Dial H 4

Alternating Currents: Dial H 4, Drew and ShelbyToday, Drew and Shelby are discussing Dial H 4, originally released August 1st, 2012.

Drew: I’m not a fan of origin stories, or really the starts of narratives in general. They often require large exposition dumps to make everyone’s personalities, means, and motivations clear to the audience. One of my favorite ways authors avoid cramming that much exposition into the beginning of a story is to start in medias res. Sure, the whys of the situation aren’t always clear — or even what exactly is going on — but that creates curiosity, a genuine interest in learning more, which almost never happens when we’re just given bare-faced facts with the understanding that this will be important later. Writer China Mieville has taken this tack to the limits of my curiosity in Dial H, delivering three months of questions without any real answers, leaving us floating uncomfortably in a confusing sea of possibilities. With this issue, we finally start getting some answers, helping the events of the previous three fall into place with surprising ease. Continue reading

Animal Man 12

Today, Drew and Peter are discussing Animal Man 12, originally released August 1st, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. Not caught up on Animal Man? No problem! Get up to speed with our video Cram SessionAlso, we’re covering Swamp Thing #12, head over to get analysis on the second half of this story. 

Drew: One of my biggest pet peeves in comics is the assumption that “bigger is better” when it comes to threats the hero is facing. I understand the sentiment — if saving one person is good, saving one million must be a million times as cool — but in practice, it often turns the risks into abstract hypotheticals. Such abstractions lose the human connection that is so easily established by a single person in danger. In comics, a single loved-one in danger is just as cliched as when it’s the whole city, but when handled well — as in Animal Man 12 — the payoff is much greater. Continue reading

Cram Session: Swamp Thing 1-11

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Alec Holland is just about the most reluctant hero of the New 52. Dude didn’t even cape-up until the end of issue 7. But it’s been a great ride, and now all human and plant life hangs in the balance. Catch up here and prepare for the Rot World crossover with Animal Man.

Earth-2 4

Today, Patrick and Drew are discussing Earth-2 4, originally released August 1st, 2012.

Patrick:  Self-awareness is all the rage these days. You can get away with telling any story – no matter how cliche or inane – by simply having the characters acknowledge the various well-worn tropes they’re engaged in. It’s a safe way for writers and film-makers to assure their audience that they’re in on the joke – yes, we all know how crazy this looks. Joss Whedon is the king of this sort of thing (y’all saw Avengers, right?), but you see it everywhere. There are a couple of draw-backs to this approach, but the biggest danger is that of white-washing your characters’ personalities. If everyone is savvy enough to comment on their genre-adventures, then no one’s really an individual. Another big draw-back is that it makes everyone extremely — and interchangeably — chatty. While Earth-2 manages some neat concepts and fun characters, the cut-and-paste nature of the dialogue is holding it back in a serious way.
Continue reading

Before Watchmen – Comedian 2

Today, Shelby and Drew are discussing Comedian 2, originally released July 25th, 2012. Comedian is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Shelby: History has never been my favorite subject. There’s something about it that just flows through my brain like water, I can’t seem to retain any of it. I have tried so many times to read Tolkien’s Lord of the Rings trilogy, with zero success; I know I should read it, but it just reads too much like a history book for me to enjoy it. Comedian 1 was housed in American history, in a way I thought was a clever subversion of both Watchmen history and American history. I’ve had a lot of trouble getting into the second issue, however, and I think Brian Azzarello may have crossed the line into too much history for me to enjoy.

Continue reading

All-Star Western 11

Today, Peter and Patrick are discussing the All-Star Western 11, originally released July 25th, 2012.

Peter: All-Star Western has really embraced its role as a historic book. Writers Jimmy Palmiotti and Justin Grey have taken it upon themselves to not only tell incredible western tales, but to weave them into the greater DC Universe, even if they take place centuries before Bruce Wayne put on the cowl, or Superman strapped on the cape. Two of Gotham’s most notorious criminal organizations are gearing up to collide — of course Jonah Hex finds himself in the middle of it all. Continue reading

Green Lantern: New Guardians 11

Alternating Currents: New Guardians 11, Drew and PeterToday, Drew and Peter are discussing Green Lantern: New Guardians 11, originally released July 25th, 2012.

Drew: One of the things that keeps me coming back to this title is the diversity of its cast. They aren’t necessarily the most deeply drawn characters, but their personalities rub against each other in interesting ways. More importantly, those conflicts were set as the centerpiece of this title, a rarity in the largely mythology-driven Green Lantern group. After the fracturing of its core team, and a series of half-hearted crossovers, this title was in danger of losing that distinct voice, and becoming another cog in the Green Lantern machine (not that it’s a bad machine, but I think this title is strong enough to stand independently of whatever plotting is tying the rest of the GL universe together). I was heartened, then, to see the team back together in this issue, refocusing on their shared goals. Continue reading

The Flash 11

Today, Patrick and Drew are discussing the Flash 11, originally released July 25th, 2012.

Patrick:  Flash 11 (and 10, for that matter) is a bit of a place-setting issue. Francis Manapul and Brian Buccaletto are smart enough to fill these issues with self-contained stories, but it’s becoming increasingly clear that this series is currently in the business of establishing a new breed of Rogues. And they’re not just new to the audience, they’re new to the world of the Flash and — more distressing — new to each other. Thankfully, this is done without the slightest hint of an origin story: these bigger, better Rogues have a history together that’s half what-you-already-know-about-The-Rogues and half total mystery. And all of this villain business unfolds gracefully without ever losing sight of Barry Allen. Continue reading

Chat Cave: The Dark Knight Rises

The Dark Knight Rises. Welcome to the Chat Cave.

Hey, here’s the unfortunate reality: The Dark Knight Rises is going to be forever linked to the shootings in Aurora, Colorado. Unless you saw a midnight show, your theatre-experience was affected by the actions of one 24-year old with some guns and a gas mask. You had police officers wandering in before all the major action sequences, you looked twice at everyone that walked in. What happened was terrible and we’re going to be hearing and reading and writing and talking about it for a long time. And while we’re not in the habit of covering current events, we absolutely have to talk about the new Batman movie. No one’s trying to be crass, no one’s trying to be dismissive; our discussion is going to be about the movie we all saw this weekend. Let’s try to keep it that way in the comments.

Oh, and f’real: SPOILERS TO FOLLOW

Continue reading

Batwoman 11

Alternating Currents: Batwoman 11, Drew and ShelbyToday, Drew and Shelby are discussing Batwoman 11, originally released July 18th, 2012.

Drew: In their write-up for issue 10, the siblings Ehlers described the “To Drown the World” arc as one about the power of belief. That summary somehow seemed too simple, given the chronological gymnastics that dominated our discussions. The emphasis on the chronology has eased off as the arc draws to its close, taking it out of the realm of gimmick and back to the much more common device of alternating between A and B story lines. What we’re left with are the themes the Ehlers so readily pointed out — how the lies we tell ourselves and others shape the way we perceive the world. I don’t know if it’s intentional or ironic that my faith in the creative team lead me to believe in vain there was more to the narrative gimmickry, but it establishes a fascinating meta-theme for the arc. Continue reading