Today, Michael and Drew are discussing The Multiversity: Ultra Comics 1, originally released March 25th, 2015.
“We believe in Ultra Comics. And we demand a happy ending!”
Red Riding Hood
Michael: “The Tinkerbell effect,” born from the stage play of Peter Pan, where Pan encourages the audience to clap their hands if they believe in fairies to save the dying Tinkerbell. That is, if you believe in something, it exists. Grant Morrison thrives on the philosophy of this idea and the power that we as an audience/society give to it. The Multiversity: Ultra Comics 1 takes this theme and runs with it, transforming the act of reading a comic book into an interactive, cross-reality adventure. Continue reading →
Patrick: Geoff Johns’ final issue of Green Lantern is framed with a narrative device I was first introduced to in the movie The Princess Bride: the old man reading the story to a young man. The flick is an adaptation of novel, and the novel proports to be a rediscovered classic, heavily annotated by the “editor,” William Goldman (who actually just wrote the whole thing). All three of these example serve to elevate the story itself – you don’t need to look to the real world to find a captive audience, there’s one right there in front of you. This issue takes the entirety of Johns’ run and gives it a reverent audience, promoting the nine years since Green Lantern: Rebirth to mythic stature. I’ve been following the entirety of that run, so I’m part of that audience, and I’m moved and affected in very real ways reading this issue. But the bright lights and decades-old mythology groan under the weight of so much self-congratulation. This is a victory lap – mileage will vary.
Drew: Who does a fugitive turn to for help? It’s a question we’ve seen a million times, as characters keep getting wrongly accused and keep needing just one chance to clear their names. It’s a compelling story, but it isn’t exactly the most relatable reason to have a character reach out to someone. With Green Lantern 13, Geoff Johns avoids this issue by recasting the question as the much more relatable “who do you tell when something big happens in your life?” The result is a story that keeps the focus tight on Simon Baz, even as the action continues to balloon. Continue reading →