Category Patrick Ehlers

Patrick Ehlers, Co-Editor-In-Chief
patrick@retcon-punch.com

Location: Los Angeles

History With Comics: Patrick came late to the comics game. After enjoying adaptations of Batman, Superman and the Justice League, he was finally tricked into picking up a set of graphic novels after seeing Robert Rodriguez’ Sin City. Naturally, this lead to further exploration of Frank Miller’s work, specifically with Batman. But it was not until an unexplainable desire to read Blackest Night that Patrick began purchasing the trades of Geoff Johns’ run Green Lantern. With a convenient new entry point and a handful of friends to follow him into the madness, Patrick began reading monthlies with the New 52’s Justice League #1.

New 52 Favorites: The Flash, Swamp Thing, Batwoman

Other Favorite Comics: Usagi Yojimbo, Teenage Mutant Ninja Turtles, Saga

Feb 7 2013

Teenage Mutant Ninja Turtles 18

tmnt 18

Today, Taylor and Patrick are discussing Teenage Mutant Ninja Turtles  18, originally released January 23rd, 2013.

Taylor: Whether it be in the world of writing or the world of art (hell,  even in the 9-5 workplace) consistency is something  that is difficult for the average person to achieve. Perhaps this statement should be clarified: it is hard to be consistently good at something. It goes without saying that doing things poorly on a regular basis is easy, as doing so requires virtually no effort. However, to create something that is continually good is no easy task. Just take a look at the comic books that litter the shelves of your digital or real-world comic shop. How many of those titles are good month in and month out? How many never have an off issue? How many never let you down? There is perhaps no greater complement that can be paid to a series then that it is consistently good. To craft an issue that is always on point is truly the mark of a great creative team, and something that Teenage Mutant Ninja Turtles has always been able to claim. Yet in the 18th issue of the series some fault lines are beginning to appear and the question is, is this an aberration or the sign of something more troubling?

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Feb 6 2013

Batman Incorporated 7

Today, Patrick and Drew are discussing the Batman Incorporated 7, originally released January 30th, 2013.

Patrick: If the last issue of Batman Incorporated was a little heavy on the heady themes and explicit symbolism (it was), then issue 7 is the antidote. The issue starts with Batman in free fall, then zips ably through surprise reveals, heartwrenching goodbyes, booby-traps  and betrayals. As Talia calls the members of Leviathan into action — be they security guards or children — it’s immediately clear that The Plan is in motion, and Damian is uniquely positioned to put a stop to his mother’s attacks and save his father.

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Feb 6 2013

All Star Western 16

all-star western 16

Today, Taylor and Patrick are discussing All Star Western 16, originally released January 30th, 2013.

Taylor: There is a certain beauty to be had in simplicity. In a culture that tends to think more is better, simplicity has become something of a rarity that is all too infrequently encountered in our everyday life. However, even though American culture tends to favor the louder and busier aesthetic, there are signs  that the simple and austere are gaining favor. Japanese aesthetics, known for their Spartan feel, and Scandinavian aesthetics alike are ever gaining popularity in America. The signs of this change in the wind are more pervasive than we might at first believe. Nearly every person who has a single ounce of nerd running in their veins is familiar with the minimalist renderings of famous movie posters. Further, and on an even broader scale, the design of most Apple products is nothing short of a minimalistic and simple genius. But what about comic books, are they too moving toward a simpler feel? Do they believe that sometimes less truly is more? If All Star Western 16 is any indication, then the comic book world truly has embraced this motif. But that then raises the question, when put into practice is simplicity a good thing for comic books?

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Feb 5 2013

Talon 4

talon 4

Today, Shelby and Patrick are discussing Talon 4, originally released January 30th, 2013. 

Shelby: Starting a new comic book has got to be a tricky affair. Your story, your character, could potentially end up part of cannon forever and ever; there’s a lot of pressure to get it right. As a creator, you have to balance between giving the book the time it needs to grow roots and keeping the readers interested long enough to have that kind of time. Take too long getting to the point of the book, you’re gonna lose your audience: slap something together, and you don’t have a character with any sticking power. With all that in mind, is it a problem for Scott Snyder and James Tynion that I’m still not sure where this book is going? More importantly, does it matter if I’m enjoying the ride? 

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Feb 5 2013

Before Watchmen – Ozymandias 5

ozymandias 5 B4WToday, Patrick and Michael are discussing Ozymandias 5, originally released January 30th, 2012. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Patrick: In a sequence that perfectly epitomizes how I feel about the Ozymandias mini-series, Adrian Veidt holds a press conference as his alter ego. He removes the mask and the costume, revealing to the assembled reporters that Ozymandias and Adrian Veidt are one and the same. He says that all non-Doctor-Manhattan heroes have effectively become irrelevant — a sentiment echoed at one point or another by just about everyone in the Watchmen universe. Vedit can accomplish more good as the head of Vedit Industries, which prompts one reporter to ask “So, this is all about the money?” Never mind that this isn’t at all what Vedit was saying, he addresses the question head-on, bluntly saying “In this end… isn’t everything?” That reads as a rather cynical explanation for Before Watchmen, but interestingly, Veidt can’t keep his word about staying out of costume, donning the cape again to fight petty crime during the police strike. The message? It’s all about money… except when superheroes are involved: then it’s about something else.

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Feb 4 2013

Invincible 100

invincible 100

Today, Mikyzptlk and Patrick are discussing Invincible 100, originally released January 30th, 2013.

Mikyzptlk: Well, here we are at issue 100 of Invincible AND the 1st Alternating Current about Invincible. Wait, what do you mean we’ve never covered this book before? Oh boy, we’ve got our work cut out for us this time. In all seriousness, this is actually the first time that Retcon Punch is tackling Robert Kirkman’s Invincible, and it was my bright idea to start covering it at issue 100. I was hoping that the issue would begin with some kind of summary of events leading up to what was happening in the current issue to give potential new readers a chance to catch up. Instead, we jumped right in where the previous issue left off. I shouldn’t have been surprised as this is simply Robert Kirkman’s style. His comics don’t have previously pages, nor does he have his characters awkwardly dole out exposition in order to catch readers up. You’ve either read the previous issues or you haven’t. While this might make it difficult for new readers to jump aboard his series, it makes for the most seamless transitions between issues, and an overall story that feels more real. That said, it seems that Kirkman is, in fact, attempting to restore the main character to his roots somewhat, which might just make it a bit easier for new readers to jump aboard after all.

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Feb 4 2013

Superman 16

superman 16 Hel

Today, Patrick and Drew are discussing Superman 16, originally released January 30th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: You know that knock-knock joke that goes “Knock-knock.” “Who’s there?” “Banana?” Of course you do, we were all kids once. It’s a simple exercise in tension and release: when you hear “orange,” you get a visceral little rush knowing the “orange you glad I didn’t say banana” is mere moments away. The Justice League’s assault on the Fortress of Solitude has been one long Banana Knock-Knock joke. But when we finally get the “orange,” the door we’re knocking on teleports somewhere else, making me wonder why the fuck we’ve been putting up with this jokester saying “banana” for so long.

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Jan 31 2013

The Flash 16

flash 16

Today, Patrick and Scott are discussing the Flash 16, originally released January 30th, 2013.

Patrick: We expect our heroes to bravely sacrifice themselves for the greater good. If we’re blessed with complex characters, we can even expect this of our anti-heroes. But what about our ancillary characters? With the smoke-screen of a superheroic battle for the fate of city, real-world sacrifices tend to go unnoticed. Francis Manapul and Brian Buccellato deliver plenty of that bombastic hero action, but bury under it the sad, frustrated story of Iris West.  Continue reading →

Jan 30 2013

Justice League 16

Alternating Currents: Justice League 16: Drew and ZachToday, Drew and guest writer Zach Kastner are discussing Justice League 16, originally released January 23rd, 2013, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

throne div

Drew: “What if there was a problem so big, Superman couldn’t solve it?” is the question the Justice League was designed to answer. This was something Johns managed quite well in this series’ first arc, justifying the League’s formation with a truly global threat. This issue effectively voids that answer by asking “yeah, but what if there was a problem so big even the Justice League couldn’t solve it?” Continue reading →

Jan 30 2013

Blue Beetle 15-16

blue beetle 15-16Today, Patrick and Drew are discussing Blue Beetle 15 and 16, originally released December 19th, 2012 and January 23rd, 2013.

Patrick: There’s a point in issue 16 where Moonrunner refers to being stuck in The Hunted as “a fate worse than death.” It’s a hyperbolic cliche — one that gets trotted out whenever a writer wants to artificially heighten the stakes. The phrase caries an added significance here in the final pages of Blue Beetle. If the Jaime Reyes dies here, then his story ends, and the bittersweet message he recorded for his family serves as a poignant farewell to the emotional origins of this character. But if Jaime Reyes survives this series, he’ll be put into the reality / game show “The Hunted,” which means he will linger on lifelessly in the pages of the largely abysmal Threshold. For anyone attached to the Blue Beetle, seeing him languish in another series (just as this one was starting to feel real again) is a fate worse than the character’s death.

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