Category Drew Baumgartner

Drew Baumgartner, Co-Editor-In-Chief
drew@retcon-punch.com

Location: Milwaukee

History With Comics: Drew grew up with Superman pajamas. His best days were when he never had to change out of them. He fell in love with Batman the Animated Series when he was 5. He had never read a comic in his life, but started reading Batman trades when he was in high school. He continued to pick up trades and one-offs throughout the 00’s, but never got into the monthly swing. After almost a decade of being an outsider looking in, Drew seized upon DC’s relaunch to start picking up monthlies.

Oct 24 2012

Catwoman 13

Today, Shelby and Drew are discussing Catwoman 13 originally released October 17th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Shelby: Last week, we talked about the overuse of darker tropes as a means to make a story excessively dark and gritty in our Chat Cave discussion of Sword of Sorcery 0. The particular example we were discussing was an attempted rape scene which many viewed as a way to make the comic edgier and sell more copies. Drew made the point that the same argument can be made of any emotion; character’s emotions and their reactions to the emotions of those around them help propel the story forward, and they can easily be twisted to sell comics first, and develop plot second. The same can be said of madness. It can be used to effectively display a character’s unraveling, or it can be included in a story merely to push the envelope and be unique. The big problem with madness is it is, by nature, very confusing. So, when we’ve got a story that pushes madness to the extreme with very little reason behind it, we’ve got a disorienting mess on our hands.
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Oct 23 2012

Red Hood and the Outlaws 13

Alternating Currents: Red Hood 13, Drew and ShelbyToday, Drew and Shelby are discussing Red Hood and the Outlaws 13, originally released October 17th, 2012.

Drew: I hate recommending art. From movies to books to music, I think there’s something really presumptuous about the statement “you’d like this.” Moreover, I hate what recommending that art says about me, especially if the person I recommended it to didn’t like the art in question. This may all stem from a particularly traumatic recommending experience where, while staying overnight at my cousins, I insisted that we all watch the TGIF programming bloc — a mainstay of my Friday nights at home. For whatever reason, this particular Friday aligned with all four shows delivering episodes uncharacteristically romantic in nature. I’m sure it was as tame as a kitten fight, but it struck my young mind as profoundly inappropriate — at least in part because I was acutely aware that my aunt had already banned The Simpsons in her household, which seemed unfathomable to me. As if to intentionally make me feel more devious in my tastes, at the conclusion of the night, she remarked, “well, that’s really not the kind of thing we like to watch around here.” The absurdity of being made to feel TGIF was inappropriate aside, I still get incredibly nervous when someone consumes art on my recommendation. That feeling is only exacerbated in cases of serialized narratives, where the sampled episode/issue may not be indicative of what you actually like about it. That’s more or less the feeling I have introducing Shelby to Red Hood and the Outlaws with issue 13. Continue reading →

Oct 22 2012

Before Watchmen – Minutemen 4

Alternating Currents: Minutemen 4, Drew and Michael B4WToday, Drew and Michael are discussing Minutemen 4, originally released October 17th, 2012. Minutemen is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: Is it fair to assume we’re all nerds here? Do you remember that feeling when C-3PO first shows up in Phantom Menace? That feeling in the pit of your stomach when you realized this prequel was going to cash in on every moment of cheap recognition it possibly could? Not only did I not care where C-3PO came from, the explanation shown in Menace doesn’t make any fucking sense. The negative response to 3PO’s inclusion probably curbed Lucas’ origin obsession a bit, but he still managed to cram in Luke and Leia’s birth AND the building of the first Death Star, turning the whole prequel trilogy into a sad game of “spot the thing you used to love.” As the world’s most ubiquitous prequel, those movies effectively set my expectations for what a prequel should be, which may explain why I was so resistant to the notion of Before Watchmen in the first place; I was terrified of the prospect of stories focusing on petty details like where Ozymandias got the idea for his TV wall, or spending four issues explaining where that one headshot in Dan Dreiberg’s apartment came from. We’ve certainly gotten some of that, but titles like Comedian and Silk Spectre have turned those expectations on their heads by largely avoiding any such references. With Minutemen, Darwyn Cooke has embraced the third option — addressing the known history head-on with such deftness to make it seem inevitable.

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Oct 18 2012

Justice League 13

Alternating Currents: Justice League 13, Drew and PatrickToday, Drew and Patrick are discussing Justice League 12, originally released October 17th, 2012.

Drew: We’ve talked a lot about the five year rule here at Retcon Punch, and while we certainly have our gripes with how it affects continuity, I think we all understand why they did it. Giving every character some past allows them to maintain certain aspects of their pre-relaunch history, but does so without committing to anything specific. This gives writers a great deal of flexibility, without shutting the door for any future writes. Having a mysterious past also allows writers to pull out unknown details to add emotional weight to the proceedings. Doing this runs the risk of coming off as clumsy or cheap, but in Justice League 13, Geoff Johns provides an excellent case study in how to pull it off. Continue reading →

Oct 17 2012

Chat Cave: The Amethyst Controversy

Zero month saw the launch of several new titles, including the fantasy-infused Sword of Sorcery. As soon as the issue was released, the return of Amethyst: Princess of Gemworld was overshadowed by controversy surrounding a scene of an attempted rape. Reactions ranged from outrage and disappointment to outrage and disappointment over said outrage and disappointment. The only thing that could really be said about the reactions is that everybody had one. Not to be left out of the dialogue, the Retcon Punchers have their own thoughts on the issue. Welcome to the Chat Cave.

Drew: The charge against this issue is largely lead by Chris Sims of Comic Alliance. Sims’ objection basically boils down to two key points: 1) that rape as an overused trope writers use to darken comics needlessly, and 2) that it’s particularly inappropriate in a kid-friendly title.  This blogger does a pretty good job of rebutting Sims first point, so I’ll just add that while rape can be misused as a narrative bludgeon — as can death, love, war, hate, or pretty much anything else that makes stories compelling — it doesn’t mean it should be off-limits. Whether or not it was used inappropriately should be determined on a case-by-case basis, so its perceived overuse shouldn’t enter into the conversation at all. Continue reading →

Oct 16 2012

Green Lantern Corps 13

Today, Patrick and Drew are discussing the Green Lantern Corps 13, originally released October 10th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Patrick: For months, Green Lantern fans have been asking themselves “what are those rascally Guardians up to this time?” Their track record with regard to all the life in the universe has ranged from casually negligent to downright evil. In the Guardians’ defense, there is usually some amount of misinformation or good intentions that sets off the worst of their actions. Their latest endeavor employs an army of body-snatchers to replace the Green Lanterns (along with all the other colors of lanterns corps). Where it goes from there is still sorta anyone’s guess — I don’t recall where, but I think it’s been suggested that they will go on to DESTROY ALL LIFE IN THE UNIVERSE. And that’s evil as shit, no doubt, but it’s their effort to psychologically ruin Guy Gardner that intrigues me the most. Yeah, yeah, yeah, wiping out life in the universe can wait, we’ve got an ego to dismantle. Continue reading →

Oct 15 2012

Batman and Robin 13

Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.

Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading →

Oct 10 2012

Batman 13

Today, Drew and Patrick are discussing Batman 13 originally released October 10th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Bruce Wayne knows those closest to him can be taken away. It’s an idea that was violently embedded in his mind as a child, and has driven every waking moment of his life since. A person driven to such lengths obviously values the closeness of others, yet it’s one of the bitterest ironies of Batman that his goal of stopping violence actually puts the people around him in greater danger. Bruce has been reminded of this all too often, as Jason was killed and Barbara paralyzed, but he can’t help but rely on others; as Batman Incorporated  recently pointed out, Alfred was there from the start. That reliance is often one of Bruce’s greatest assets — he could not have defeated the Court of Owls without them — but it’s also one of his greatest liabilities. Fortunately, very few criminals have the express goal of harming Batman emotionally, but of course, the Joker isn’t just any criminal. Continue reading →

Oct 9 2012

Dial H 5

Alternating Currents: Dial H 5, Taylor and Drew

Today, Taylor and Drew are discussing Dial H 5, originally released October 3rd, 2012.

Taylor: Here’s the thing: metaphysical thought is messy, very messy. Thinking about where man came from, what he is made of, and where he is going yields no solid answers and often times leaves the thinker more confused than when he or she first began to ponder those ideas in the first place. When you add the outside world (and universe) to this equation things are obviously going to get even muddier. What is this something we see? What is this nothing we don’t see? If there’s nothing, doesn’t that mean there has to be a something to validate the nothing’s nothingness? It’s not easy to discuss these confounding and complex ideas in an artistic way given that you can’t ever really speak about them in a straight forward manner. To do that would feel somewhat dishonest and wouldn’t accurately reflect the feelings that come with this philosophical territory. In Dial-H 5 the reader is presented with some of these questions, but rather than falling back on stale mythologies or old tropes, the issue embraces the chaos of messy questions and does so with stylish story telling and complimentary artwork. Continue reading →

Oct 5 2012

Green Lantern 13

Today, Drew and Shelby are discussing the Green Lantern 13, originally released October 3rd, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Drew: Who does a fugitive turn to for help? It’s a question we’ve seen a million times, as characters keep getting wrongly accused and keep needing just one chance to clear their names. It’s a compelling story, but it isn’t exactly the most relatable reason to have a character reach out to someone. With Green Lantern 13, Geoff Johns avoids this issue by recasting the question as the much more relatable “who do you tell when something big happens in your life?” The result is a story that keeps the focus tight on Simon Baz, even as the action continues to balloon. Continue reading →