Justice League Dark Annual 1

Alternating Currents: Justice League Dark Annual, Taylor and Drew Today, Taylor and Drew are discussing Justice League Dark Annual 1, originally released October 31st, 2012.

Taylor: Go big or go home. I don’t really know where this phrase came from or even what it really means. I suppose it probably means a person should come prepared to give everything they have to whatever situation they are about to encounter. I guess that’s “going big.” There is perhaps some virtue in that; I can admire anyone who can totally devote themselves to a cause or an idea. But with the election finally (finally) winding down, I also have to question if perhaps there is more merit in playing your cards close to the chest. I question how anyone can fully support one candidate or the other when eventually they will do something to piss you off, or almost certainly break a promise they blatantly made on the campaign trail. The ability to hold back, reserve judgment and always keep a little something extra for yourself, whether in politics or comic books, is a trait that should be applauded. John Constantine has this virtue (if he really can be said to have any such thing) and normally Justice League Dark does as well. But in the first annual edition of this title the creators do just the opposite, they go big and it pays off.

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Saga 1-6

Alternating Currents: Saga 1-6, Drew and ShelbyToday, Drew and Shelby are discussing Saga 1-6, originally released March 14th, April 11th, May 16th, June 20th, July 18, and August 15, 2012.

Drew: Eight months ago, Patrick floated the idea of covering Saga. At that time, we weren’t really considering expanding our coverage outside of DCs publication line, so we tabled the discussion. Almost eight months later, we’re finally expanding our coverage, and Saga is still at the top of our list. We like it. The only problem is, so does everybody else. I’m normally not worried about agreeing or disagreeing with fans or critics, but with a comic as universally loved as this one, will we have anything meaningful to add, arriving eight months late to the party? Looking back on the density of Saga‘s first six issues, I realize that we’re in no danger of running out of new things to say. Continue reading

Aquaman 13

Alternating Currents: Aquaman 13, Drew and ShelbyToday, Drew and Shelby are discussing Aquaman 13, originally released October 31st, 2012.

Drew: Confession time: I dropped this title after issue 4. My only sense of what is going on in this title is the zero issue, and reading the reviews on this site. For the most part, “The Others” storyline has been hard to follow from just summaries, as it focuses heavily on characters I know in name only. The only thing I’ve really gathered from those reviews is that 1) the art is fantastic, and 2) there’s room for disagreement about whether or not Aquaman is actually the villain of this title. Picking up the action in issue 13, I can say for sure that both of those statements are definitely true.

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Foster 1-5

Today, Shelby and Drew are discussing the Foster 1-5.

Shelby: You may not know this, but we don’t review everything we read. We’ve stuck primarily with DC up until now because we didn’t want to bite off more than we could chew. DC was starting at one, we were already basically familiar with the characters, it was an easy starting point for us. As we became more familiar with the creative talent DC has harnessed, we realized there was a huge chunk of titles we were missing out on. I’m not talking about Marvel, I’m talking about the endless array of independently published comics. Good independent titles can be hard to find, literally; if the creator doesn’t have the funds for a wide distribution, there aren’t going to be a lot of physical copies to be had. Unless you knew to look for it, you could pass right by it. So, when Patrick and Drew heard that Brian Buccellato (famous ’round these parts for his awesome work on The Flash) had a Kickstarter to fund an anthology for his self-published title Foster, they jumped on it, and pulled me along for the ride. Like all our reviews, this one is going to be spoiler heavy, so if you’re interested in reading the issues before the review, head over to Dog Year Store to get yourself caught-up. It’s cool, we’ll wait.
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Batman, Incorporated 4

Today, Shelby and Drew are discussing the Batman, Incorporated 4, originally released October 24th, 2012.

Shelby:  When I set out to write a review, I like to be as fully caught-up on the story as I can be.  I don’t feel that I can accurately judge an issue without taking into consideration the story which has has taken place so far. That’s why the relaunch has been so easy; even if I pickup up a new title, I’ve only got 13 back issues to get through. There is certainly merit to the uninformed opinion, we proved that with zero month, it’s just not the approach I prefer to take. Batman, Inc puts me in an unique and frustrating position; I am fully caught-up, in that I’ve read all 5 issues, and yet I still have no idea what’s going on.
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Red Lanterns 13

Alternating Currents: Red Lanterns 13, Drew and Patrick-3rdToday, Drew and Patrick are discussing the Red Lanterns 13, originally released October 24th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Drew: Let’s be frank: Red Lanterns is not on my pull. I’m willing to tolerate a lot of the goofiness inherent in the Green Lantern universe, but blood-vomiting rage-monsters just doesn’t sound like fun. As I read through this issue, I couldn’t help but compare the Red Lantern Corps to the Hulk. It’s an easy comparison to make: both are powered by anger, and (until recently), both lose control when super pissed. The danger with that basic formula is that it turns both the Hulk and the RLC into forces of nature — horrible natural disasters that I can’t even fathom rooting for. For the Hulk, writers have often mitigated this by allowing Hulk to retain some of Bruce Banner’s heart; he still won’t hurt the ones he loves. More important, Bruce actively avoids Hulking-out; he knows it’s dangerous for everyone around him and he does everything in his power to prevent it from happening. Peter Milligan has a different solution, giving the Red Lanterns renewed sentience via some kind of blood baptism, but eliminating their heart from the equation altogether. The effect is that they charge into situations — like the one depicted in Red Lanterns 13 — knowing full well that they’ll probably just kill everything. It’s hard to empathize with that.

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All-Star Western 13

Alternating Currents: All-Star Western 13, Taylor and DrewToday, Taylor and Drew are discussing the All-Star Western 13, originally released October 24th, 2012.

Taylor: I enjoy professional basketball. It’s fast paced, fun, full of dunks, trick shots, and some of the most gifted athletes on the face of the planet. With that being said, you would think that every game of basketball would be an amazing show worth watching every second it’s on. However, we can’t disregard the fact that these are professional basketball players who, whether we like to acknowledge it or not, don’t enjoy every game they play. It’s their job and sometimes they take the floor with their sole purpose being to win a basketball game and cash a check, regardless of how entertaining it is for the fans. Commentators often call this a “workman-like approach,” a phrase which also aptly describes All-Star Western 13. Continue reading

The Flash 13

Alternating Currents: Flash 13, Drew and PatrickToday, Drew and Patrick are discussing the Flash 13, originally released October 24th, 2012.

Drew: I like The Flash. It’s a crisp, fun, dense comic, full of endearing characters and incredible art. Reading it over the past year has been an extremely rewarding experience as a fan of comics. I also like liking The Flash. The fan community around this title, from commenters to bloggers to the creators themselves have been as open and inviting as anywhere in comics. Writers Francis Manapul and Brian Buccellato have been incredibly approachable, and willing to discuss all of the things that make me love this title so much. In many ways, liking this title has been as rewarding as reading this title, thanks to all the wonderful discussions we’ve had about it. For that reason, issues that fail to meet my (admittedly high) expectations for this title are especially disappointing, to such a degree that I lose any objective sense of how good the issue actually is; is it the issue, or is it me? Let that be the grain of salt you take when I say that The Flash 13 is one of those issues.

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Talon 1

Today, Shelby and Drew are discussing Talon 1, originally released October 24th, 2012.

Shelby: It’s not easy meeting someone for the first time. There’s a lot of business you have to get through before you can get to the really interesting stuff. All of the “where are you from? what do you do for a living? etc.,” stuff is boring and awkward, but it’s also necessary to establish base for the relationship. Even though this is really the second issue of Talon, we’re still firmly in the “getting to know you” camp. That means a lot of exposition, and while it doesn’t make for the most compelling reading experience, I find I’m really intrigued by what I’m learning about this new addition to the DCU.

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Blue Beetle 13

Today, Patrick and Drew are discussing Blue Beetle 13, originally released October 17th, 2012.

Patrick: Did you guys see Million Dollar Baby? I’m going to spoil it right here, so fair warning. The first two-thirds of the movie is a rousing sports movie: Hilary Swank plays  a lady-boxer and Clint Eastwood plays her curmudgeonly coach/manager. During one of the big bouts, Hilary Swank falls and breaks her neck. She breaks her neck. The final 45 minutes of the movie become a morality play exploring Clint Eastwood’s decision to take his paralyzed pupil off life-support. The plot, the tone, the pacing — it all turns on a dime. Suddenly you’re watching a different movie with the same characters. I hated this shift, partially because I felt the message of the later third was heavy-handed, but mostly because I liked the boxing movie. Million Dollar Baby lured me into its world with something I found genuinely attractive and then took it away from me. Blue Beetle, why you gotta Million Dollar Baby me?

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