Moon Knight 9

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Today, Spencer and Drew are discussing Moon Knight 9, originally released December 7th, 2016. As always, this article contains SPOILERS.

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Spencer: One of the greatest things about superhero comics is how thoroughly they live in the realm of metaphor. The limitless possibilities provided by the Marvel and DC universes mean that creators can take the most abstract of concepts and make them literal, physical threats for our heroes to face head-on. Sometimes this can oversimplify things, sure, but under the pens of the best creators this provides an opportunity to explore complicated subjects in a more straightforward manner. That’s certainly the case with Moon Knight 9, where Jeff Lemire and his murderers’ row of artists tackle Marc Spector’s mental illness in a way that’s simultaneously realistic and about as sci-fi as humanly possible. Continue reading

IvX 0

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Today, Spencer and Drew are discussing IvX 0, originally released November 30th, 2016. As always, this article contains SPOILERS.

Spencer: I don’t know much about my ancestry or heritage other than the fact that I’ve got blood from at least six or seven different European countries in me (I’ve been known to describe my ethnicity as “White Mystery”). Combine that with a family that’s never been all that worried about tradition and you get a guy who just doesn’t care about his culture (if I could even be considered as having one). This is absolutely not the case with the mutants or the Inhumans, though; although the two groups’ concepts of culture and tradition differ greatly, they’re absolutely vital to both camps. That’s something Charles Soule and Kenneth Rocafort make abundantly clear in IvX 0 — the conflict that’s been brewing between them isn’t really about the literal deaths of individuals anymore, but about the possible figurative death of their very ways of life. Continue reading

Star Wars Annual 2

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Today, Taylor and Spencer are discussing Star Wars Annual 2, originally released November 30th, 2016. As always, this article contains SPOILERS.

Taylor: I’m incredibly excited for Rogue One: A Star Wars Story. This isn’t just because I’m a huge Star Wars fan and it isn’t just because George Lucas apparently likes it better than The Force Awakens. True, these things do rouse my blood, but what really excites me about the movie can be found right in its title. That Rogue One is being labeled “a Star Wars story” holds so much promise. I love the depth of the Star Wars universe and it’s amazing what authors can do with this backdrop when they aren’t burdened by telling the next great chapter in the Star Wars saga. While the second annual issue of the Star Wars comic does involve some classic Star Wars characters, what makes it wonderful is that it gives us a glimpse into the day in the life of your average Star Wars universe Jane.  Continue reading

Black Widow 8

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Today, Spencer and Patrick are discussing Black Widow 8, originally released November 30th, 2016As always, this article contains SPOILERS.

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Spencer: Natasha’s mission in Black Widow 8 is, ostensibly, to save the Vice-President from an assassination attempt by one of the young Dark Room recruits, yet it’s not really about trying to save the Vice-President; he doesn’t even make an appearance in the issue. Instead, the person Natasha is truly trying to save is the young assassin herself. In a way, by saving her, Natasha can save herself as well. Continue reading

Ghost Rider 1

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Today, Patrick and Taylor are discussing Ghost Rider 1, originally released November 30th, 2016. As always, this article containers SPOILERS!

Patrick: I’m not great with first impressions. I’ve got so many nerdy and niche interests, and I never want to unload all of that alienating garbage on someone when we first meet. That usually leads me to under-share, but on the odd occasion I give myself green lights, things get weird fast. Striking the balance between being withholding and being an emotional exhibitionist is hard, but it’s exactly what’s required of a good first impression. Felipe Smith and Danilo S. Beyruth give themselves all green lights with Ghost Rider 1, and while the result reveals an awful lot about what this series is going to be, it is frustratingly unfocused, bursting from overstuffed plots from the very first issue. Continue reading

Marvel Round-Up: Comics Released 11/30/16

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We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Ms. Marvel 13, Old Man Logan 14 and Uncanny Inhumans 16. And come back on Friday for our discussion of Ghost Rider 1, on Monday for our discussion of Black Widow 8, and on Wednesday for our discussion of IvX 0As always, this article contains SPOILERS.

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Death of X 4

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Today, Patrick and Michael are discussing Death of X 4, originally released November 23rd, 2015.

Patrick: At the risk of making a statement that’s been made a million times already: 2016 has been a hell of a year for high-profile deaths. Calling them “celebrity deaths” would be underselling it — figures like Muhammad Ali, Fidel Castro and Prince virtually changed the fabric of reality simply by existing in it. But for all their earth-shifting influence, their deaths were all quiet, ultimately meaningless affairs. These revolutionaries did not die they way they lived, which is to say, their deaths made no specific statement. Bucking the trend, was David Bowie, who had released an eerie, melancholy record in the final weeks of his life. Bowie knew that his life was performance – it was challenging and honest – and that his death should be the same. In Death of X 4 Jeff Lemire and Charles Soule close the book on the life of Scott Summers, insisting that he die the way he lived, a revolutionary, even if that’s a performance he was never putting on.

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Marvel Round-Up: Comics Released 11/23/16

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We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Cage 2, Civil War II 7, Empress 7, Mighty Thor 13, and Spider-Gwen 14. We discussed Ultimates 2 1 on Monday, so check that out. Also, we’re discussing Death of X 4 on Wednesday so come back for that! As always, this article contains SPOILERS.

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The Ultimates 2 1

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Today, Drew and Spencer are discussing The Ultimates 2 1, originally released November 23rd, 2016. As always, this article contains SPOILERS.

Drew: It’s odd that we have a concept of ideas that are “ahead of their time” — that is, it’s odd that ideas are so often rejected only to be later praised that we have a phrase to describe the phenomenon. Optimistically, the fact that those ideas can be reappraised suggests that you can’t keep a good idea down, but the other side of that coin reveals how common it is to reject good ideas in the moment. Indeed, the very fact that those ideas can later be proven to have value illustrates that the initial problem wasn’t with the idea, but the people involved in implementing it. Maybe it comes down to personalities involved or the politics surrounding an idea, but good ideas can be rejected for reasons totally unrelated to the quality of those ideas. Those mistakes may be corrected by history, but often over the course of generations. To me, the best way to speed up that process, unlocking the value of good ideas sooner, is to constantly reevaluate our decisions, never defaulting to the assumption that the “best” idea always wins. Such is the case with the idea of the Ultimates — the politics and personalities involved may have prevented that idea from reaching its fruition the first time around, but that doesn’t mean it should be discarded completely. Continue reading

Thanos 1

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Today, Drew and Ryan D are discussing Thanos 1, originally released November 16th, 2016. As always, this article containers SPOILERS!

What happens when an unstoppable force meets an immovable object?

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Drew: This line is often used to sell a given story as some kind of ultimate showdown, but it always strikes me as thoroughly self-defeating: either one or both of those adjectives simply prove to be false. That is, the answer can’t be as interesting as the question suggests, since the answer necessarily reveals that the question was built on a false premise. Or, if you’re feeling more diplomatic, you might take Superman’s answer to this question from Grant Morrison and Frank Quitely’s All-Star Superman: “they surrender.” It’s an elegant solution, but is ultimately far less entertaining than the premise suggests — “they surrender” isn’t exactly the white-knuckle conclusion the question implies, and again, betrays the falsehood of those adjectives.

Such is often the case in superhero comics, where villains are routinely trotted out as unstoppable, only for our hero to miraculously give lie to that claim. It’s enough to make anyone doubt the increasingly hyperbolic claims made of villains. This becomes especially true of big name villains, who continue to be heralded as some kind of ultimate threat, in spite of the fact that they’ve been beaten in virtually every appearance. Thanos is a prime example of this — the seriousness of his threat diminishes with each subsequent return (especially after that time Squirrel Girl defeated him) — leading to even more hyperbolic claims made next time. Cleverly breaking that pattern, Jeff Lemire and Mike Deodato’s Thanos 1 sidesteps the Worf Effect by lampshading the inevitable conclusion in the first issue. Continue reading