Today, Shelby and Drew are discussing Fantastic Four 1-3, originally released November 14th, 2012, December 12th, 2012, and January 9th, 2013.
Shelby: Family stuff is hard. There’s something about the family dynamic, this group of people you’re stuck with, for better or for worse, for the rest of your life, that makes everything a thousand times more difficult than it would be otherwise. The Fantastic Four has the perfect storm (no pun intended) of layered family dynamics: husband and wife, children, an actual uncle, and the family friend you can call uncle, all going on a little trip. On top of all that, you’ve got the fact that all the adults are super-powered saviors of the universe, and the little trip involves traveling the very folds of time and space. Will Matt Fraction be able to balance the mundane family dynamic with the crazy space adventures? More importantly, is Reed Richards always such a dick?









Drew: Batman, as an idea, is essentially a very elaborate scared-straight program. The whole reason Bruce Wayne dresses up like a bat is because he believes criminals — a superstitious and cowardly lot — will be too afraid to commit crime in Gotham. Sure, some criminals are too cocksure to fear him, or simply don’t believe that he exists, but pretty much everybody runs once he actually shows up. Joker is different. For whatever reason — that he doesn’t feel fear, doesn’t mind fear, or just that he just sees Batman as a guy in a costume who keeps insisting that everybody take him seriously — the idea of Batman doesn’t deter Joker from crime. In fact, modern interpretations of the character suggest that he commits crimes in order to gain Batman’s attention. That notion is what’s made their struggle such a fundamental one, and also explains why the Joker has so many fictional fans — if he can not blink in the face of terror, so can others. The idea that the Joker could be an empowering figure is a fascinating one, but unfortunately, Detective Comics 16 doesn’t take the time to do it justice. 

