StormWatch 0

Today, Patrick and Peter are discussing StormWatch 0, originally released September 5, 2012. StormWatch 0 is part of the line-wide Zero Month.

Patrick: It’s interesting to me how frequently comic books want to convince me that a secret battle has been raging for centuries. Guardians, The Court of Owls, The Rot – they’re all tied up in this sense of infinite history. But when the comic in question employs relatively new characters zipping around outer space and the entire publishing line has a “superheroes have been around for no more than five years” rule, that becomes a trickier sell. The song and dance that does eventually extend the StormWatch history back through the ages is either a Herculean feat of planning and foresight, or a cleverly observed play on words.

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Batwing 0

Today, Patrick and (guest writer) Tricia Aung are discussing Batwing 0, originally released September 5, 2012. Batwing 0 is part of the line-wide Zero Month.

Patrick: I always thought it was weird that the African arm of Batman, Incorporated would spend his time the same way regular Batman does. The real world problems of the continent are catastrophic to the point that fighting supervillains seems like a waste of time for someone with David Zavimbe’s abilities and assets. What Batwing 0 does is patiently remind me that there’s more to this character than simply his unique setting. Prior to this issue, I might have disagreed with that assessment.

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Green Lantern 0

Today, Patrick and Shelby are discussing Green Lantern 0, originally released September 5, 2012. Green Lantern 0 is part of the line-wide Zero Month.

Patrick: John Stewart was a member of the United States Marine Corps, but he’s never been trained in counter-insurgency. Kyle Rayner was an artist, but he’s never done freelance work designing a website. Hal Jordan was a test pilot and just like the early astronauts, he wowed the world with his bravery in the face of the unknown. Whatever the relaunch did accomplish, it utterly failed to update the Green Lanterns of 2814. None of them are creatures of the 21st century. And it is in that spirit that we meet the newest Green Lantern: a middle-eastern born American citizen, who grew up in a post-September 11th America and who was laid off when his Dearborn, Michigan automotive manufacturer shut down in the economic collapse. Simon Baz is interesting less because he’s new and more because he’s current.

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Swamp Thing 0

Alternating Currents: Swamp Thing 0, Drew and PeterToday, Drew and Peter are discussing Swamp Thing 0, originally released September 5, 2012. Swamp Thing 0 is part of the line-wide Zero Month.

Drew: One of the most interesting things to me about this zero month experiment is the diversity of types of stories we might get to see. Some titles have large, overshadowing histories that have only been teased. Others have managed to make revealing the origin of their hero a key element in the narrative at large. But what do you do if your title has followed the hero since before he was a hero? Scott Snyder has made clear through his previous work on Swamp Thing that he’s not afraid of telling an Alec Holland story (as opposed to a Swamp Thing story), but is that really necessary at this point in the narrative? Snyder manages to answer both questions in surprising ways, turning the focus to Anton Arcane’s history, and how it shockingly ties into Alec’s own past. Continue reading

Earth-2 0

Today, Peter and Patrick are discussing Earth-2 0, originally released September 5, 2012. Earth-2 0 is part of the line-wide Zero Month.

Peter: The Second Wave was an interesting move on DC’s part: start handful of series half way through the publishing year. So, many of them launched right in to full-blown stories. The Zero Issues have allowed them some breathing room. Specifically the Earth-2 Zero Issue has allowed James Robinson to flesh out some history before the chaotic and destructive #1 and introduce a new character rooted in the history of Earth-2, and his fate is still uncertain.

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Justice League International Annual 1

Today, Peter and Patrick are discussing Justice League International Annual 1, originally released August 29th, 2012.

Peter: With any reboot, world-building is near the top of the priority list. If you’re starting from scratch, you have to start with something and move on from there. Justice League International is a series that has become central to the future of the Justice League family of books. While this Annual will be the last issue bearing the JLI banner, I doubt this is the last we will see of these characters, many of whom have other books to appear in. This is a glimpse of the future of the Justice League family, and even if you haven’t read the 12 issues of Justice League International, the Annual is definitely worth the read.

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Justice League 12

Today, Shelby and Patrick are discussing Justice League 12, originally released August 29th, 2012.

Shelby: “Is this the end of the tried-and-true Justice League?”

This is the question the world is facing at the end of Justice League 12, and the end of the Villain’s Journey arc. I was really struck by this line, because my question is “What tried-and-true Justice League?” My biggest complaint with the Justice League since the reboot is the lack of cohesion to the team. The team starts out rough, and five years later still can’t work together. We’ve discussed over and over how they are such a bad team, and now at the end of the arc, Geoff John’s point seems to be… they are a bad team. Maybe my question should be, “What was the point of reading this in the first place?”

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Green Lantern Annual 1

Today, Drew and Peter are discussing the Green Lantern Annual, originally released August 29th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Drew: I have a confession: before the relaunch, I had never read a single comic written by Geoff Johns. Moreover, I had never read a Green Lantern story of any kind. However, all of other Retcon Punchers had read all of Johns’ work on Green Lantern, from Rebirth through Brightest Day, so his titles came with very high praise. It quickly became clear why: he’s unrivaled in developing complex mythologies. His work on Green Lantern has broadened its universe immeasurably, nesting decades of comics history into an elegant mythology that manages to make more sense than it has any business doing. At the same time, his tendency to draw out individual plot points to take up entire issues occasionally tried my patience. The Green Lantern Annual finds Johns at his best, delivering all of the insane mythology and plotting, and doing so at such a breakneck pace to please even the most impatient readers.

Oh, and GOOD GOD are there ever plot points to spoil here, so read the issue first, or proceed with caution.

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The Flash Annual 1

Alternating Currents: Flash Annual, Patrick and DrewToday, Drew and Patrick are discussing the Flash Annual 1, originally released August 29th, 2012.

Drew: When I interviewed Francis Manapul back in April, he expressed that he reveled at the unique expectations mandated by the New 52. Specifically, he expressed that “the best thing about knowing what people are expecting is when I change something, it seems shocking.” Subverting expectations is such a simple concept — and one so central to genre fiction in general — that you’d think it would start to lose its spark; but then again, with Manapul and Brian Buccellato on writing duties, nothing ever is that simple.

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Aquaman 12

Today, Peter and Patrick are discussing Aquaman 12, originally released August 29th, 2012.

Peter: The multi-issue story arc is an ungainly creature. What should the first issue look like? How about the last? What shape does it take in the middle? I tend to read my comics the way I think DC wants me to: one at a time, the week they come out. But sometimes that episodic reading does a disservice to the story. That’s why someone decided to collect them into graphic novels. “The Others” is definitely one of those stories that I am going to have to go back and read as a whole from start to finish to get the full effect. Geoff Johns has crafted something that definitely will flow together better as a whole, because frankly, this is a roller coaster of emotion and story.

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