Dec 27 2013

Avengers 24

Avengers 24Today, Spencer and Drew are discussing Avengers 24, originally released December 24th, 2013. 

Spencer: Writer Jonathan Hickman has been playing with the metaphor of the Avengers being a machine throughout his entire run on Avengers. In theory it seems like a perfect idea, and Infinity has proven its efficiency in-universe, but there’s one little problem; it turns the various Avengers themselves, each an unique individual with their own skills and personalities, into little more than parts that can be moved around within the machine as needed. Hickman’s writing has often followed suit, using the Avengers to further his own grandiose mythology, but the most enjoyable part of Avengers 24 is the few pages where the machine grinds to a halt and the Avengers are allowed to just be themselves. Continue reading →

Dec 27 2013

Best of 2013: Best Covers

2013: Best Cover

You know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they back all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 13 covers of 2013. Continue reading →

Dec 26 2013

Best of 2013: Best Issues

Best of 2013: Best Issue

It’s that time of year again: where we suck up all of our grumblings about art being unquantifiable and compile our best-of lists. Today, we’re looking at our favorite single issues. Love or hate the subjectivity of this list, at the very least, it serves as a great reminder of all of the fantastic comics we’ve read over the past year. We’re sure your list will be different (and welcome your thoughts in the comments), but here are our top 13 issues of 2013. Continue reading →

Dec 26 2013

The Private Eye 5

private eye 5

Today, Drew and Patrick are discussing The Private Eye 5, originally released December 21st, 2013.

Drew: There’s a touch of irony that the greatest mystery in a detective story is the detective himself, but mysterious detectives are the best. The questions that surround their existence reflect and emphasize the mysteries they’re hired to solve. If that seems too tidy, bear in mind that the mysterious detective falls out of the format of a detective story: while he is busy grilling everyone else about their pasts, his stays conveniently in the dark. Some stories largely ignore this aspect of their detective, treating them as a force of nature designed to solve cases, but many more have mined rich emotional connections from their heroes’ mysterious pasts. In this way, Private Eye may bear more in common with Blade Runner than just its futuristic LA setting. Continue reading →

Dec 23 2013

Animal Man 26

animal man 26

Today, Scott and Drew are discussing Animal Man 26, originally released December 18th, 2013. 

Scott: If you could board a space shuttle and take off on a one-way trip towards the other end of the universe, would you do it? Could you leave behind the life you know forever in exchange for a unique human experience, a first look at the beauty and wonder of the cosmos? It’s a question many people would at least consider. Now, instead, imagine you woke up tomorrow and you were already on that ship, zipping past the asteroid belt, never to return home. Would you feel the same way about the experience if you didn’t get to make the choice? Would it be easier or harder to accept that your life would never be the same? Buddy Baker now finds himself in a situation where his life will soon be completely and eternally changed, and by no choice of his own (it also happens to an outer-space-related change). It’s a crazy curveball from writer Jeff Lemire.
Continue reading →

Dec 23 2013

Teenage Mutant Ninja Turtles 29

Today, Taylor and Patrick are discussing the Teenage Mutant Ninja Turtles 29, originally released December 18th, 2013.

Taylor: Despite its dubious reputation, the 1990 live action Teenage Mutant Ninja Turtles film is actually a pretty good movie. While some see it simply as a cash cow (which, it also certainly was), it also has a good amount of heart and depth. Midway through the movie, the turtles get pretty beat up by the Foot Clan and Master Splinter is captured. The turtles retreat to April’s farmhouse and while there, they heal and experience a spiritual and meaningful growth. They learn to function better as a team and dig into the depths of their beings and find what it is that makes them special. This is the climax of the movie. These scenes are where the turtles come into their own and turn the corner and realize they must and can defeat Shredder. With this in mind, it’s exciting to see the TMNT series move its focus to April’s farm. In the wake of City Fall, what can the turtles learn? What must they learn in order to survive as a force for good and family? Continue reading →

Dec 23 2013

Saga 17

saga 17

Today, Shelby and Spencer are discussing Saga 17, originally released December 18th, 2013.

Shelby: There’s a little snippet of folk lore that always gets tossed around when things are looking grim: the darkest hour is just before dawn. Meteorologically, I can’t speak to the accuracy of that statement, but anecdotally it means that things always look their worst just before they begin to get better. It’s meant to inspire hope; life may be dark now, but it just means that soon the sun will come up and things will be better. In the penultimate chapter of Saga’s latest arc, I would say things are definitely at their darkest hour, but since we’re reading a Brian K. Vaughan story, the old saying should probably read, “the point at which everything goes to hell in a hand-basket just before the arc is resolved, but probably someone will die.”

Continue reading →

Dec 23 2013

Wonder Woman 26

wonder woman 26

Today, Patrick and Drew are discussing Wonder Woman 26, originally released December 18th, 2013.

Patrick: On Brian Azzarello’s Mount Olympus, the gods and demigods all serve very specific purposes. When he shows up out of nowhere at the end of the issue, Dio identifies himself as the god of “the truffle harvest, tragedies, luxuries, parks and galleries.” That’s a weird concept, but one we always embrace when discussing mythological creatures: sure, I get why we need a god of the hunt (or wine or sword making or whatever). But, like, it’s a nonsense conceit, made all the more explicit by Zola asking “what’s a truffle?” Beyond being avatars of various nouns, the gods are also a family, and the roles they play within that family are just as indicative of the parts they play in this on-going drama. They are victims and bullies, martyrs and defenders, cousins, long-lost-sisters and little brothers. The mix of the divine and the human is sublime, making every turn of this series as surprising as it is inevitable. Continue reading →

Dec 20 2013

Deadpool 21

deadpool 21Today, Spencer and Scott are discussing Deadpool 21, originally released December 18th, 2013.

Spencer: Is Deadpool simply comic relief—a comic book Daffy Duck—or is he a deep, dark character, using jokes to mask his pain? We’ve had heated debates about this in our comment sections in the past, but the truth is that Deadpool is both, yet Deadpool is also neither; he exists on a spectrum that can slide anywhere between those two points. In their Deadpool run thus far Brian Posehn and Gerry Duggan have explored both extremes, but now—after Wade’s all time low in “The Good, the Bad, and the Ugly”—we find a Deadpool who has become much more tragic, yet still retains much of his typical humor. I’ve taken to calling him “Grumpy Old Man Deadpool.” Continue reading →

Dec 20 2013

FF 15

FF 15

Today, Ethan Patrick and Drew are discussing FF 15, originally released December 18th, 2013.

Ethan Patrick: I guess it’s appropriate that I’m stepping up to bat for Ethan for this issue of FF. There are an awful lot of substitutes and avatars in play for the invasion of Latveria. The good guys are all either trying to be something they’re not or asserting something else as themselves. In some cases, the characters are two or three steps removed from the version of themselves that’s actually doing the action. Interestingly, Doom never falls victim to this same delusion — in fact, even though everyone expects him to either a) port his consciousness over to another body or b) merge with another body. We know it can’t last, but Doom wins a victory here by being the only one refusing to be anything but himself. Maybe the kids still have one more thing to learn before the Fantastic Four comes back to town.

Continue reading →