments as specifically designed by the creators to speak to our own experience of the title. Tom DeFalco isn’t responsible for the strange identity crisis Superboy (the series) has experienced in the New 52 (at least, not solely responsible), but issue 15 finds him tying that in beautifully to Kon’s own identity issues. Continue reading

Green Lantern Corps 15

green lantern corps 15-3rd

Today, Mikyzptlk and Shelby are discussing Green Lantern Corps 15, originally released December 12th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Mikyzptlk: Loss and regret are, unfortunately, a big part of our lives. Whether it be the loss of a job, a relationship, or especially a loved one, it can be very hard to deal with. People deal with loss and regret in many different ways and while some may choose a positive outlet to get over their grief, others may not. For example, if not for a personal loss in my life, I wouldn’t be a blogger writing this review today. Ever the goofball, I hate to be such a downer, but I couldn’t help but notice that this issue dealt a lot with the concept of loss and regret as Guy Gardner finds himself back in his home town, sans ring. However, while Guy’s journey is the main thrust of this issue, it’s certainly not entirely about him. And while Guy experiences regret and loss, fellow Green Lanterns John Stewart and Salaak get a taste of their own.

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Frankenstein: Agent of S.H.A.D.E 15

Alternating Currents: Frankenstein, Agent of S.H.A.D.E. 15, Scott and DrewToday, Scott and Drew are discussing Frankenstein: Agent of S.H.A.D.E 15, originally released December 12th, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Scott: Perspective is everything in storytelling. Storytellers can have a profound impact on how a story is received based on the information they have access to and how they choose to present that information. Really good storytellers include personal touches that show their passion for the subject, giving emotional weight to the story. I would venture to guess Frankenstein is not this type of storyteller. Frankenstein has fairly simple tastes; he likes killing monsters and not being around people. So how do you elegantly tell a story about a character whose preferred mode of communication is a disinterested grunt? Take the story out of his hands and tell it from a third person point of view, which writer Matt Kindt does to beautiful effect in Frankenstein: Agent of S.H.A.D.E. 15.

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