Batman and Ra’s al Ghul 32

batman ras al ghul 32

Today, Patrick and Spencer are discussing Batman and Ra’s al Ghul 32, originally released June 18th, 2014.

Patrick: No one’s got a deeper bench than Batman. A lot has been made of the integrity of his relationships lately — it’s almost the most important piece of Batman’s mythology in the New 52. Check it out: Batman Eternal is all about Batman struggling with his relationship with the city, and even pulls Gordon out of rotation. This comes on the heels of The Death of the Family and the Leviathan killing Damian, which all just compounds the stress put upon those relationships. Nightwing, Batgirl, Red Robin, Red Hood, they all have reason to distrust the man who’s a superhero first, and a human being second. But Batman’s not just the biggest superhero in Gotham, he’s the biggest superhero in the DC Universe, so there’s no end to the relationships we can explore to learn something just a little bit more about Bruce Wayne. Continue reading

Batman Eternal 11

batman eternal 11Today, Drew leads a discussion on Batman Eternal 11, originally released June 18th, 2014.

Drew: Happy belated Fathers’ Day, everyone! I know I’m close to a week late, but hey, it’s not like your my dad, right? Okay, I may have missed the moment there, but Batman Eternal 11 actually hits a bit closer to the mark, landing only four days after the actual holiday. Still seem a little late? Consider how non-topical other comics tend to be. It makes sense; a six-issue arc may span a matter of days of narrative time, but would cover six months in real time — how do you sync that up to fixed holidays? It’s still done from time to time, but it’s usually relegated to one-off anthologies, or even commemorating events a few months after the fact. There are a few notable exceptions, which manage the feat largely by synching their narrative rate to their release schedule, like The Long Halloween or 52, two series to which Batman Eternal obviously owes a great debt. The weekly format truly gives the writers an opportunity to line events up on the calendar, giving us just a bit more to relate to in the pages. Far from hackneyed or forced, this issue reveals one of the primary perks of such a large ensemble cast: it’s easy to find occasion-appropriate themes when so many plates are spinning at once. Continue reading

Wonder Woman 32

wonder woman 32Today, Shelby and Drew are discussing Wonder Woman 32, originally released June 18th, 2014.

Shelby: Often times for me, the hardest part about writing any of these posts is this very intro. I always want to find some overarching theme in the issue, or one relevant anecdote from my past to broadly introduce the issue. I used to write the intro last on a regular basis, so I could find that one theme as I was writing. I couldn’t possibly use that approach with this post, however. Brian Azzarello has given me so many individual moments to get excited about this issue, the best I can do at coming up with a unifying theme is to marvel at how beautifully the pieces fit together to create the whole.

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Superman/Wonder Woman 9

superman wonder woman 9Today, Patrick and Drew are discussing Superman/Wonder Woman 9, originally released June 11th, 2014.

Patrick: When all’s said and done, ‘Doomed’ will have made its way through four different series: Superman (before Johns takes it over next month), Action Comics, Batman / Superman (both of which are written by Greg Pak), and this series, Superman/Wonder Woman. The supporting casts featured in each chapter of this event vary a bit depending on the series — naturally, Wonder Woman and her supporting cast will feature more heavily here, just as Batman plays a bigger role in the series that bears his name. The slightly less visible connections come from what our authors are familiar with, or excited about writing about. Superman 31 found Super Doom trading blows with the Teen Titans, but only because they share a common writer: Scott Lobdell. Even Pak — who seems to be leading the charge here — has focused his issues on the Phantom Zone and Ghost Soldier and Mongul, all spun out of his own titles. The same things happens in this issue, as Super Doom gets a chance to beat down Soule’s other babies — Guy Gardner and the Red Lanterns. All of these developments are strange, and you can almost hear Lobdell, Pak and Soule glancing around the room, muttering “what else, what else, what else?” This reinforces their sadly generic vision for Man of Tomorrow. Continue reading

Batgirl 32

batgirl 32Today, Patrick and Shelby are discussing Batgirl 32, originally released June 11th, 2014. 

slim-bannerPatrick: I was recently putting together a resume for a creative position, and I found myself completely unable to distill what’s special about me into a digestible collection of jobs and experiences. Just by virtue of being a human being for over thirty years, I’ve amassed a weird collection of skills and experiences, and the only reason I can believe that it’s all part of a single lifetime is because I was there to experience it all. I’ve got something of an obsessive mind, and a propensity to burn myself out, so my list of former passions is long. The point is, there’s a lot feeding into the person I am today, and while it’s easiest to say that I am the handful of things that have effected me most recently (i.e.: improviser, writer, comic enthusiast, administrator), that definition is woefully inadequate. The same is doubly true for superheroes, and Batgirl 32 revels in developments from the recent past while acknowledging a history (both real and invented) that demands to be honored.

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Batman Eternal 10

batman eternal 10

Today, Shelby leads a discussion on Batman Eternal 10, originally released June 11th, 2014.

Shelby: I have some friends who are legitimate circus performers, one a pole dancer and the other a trapeze artist, and so I naturally have attended a cabaret-style circus performance held in an old warehouse. It was exactly as awesome as it sounds, with acrobats of every flavor, a hoop dancer, clowns, and a juggler. This guy was incredible, he used a rainbow array of balls that lit up, and they shut off all the lights in the place so all we could see were the glowing orbs and the trails they left behind. Comic books aren’t totally dissimilar; we don’t see the creators specifically, just the art they leave for us. Also, sometimes it feels like a team is juggling waaaaaaay too many ideas, and it’s only a matter of time before things fall apart. Continue reading

Detective Comics 32

Alternating Currents: Detective Comics 32, Drew and ScottToday, Drew and Scott are discussing Detective Comics 32, originally released June 11th, 2014.

Drew: Last month, Shelby compared Detective Comics to a well-executed magic trick. Specifically, she was referring to the way Brian Buccellato and Francis Manapul wield misdirection, but I think the similarities between magic and art are manifold. Both rely on deceptively simple techniques to create effects that are greater than the sum of their parts. For me, the only real difference is how we value being “fooled” by those effects. If we see the strings, a magic trick is ruined, but understanding exactly how a scene was painted or filmed or carved can enhance our appreciation of a work of art. I personally enjoy knowing how a magic trick is performed, too — I think it gives me a deeper appreciation for exactly how skillful the magician is — but then again, I’ve always liked knowing how the sausage is made. Many folks would rather never know how the lady gets sawed in half, or how a painter simulates sunlight peaking through the clouds, or how a composer strings harmonies into a coherent musical idea. It’s an attitude I can’t fully support, but I do understand it: a little magic is lost when you can spot every palmed card. Manapul and Buccellato have long been a team that rewards digging beneath those effects, but this issue found me wishing that I wasn’t so aware of what they were doing. Continue reading

Swamp Thing 32

swamp thing 32

Today, Scott and Shelby are discussing Swamp Thing 32, originally released June 4th, 2014. 

slim-bannerScott: We all want to feel like we’re in control. It’s a big part of growing up. We move out, get our own place, buy a car, pay bills, decide what we eat and when we sleep. But we can only control things to a certain extent. As resolute as we may want to be, we still can’t really know what to do the first time we carve a turkey, or get in a car accident, or find out we’re pregnant. In our rush to take control of our lives, we fail to realize just how much we don’t know, and in doing so we become a huge liability to ourselves. Fortunately, life is pretty forgiving, allowing us to acquire wisdom through a system of trial and error. Like the rest of us, Alec Holland has a lot to learn, in his case about being the Avatar of the Green. Swamp Thing 32 finds him fighting for control against an obstacle he brought on himself but never saw coming.

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Batman ’66 Meets The Green Hornet 1

batman 66 green hornetToday, Greg and Scott are discussing Batman ’66 Meets The Green Hornet 1, originally released June 4, 2014.

Greg: Christopher Nolan’s Dark Knight Trilogy are both some of my favorite and least favorite things to happen to contemporary pop culture. I love them because the movies, particularly that second one, are smashingly good entertainments, with towering performances, consistent style, and an attitude of taking the world seriously that feels naturally extended from the best Batman comics and ‘90s animated series episodes. I hate them because now it feels like every single big budget blockbuster that comes out (even the new Captain America, for goodness’ sake) is dark, gritty, oppressively somber, po-faced, and muted. It’s a conflicting feeling because as much as I love the shock and awe that comes from treating these extraordinary scenarios with verisimilitude, I similarly love the fun and joy that comes from treating them as, well, fun and joyful. Batman ‘66 Meets The Green Hornet is a strikingly contagious example of what happens when you have affectionate fun in your larger-than-life storytelling, and I’d like writers Kevin Smith and Ralph Garman to get their own big budget trilogy, please.

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Action Comics 32

action comics 32 Today, Drew and Patrick are discussing Action Comics 32, originally released June 4th, 2014.

Drew: How do you beat the unbeatable man? Normally, Superman writers struggle with this question in trying to create any real tension — the conventions of comics dictate that Superman is the most powerful being on Earth and that the good guy always wins, so how do you manage to wring a compelling story out of that? “Doomed” solves this problem by turning it on its head: what if Superman was the bad guy? Then the fact that he’s the most powerful being on Earth lies in direct conflict with the fact that the good guys always win, making the question of how to beat Superman no longer a trivial detail, but a key to the resolution of the conflict. Of course, years of the other kind of conflict have given writers an arsenal of weapons to use against Superman — they’ve never quite worked on their own, but maybe they can get the job done together. Action Comics 32 explores this idea in earnest, but reminds us that for all the ways we have to beat Superman, he was always our only solution to beating Doomsday. Continue reading