Obliterated Boundaries in Vs 1

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

While the concept of war is terrifying on its own, the actual reality of it is alien to a lot of us. Myself included, and I have a brother, a sister, and a brother-in-law that have served in the US Army and seen combat in Iraq and Afghanistan. What it really means to be “at war” is far enough divorced from my day-to-day life, that I can comfortably sort it into an experience that someone else has. Vs takes the “otherness” of war and smashes it into the everyday, making the reader question the separation between entertainment, spectacle, and violence. Continue reading

Hungry Ghosts 1: Discussion

By Drew Baumgartner and Ryan Desaulniers

Hungry Ghosts 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

They found her body sprawled across the grave. Without realizing it, she had plunged the knife through her skirt and had pinned it to the ground. It was only the knife that held her. She had died of fright.

Alvin Schwartz, Scary Stories to Tell in the Dark

Drew: Like every kid who grew up in the ’90s, I’m intimately familiar with Alvin Schwartz’s Scary Stories books — the perfect camp fire/slumber party fodder. But “The Girl Who Stood on the Grave” (sometimes known as “The Dare”), whose punchline I spoiled above is the only one that ever actually scared me. Even as a kid, I never believed in ghosts, so stories of long-dead apparitions leaving their sweaters behind or whatever felt more like jokes than anything. But the thought of scaring oneself to death felt all too real when watching my friends get spooked by the other nonsense in the book. I doubt I knew who FDR was at that point, but even then I understood that the only thing we have to fear is fear itself. Which is to say, I’m far more interested in the telling of ghost stories than I am in the stories themselves. And I suspect we’re all a little that way — it’s why Tales from the Crypt had the Crypt Keeper and Are You Afraid of the Dark? had those terrible child actors — the ritual of telling scary stories is just as important as the scary stories themselves. It’s a notion that Hungry Ghosts taps into twofold, offering a framing story within a framing story, as a Crypt Keeper type tells us the story of people sitting around telling ghost stories. Continue reading

The Ol’ Weekly Series Wheel-Spinning in Avengers 678

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

A weekly title — especially one running more than a few issues — should feel big, as if its story simply cannot be told in any other format, on any other release schedule. Instead, though, I’ve found that weekly comics often tend to feel padded, as if a typical story is being stretched out to better fit the format. That’s certainly a problem I’m starting to notice with “No Surrender,” the current weekly Avengers event. Continue reading

Star Wars: The Last Jedi – DJ: Discussion

By Taylor Anderson and Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue or watched The Last Jedi yet, proceed at your own risk!

Taylor: Ever sense the Last Jedi came out about a month and a half ago, writer-director Rian Johnson has been on the interview circuit answering questions about the more controversial aspects of the movie. Many of these questions want Johnson to go into more detail about a specific aspect of the movie such as the origin of Rey’s parents or why Luke had a different haircut at the end of the movie (it’s true!). However, no one seems to be asking questions about one of the most enigmatic characters ever to grace a Star Wars script. DJ, the man who sold out the Resistance for a pile of credits, is shrouded in mystery yet no one seems to care. Maybe that’s because he plays a minor roll in the movie or maybe it’s because we learn all we need to know about him in his very own Star Wars comic. Continue reading

Doctor Aphra 16 Finally Lets Aphra’s Queer Flag Fly

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Hey, what’dya know, actual queer people in Star Wars. Continue reading

Dark Nights: Metal 5 Is Lost In Its Own Cacophony

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The difference between good action movie sequences and bad ones comes down to editing. A lot of quick cuts and different camera angles is a clear tell of a bad action sequence and leaves you confused as to what is actually happening in the fight. Dark Nights: Metal 5 is a lot like that. As readers we have been stuck in this nightmare world for so long that I can’t remember what the stakes are or really care about them. Continue reading

Searching For the Truth of The Infinite Loop: Nothing But the Truth 4’s Finale

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a mystery surrounding Pierrick Colinet, Elsa Charretier, and Daniele di Nicuolo’s finale to The Infinite Loop: Nothing But The Truth. There’s several mysteries, actually. First of all, is this even the finale at all? Issue 4 brings this story to a close, but the series was solicited as being six issues, and this issue is still referred to as “Part 4 of 6” even on Comixology. More important, though, is the mystery revolving around the issue’s hopeful epilogue. Is this ending truly as happy as it seems? How true is it? What even is the truth anymore, anyway? Continue reading

Relishing the Details in Outcast 33

by Drew Baumgartner

Outcast 30

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

One of the most distinctive stylistic choices of Outcast has always been its use of small insert shots, inset into larger panels. Early in the series, those inserts were largely used to capture small scene details and gestures, but as the cast has grown, they’ve increasingly focused on faces, offering us the emotional state of several characters at a glance — especially those who might not be actively participating in the action/conversation of the scene. We might understand that as reflective of Kyle’s own shift in priorities, focusing less on the textural trappings of his life and more on the people he loves, but the effect is a series that now has an audience surrogate on virtually every page, reflecting our own shock and horror back at us. Continue reading

It’s Important to Use Your Words and Not Your Fists in Despicable Deadpool 293

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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At work, my coworkers and I had a professional development meeting where we learned how to handle conflict with each other. It was basically a class on how to be a decent human being and how to express your feelings without terribly offending someone else. While the class seemed a bit puerile, I have to admit that it is important for people to be able to handle their conflict well, otherwise minor problems can become big ones. Given that superheroes deal with conflict almost by definition, you would think they would be able to handle it well and without the need of professional development classes. As Despicable Deadpool 293 illustrates, however, there is nothing further from the case. Continue reading

Motherlands 1: Discussion

by Mark Mitchell and Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Mark: I grew up in a fairly regimented househould. That’s not a complaint, it instilled a lot of (to my mind) positive values in me, but it did definitely affect my worldview. My parents are deeply religious, and accordingly, their religion guides them to seek out things that have redeeming value. Growing up, this translated into strong feelings on what is and is not appropriate. To give you an example of where the line lay: The Simpsons? Not appropriate. When I reached a more rebellious age I began to watch, when I could, things I knew my parents didn’t approve of, but usually with one hand on the channel changer in case they happened to walk into the room. Of course, as I’ve grown older, I’ve determined for myself where the boundaries of good taste are tread, but from birth, a sense of good old fashioned Puritanical Shame has been instilled in me, and occasionally my palms still get a little sweaty when reading a smutty comic, like my parents are going to walk in on me at any moment.

Simon Spurrier and Rachael Stott’s Motherlands 1 is smut — it’s shrill and pornographic and grotesquely violent — but it’s principled smut. Continue reading