May 7 2013

Iron Man 9

iron man 9

Today, Patrick and (guest writer) Pete Pfarr are discussing Iron Man 9, originally released May 1st, 2013.

Patrick: Expectations are a bitch. Sometimes we perceive quality based solely on the similarity a work of art has to what qualities we were expecting it to have. Expectations make us say things like “Fantastic Four is supposed to be fun!” or “Evil Dead is supposed to be campy!” Thanks to the cinematic juggernaut that is the Iron Man film series, there are an awful lot of “supposed to”s for Tony Stark. As Kieron Gillen starts a new story arc for Iron Man, he lays all our precious expectations out on the table and then shakes his finger sternly. Whatever we’re getting here, it ain’t what we expect. Continue reading →

May 7 2013

Green Arrow 20

green arrow 20

Today, Spencer and Shelby are discussing Green Arrow 20, originally released May 1st, 2013.

Spencer: They say a hero is only as interesting at the villains he fights. That’s true, but I’m going to take that theory one step further: A hero is only as interesting as the world he lives in. World building is often overlooked, but Green Arrow writer Jeff Lemire clearly understands its importance, and he’s worked overtime to provide Oliver Queen’s world with a tangible sense of history. Magus only knows how that past will come to shape Ollie’s future.

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May 6 2013

All-New X-Men 11

all new x-men 11

Today, Drew and guest writer Charles Cress are discussing All-New X-Men 11, originally released May 1st, 2013.

Drew: Superhero comics have a strange line to walk when it comes to serialization. We want a sense of forward movement — we want the characters to grow and change — but we also want to read stories with them forever. In essence, we want the excitement of serialization (your LOSTs or your Breaking Bads) with the comfort of a more episodic structure (your Seinfelds or your Law and Orders). The problem with that is when something we expect to move forward doesn’t, we notice it. “Wheel spinning.” This is strictly a problem with expectations — nobody would ever accuse an episodic series of spinning its wheels — but Brian Michael Bendis has done such a stellar job at telling a propulsive story in All-New X-Men, it’s a little jarring when issue 11 retraces its steps.

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May 6 2013

A + X 7

a+x 7

Today, Spencer and Taylor are discussing A + X 7, originally released April 24th, 2013.

Spencer: We live in an era of comics where six-month storylines are the norm and accusations of decompressed storytelling abound. Some stories are worth the space, but others just feel like they’re grasping for ways to fill out a trade paperback. Regardless, I’ve found myself greatly appreciating shorter storylines as a result, and as a writer who often struggles in vain to be concise, I admire a creative team that can fit a complete story into a small amount of space and not have it feel lacking. This month’s A+X not only tells two such stories, it even manages to throw in a twist ending; color me impressed!

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May 3 2013

The Superior Spider-Man 9

superior spider-man 9

Today, Ethan and Drew are discussing Superior Spider-Man 9, originally released May 1st, 2013.

Ethan: I’m not sure why so many of my posts have dealt with issues of identity lately. Maybe modern comic authors really like to incorporate this theme; maybe it has something to do with the inherent conceit of people donning costumes to play out parts of their life as someone else; maybe it’s just a concept I like to think about. Probably some mixture of all of them. Regardless, in Superior Spider-Man #9 Dan Slott provides a great forum for exploring the ideas of what makes us who we are by throwing science, emotional relationships, and morality into a figurative salad spinner and, um, spinning it.

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May 3 2013

Swamp Thing 20

swamp thing 20

Today, Patrick and Scott are discussing Swamp Thing 20 originally released May 1st, 2013.

Patrick: What’s your greatest fear? It’s something that could happen to you, right? Your worst fear isn’t that you’re living the life you’re living right now. But that’s the case for Alec Holland – everything he had to lose, he lost. Can you imagine what a bummer it’d be to realize your worst fear was that you’d live your life as you had? Christ, that’s depressing. It’s regret at its most primal level, and it’s exactly what we’re dealing with in Swamp Thing 20. Continue reading →

May 3 2013

The Movement 1

movement 1 Today, Shelby and Mikyzptlk are discussing The Movement 1, originally released May 1st, 2013.

Shelby: Not only do I work in downtown Chicago, my office happens to be located near the Board of Trade, the Federal Reserve Bank, and a number of other federal buildings. That means I see my fair share of protests; just today, a May Day protest made it’s way past my office to the federal plaza a block away. Being across from the Board of Trade, Reserve Bank, and having my office located in a building primarily filled with bankers means I saw my share of Occupy protesters when that movement was in its heyday. They were on my mind as I read the first issue of Gail Simone’s The Movement; if Occupy protesters were suddenly granted superpowers  and were truly able to turn vigilante, what sort of implications would that have? Continue reading →

May 2 2013

Dial H 12

dial h 12

Today, Taylor and Shelby are discussing Dial H 12, originally released May 1st, 2013.

Taylor: There comes a point in issue 12 of Dial H where after a series of very chaotic series the Fixer, who we were introduced to last month, is utterly confused. The cause of his (her, its?) confusion is the product of spell put on it by another character in the issue, as opposed to it actually just being confused by the events it’s undergoing. While this is a different type of confusion than readers of Dial H are used to experiencing, the reaction it elicits are basically the same.

An Excellent Question

What exactly does all this crazy shit mean? Dial H has always reveled in its own weirdness, an aspect of the series that has almost been aggressive in its persistence. At some point, however, all this weirdness has to go somewhere and actually mean something; weirdness for weirdness’ sake simply isn’t enough to carry an entire title. China Mieville seems to know this. Just as Dial H gets almost too weird for its own good, we are offered a glimpse behind the universe and what makes it tick, a process which maybe saves the title from going too far off the rails.

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May 2 2013

Age of Ultron 7

Alternating Currents: Age of Ultron 7, Drew and Patrick

Today, Drew and Patrick are discussing Age of Ultron 7, originally released May 1st 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Drew: I wanted to start this writeup with the clip from Back to the Future part II where Doc explains the notion of “alternate 1985” — the idea that changing something while time traveling to the past can create a timeline different from the one you know. It’s a common notion (and plot device) in most time-travel stories, but Doc explains it quite clearly in a simple chalkboard diagram. When I went hunting for that clip, however, I was bemused to discover that most of the discussion of that scene hinges on how the rest of the movie doesn’t really adhere to its rules (how does Biff of 2015 return to the “original” timeline — which needs to happen in order for Marty and Doc to use the delorean to return to 1985 — if he is coming back from creating the “alternate” timeline?) which illustrates the larger problem of time-travel stories: they can’t ever make any sense. Continue reading →

May 1 2013

Teenage Mutant Ninja Turtles 21

tmnt 21

Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles 21, originally released April 24th, 2013.

Taylor: Cities are dirty places. Go to any major city and it’s pretty much guaranteed that you will see litter piled in gutters, blowing across streets, and randomly dispersed in unsuspecting front yards. It’s not that people in big cities like litter (does anyone?) or care about the environment any less than people in smaller urban areas. Rather, it’s simply a matter of when you throw a huge number of people together they create a huge amount of waste. Keeping all of this waste together can be a hard thing to do, thus in cities like Chicago, my base of operations, litter and dirtiness are just something you get used to. This grime that accumulates in big cities gives them an unmistakable urban feel which most people can easily recognize, whether they have ever lived in such an environment or not. Kevin Eastman recognizes this aspect of cities and it is reflected in issue 21 of Teenage Mutant Ninja Turtles, which he both wrote and drew. The result is an issue that realigns the series with a new plot while at the same establishing a dark and ominous tone for the future.

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