Sex Criminals 12

Alternating Currents: Sex Criminals 12, Drew and Michael

Today, Drew and Michael are discussing Sex Criminals 12, originally released September 16th, 2015.

Drew: Human beings find meaning in things. It makes sense as a survival mechanism — recognizing patterns or hypothesizing causal links can lead us towards food or away from danger — but it’s also not something we can turn off. A friend of mine once pointed out that you can fill one of those logical analogies (you know, “puppy is to dog as kitten is to cat”) with four totally random words and it will still make some kind of sense — that is, we can find meaning in connections that are literally drawn out of a hat. To me, that means that “meaning” doesn’t necessarily have objective basis in reality — it’s a thing that we construct because that’s what our brains do. This has some rather profound existential consequences, but for the purposes of our discussion of Sex Criminals 12, I want to focus on what it means for the characters, as this issue finds them each extrapolating meaning that might not be there. Continue reading

Jem and the Holograms 7

jem and the holograms 7

Today, Patrick and Ryan M. are discussing Jem and the Holograms 7, originally released September 16th, 2015.

Patrick: One of the things I find most invigorating and fascinating about serialized fiction is the series’ need to evolve beyond its initial premise. And I’m using “premise” in the broadest possible sense of the word, to include things like patterns of storytelling, linguistic ticks, artistic vocabulary. If had stopped reading Scott Snyder and Greg Capullo’s Batman after a dozen issues, I never would have known that the series and its creative team was capable of telling beautifully colored stories, or if I had given up on LOST after two years, I never would have known that there’s a time-travel component to the story. These developments to both the narrative and how the narrative is expressed arise organically and only over time. As Jem and the Holograms begins a new story arc with artist Emma Vieceli stepping in for Sophie Campbell, the new DNA of the series reveals itself, promising a richer experience to come. Continue reading

All-New Hawkeye 5

all new hawkeye 5

Today, Taylor and Spencer are discussing All-New Hawkeye 5, originally released September 16th , 2015.

Taylor: Often times I wonder what my life would be like had I made an important choice, differently. When I try to make this abstract thought game more concrete, I think about the decision I made of where to go to college. My life would be incomparably changed if I had attended a different university. Different friends, maybe a different major, and most likely living in a different city for the past eight years of my life. Hawkeye 5 at first has us thinking big choices never affect the totality of our lives, but as events unfold, it becomes clear a single choice can affect your life greatly.

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Constantine: The Hellblazer 4

constantine 4

Today, Michael and Patrick are discussing Constantine: The Hellblazer 4, originally released September 16th, 2015.

Michael: I’m going to tell you something that you’ve heard so much already that you’re going to want to stop reading after I tell you (but please, don’t): fiction is escapism. The simplest bit of escapism is tossing our problems aside and putting ourselves in the shoes of someone sexier, stronger, more likeable and generally just better than what we’re working with. There’s an equal amount of catharsis and distortion at play in this escapism. John Constantine isn’t the guy you are wishing you could be – he’s the guy who you’re thanking your lucky stars that you’re not. I mean, afterlife existential grief/survivor’s guilt makes your last break up look pretty vanilla. Continue reading

The Fade Out 9

fade out 9

Today, Spencer and Drew are discussing The Fade Out 9, originally released September 16th, 2015.

Spencer: Those in power always prey upon those they consider “beneath” them. This is true in pretty much every aspect of life, but especially in the Hollywood depicted in Ed Brubaker and Sean Phillips’ The Fade Out. Almost every character in this title is a victim in one way or another, and issue 9 takes a special interest in the damage those with power inflict upon those less fortunate than themselves.  Continue reading

Phonogram: The Immaterial Girl 2

phonogram 2Today, Spencer and Shane are discussing Phonogram: The Immaterial Girl 2, originally released September 9th, 2015.

Spencer: Quite a few people who know me in real life think that I’m very quiet and shy. I suppose that’s closer to the truth than I’d like to admit, but the reality is that if you get me talking about the right subject, I’ll never shut up. Sometimes, it actually scares me how I can only seem to relate to people if we can chat about comics or music or pop culture — especially as I grow older and my friends and family turn their attention more and more to falling in love and raising families. I have to wonder if there’s something wrong with me, if my hyper-intense focus on my hobbies makes me a lesser, “two-dimensional” person. The cast of Kieron Gillen and Jamie McKelvie’s Phonogram: The Immaterial Girl seem to be dealing with the same kind of worries in issue 2, even if they’re not quite self-aware enough to articulate them yet. Continue reading

Journey to Star Wars: The Force Awakens – Shattered Empire 1

Shattered empire 1

Today, Patrick and Andy are discussing Journey to Star Wars: The Force Awakens – Shattered Empire 1, originally released September 9th, 2015

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“Star Wars is the saga of good vs. evil, divided into nine parts.”

-George Lucas, 1994

“It’s now time for me to pass Star Wars on to a new generation of filmmakers. I’ve always believed that Star Wars could live beyond me, and I thought it was important to set up the transition during my lifetime.”

-George Lucas, 2012

Patrick: George Lucas’ original Star Wars trilogy is heavily influenced by just about every archetype-establishing institution in the book: westerns, serials, samurai stories, myths. They are clear stories of good vs. evil, strictly adhering to tenants of Joseph Campbell’s Hero With A Thousand Faces. In 1977, that made those films the sum total of popular fiction to that point – a perfect distillation of the hero triumphing over forces of darkness. That’s an over simplification, of course: Taxi Driver came out the year before A New Hope, after all. But what Lucas did so well in his original film was channeling the simple, clear morality of popular fiction. Almost 40 years later and morality in popular fiction isn’t so clear – neither is the morality of war. Breaking Bad, The Sopranos, Mad Men, Christopher Nolan’s Dark Knight trilogy, two different Gulf Wars – today’s storytellers have a different responsibility to their audience than Lucas did. Greg Rucka and Marco Checchetto’s Shattered Empire embraces this shift, focusing more on the insane fog of war surrounding the bit-players that supported the main heroes of the original trilogy. Continue reading

Injection 5

Alternating Currents: Injection 5, Ryan and Drew

Today, Ryan D. and Drew are discussing Injection 5, originally released September 9th, 2015.

Ryan: Who is the main character in this comic? At first glance, I fancied Maria Kilbride to be our lead. Her character arc seems to be one of the most vivid; every issues’ flashback scenes show her as the bright-eyed genius responsible for tying together the Cultural Cross-Contamination Unit, full of piss and vision. Seeing how cheerful she was in this issue when Brigid suggested they all get matching tattoos stands in stark contrast to the gaunt, hollowed lone-wolf who tackles a Cornish spriggan infestation head-on. Though her foe here be mystical, Kilbride is haunted more closely by the Injection, which finally reveals itself plainly. The fingerprints of the Injection are stamped on every curious happenstance which has taken place over the past five issues, making a compelling case to call this creation the main character. Its character journey has taken place predominately off-page, with the bulk of its exposition in the dialogue of its “parents”, the remnants of the CCCU. It now rears its invisible head to Maria, and in doing so shows that it is responsible for the previously anonymous, seemingly omnipotent yellow narrative text littering each issue. Continue reading

Gotham Academy 10

gotham academy 10

Today, Ryan M. and Taylor are discussing Gotham Academy 10, originally released September 9, 2015.

Ryan: As the daughter of a high school teacher, I grew up seeing a lot of teens preforming Shakespeare. My dad wanted to support his students and I wanted to see people in costumes; it was a win-win. I saw a dozen of these amateur auditorium productions before I ever saw a professional one.  When I was little, I didn’t always understand the language of the scene, and I certainly wasn’t grasping the deeper themes. What I was enthralled by, other than those fun costumes, was wondering about the actors. Were they friends in class? Were there romances? Which ones were nerds or cool kids? Because, while I didn’t always get Shakespeare, I watched a lot of Saved by the Bell. In this issue of Gotham Academy, there is a lot happening behind the scenes, but it is even more spooky than the time Zack and the gang went to the murder mystery house.

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Ms. Marvel 18

ms marvel 18
Today, Taylor and Spencer are discussing Ms. Marvel 18, originally released September 9th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check back Tuesday for our Secret Wars Round-Up.

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Taylor: The old axiom says there are five stages of grief: denial, anger, bargaining, depression, and acceptance. While I have my doubts that every person experiences grief in the exact same way as this, I do believe that most people go through something akin to this before arriving at the final stage of acceptance. When something truly traumatic happens it takes awhile for our brains to shift to the new reality of things. However, I think given time we all come to accept whatever bad thing it is that’s happened to us. Ms. Marvel 18 delves into this last stage of coping with grief and shows us that for everyone who undergoes it, it looks a little different.

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