Batman 38

Alternating Currents: Batman 38, Drew and Patrick

Today, Drew and Patrick are discussing Batman 38 originally released on January 28th, 2015.

Drew: Fiction has a complex relationship with expectations. We want fiction to meet some expectations — that it should feature the conflicts and conceits pitched on the back cover, that it meets whatever network of expectations that might make it “believable” — but we also want it to defy others. The story of a farm girl suffering a concussion during a tornado may be believable, but it doesn’t capture our imaginations in the same way as the adventures she has when she thinks she’s whisked off to the magical land over the rainbow. Exactly how a story balances meeting and subverting our expectations varies from genre to genre, writer to writer, even moment to moment, but most stories seem to get the most mileage out of meeting our expectations just long enough to really surprise us when the unexpected hits. After three epic arcs of defying expectations, Scott Snyder and Greg Capullo’s Batman has an even more complex relationship with the expected, creating a situation where the surprises may very well be the expected norm to be subverted. Continue reading

Batman and Robin 38

batman and robin 38
Today, Mark and Michael are discussing Batman and Robin 38, originally released January 21st, 2015.

Mark: One of the complaints leveled at comic books is that nothing ever sticks. A character dies, only to be brought back at the next best opportunity. Damian was dead, but now he’s back. Reborn Damian has super powers, but it’s probably only a matter of time before he’s de-powered. Does the inevitability detract from what’s happening now? As a reader, that’s not something that’s ever bothered me. My only expectation/hope when reading a series is that individual arcs will be satisfying. Comic books are mini-rebooting between arcs all the time. If a good arc is followed by a bad arc, it doesn’t diminish what came before. 

Batman has had a lot of surrogate children over the years (it seems like recently we’re having a Robin graduation every year or so), but there’s obviously something unique about his relationship with Damian. It’s been a long journey to Damian’s resurrection, and finally seeing the Dynamic Duo back in action is a lot of fun. Still in the end, as much as this is sold as a new beginning, this issue is more of a concluding chapter to the Robin Rises saga. Continue reading

Robin Rises Alpha 1

robin rises 1Today, Patrick and Spencer are discussing Robin Rises Alpha 1, originally released December 24, 2014.

Patrick: One of my least favorite criticisms of serialized fiction is that a story “didn’t go anywhere.” We have an expectation that the journey we’re on with the characters is somehow part of an investment that pays off in a meaningful way as events progress. We literally use that term “pay off,” as though the entertainment itself in a cost-benefit proposition. I resent the idea that we can’t enjoy a single issue on its own merits, and instead comfort ourselves with the idea that one volume seeded something that will feel significant later. Robin Rises Alpha 1 closes out the Damian’s Resurrection story by finally giving readers a glimpse of what it means to have a superpowered Wayne behind Robin’s mask. It’s an issue frustratingly short on content, repeating themes, scenes and pages from elsewhere in Batman and Robin, all but guaranteeing that the pay-off here is a retread of the past, rather than boldly striking out into the future of the character. Continue reading

Batman 37

Alternating Currents: Batman 37, Drew and RyanToday, Drew and Ryan are discussing Batman 36 originally released on December 17th, 2014.

Second verse, same as the first! A little bit louder and a little bit worse!

Traditional

Drew: Repetition is everywhere in art, from the themes of symphonies to the expectation that the hero will prevail, but do you ever wonder why we like repetition so much? Doesn’t it also make art tired and predictable? I suppose some material is more conducive to repetition than others — star-crossed lovers is a more versatile premise than, say, a hot tub time machine — but I would argue that everything can overstay its welcome. Comics are particularly prone to repetition (who will Superman save the day from this week?), but Scott Snyder and Greg Capullo have taken that repetition a step further, regularly weaving recreations of iconic Batman moments into their run (even as recently as last issue). Their love and respect for Batman’s mythology is beyond reproach, but that very emphasis they give every moment may have hit the point of diminishing returns in Batman 36, as Snyder struggles to make Joker even worse than he was the last time he showed up. Continue reading

Batman 36

batman 36Today, Patrick and Drew are discussing Batman 36 originally released on November 12, 2014.

Patrick: Joker is one of those characters that resists definition. In fact, we often use that lack of definition as a defining trait. I’m going to do a disservice to whoever made this observation — because I can’t remember where I first encountered it — but the most terrifying thing about Joker is that you never know whether he’s going to murder a child or throw a pie in Batman’s face. Arguably, the only thing that motivates the character is the desire to be a good Batman villain. Scott Snyder and Greg Capullo have played with this idea before — the Death of the Family even had Joker buying into the importance of their “relationship” — but this latest arc in Batman seems poised to establish Joker as something else entirely. He’s not a instrument of random, but intriguing, chaos, and he’s not in love with Batman. No: he’s Batman’s nemesis, and that means that he’s a sort of anti-detective, setting up mysteries that Batman cannot solve, corrupting superheroes and putting everyone’s lives in danger in the process. Continue reading

Batman Eternal 30

batman eternal 30Today, Mark and Suzanne are discussing Batman Eternal 30, originally released October 29th, 2014.

Mark: In a few weeks, the Batman Eternal creative team will have produced more issues than even the longest running New 52 books. With the task of producing so much content, the challenges of serialization in a weekly title are magnified compared to a monthly title. Plot and action have to be metered out very carefully as to not burn through too much too fast, but at the same time every issue still has to feel like an event as readers have been trained to expect by monthlies. With that in mind, it’s enjoyable for me to watch the writers of Batman Eternal juggle the many, many plot threads they have introduced over 30 issues. I’ve read every issue since the title launched, and every few weeks I have a good “Hey, remember when this thing was about NANOBOTS?!” moment when something introduced months ago and seemingly dropped suddenly comes back to the forefront. The narrative whiplash is part of the fun. Continue reading

Batman and Robin 35

batman and robin 35Today, Spencer and Shane are discussing Batman and Robin 35, originally released October 15th, 2014.

Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading

Batman 35

batman 35Today, Suzanne and Taylor are discussing Batman 35 originally released on October 8, 2014.

Suzanne: As a reader, I’m constantly shifting my understanding of “realism” in comics. I try to be mindful of my relationship with suspension of disbelief, although the line between credible and ridiculous is a subjective thing. Some people look for flaws and inconsistencies in storytelling while others are just looking to be entertained. Superboy Prime’s punch through reality not withstanding, I usually am able to fully transport myself into the world of fantasy. This isn’t necessarily easy in a universe where a man can harness a ring of willpower and befriend a talking alien chipmunk in the same panel. Continue reading

Batman Eternal 25

batman eternal 25Today, Suzanne and Spencer are discussing on Batman Eternal 25, originally released September 24th, 2014.

Suzanne: I fondly remember reading Batman: Hush for the first time over five years ago. There is so much to like about that book — Jeph Loeb’s long-form storytelling, Jim Lee’s pencils, and the Batman-Catwoman relationship to name a few. Loeb develops the friendship between Bruce Wayne and Tommy Elliot so convincingly that it adds creative tension to the final reveal. You almost want Hush to be someone else because of the depths of his betrayal to Bruce.

Batman Eternal introduces Hush to the New 52 as the Big Bad behind the crippling of Gotham City starting with the arrest of Jim Gordon. How does this series’ treatment of Hush add relevance to him as a character? After Loeb and Lee’s story arc, some readers felt that Hush was overused and his appearances were mediocre at best. Certain characters benefit from a dormant period and less can be more, such as The Joker. I’m hoping that three years of living in New 52 character purgatory makes this appearance all the more effective. Continue reading

Batman Eternal 22

batman eternal 22

Today, Spencer and (guest writer) Mark are discussing on Batman Eternal 22, originally released September 3rd, 2014.

Spencer: 2014 marks the 75th Anniversary of Batman, so it’s easy to understand why DC decided to publish a weekly Batman book this year. It’s interesting to me to think about Batman Eternal as a part of the celebration, though, because it’s a series that is decidedly not about Batman; instead, it’s focused on those who Batman has inspired and the city he protects. Issue 22 is the first in a new arc, but it only further emphasizes those themes, welcoming a reluctant new ally into the family and presenting more villains with their own twisted ideas about what Gotham city truly is.

Continue reading