Green Lantern Corps 27

green lantern corps 27

Today, Patrick and Spencer are discussing Green Lantern Corps 27, originally released January 15th, 2014.

Patrick: Fans of the Geoff Johns era of Green Lantern might consider Johns to be the architect of all conflict in the GL universe. It’s a regularly recurring conflict: basically, the past comes back to haunt the corps. This means a lot of fighting among the various corps (Blackest Night), fighting within the GLs themselves (Green Lantern War) or reckoning with some force responsible for their power in the first place (Volthoom, Relic). But all of this stuff stems from a prophecy that Alan Moore wrote decades ago – promises the eventual fall of Sodam Yatt, the destruction of Mogo, and Oa’s occupation by “demons.” We’ve spend tens of years reading those predictions into fruition, and it’s only now, as the Lanterns appear to have their own shit in order that they realize how utterly dissatisfied they’ve left the universe they swore to protect. For the first time since I can remember, that puts the corps up against a threat  that’s ideological, nuanced, and –most importantly — not magical. There’s no single domino they can topple to quash a universe in revolt against them. Continue reading

Green Lantern: Lights Out

Lights Out

Today, Mikyzptlk and Spencer are discussing Green Lantern 24, Green Lantern Corps 24, Green Lantern: New Guardians 24, Red Lanterns 24, and Green Lantern Annual 2 , originally released October 2nd, October 9th, October 16th, October 23rd, and October 30th, 2013, respectively. 

Mikyzptlk: Here at Retcon Punch, we try our damnedest to cover all the cool stuff that’s going on in comics. The only problem is there are only so many of us and a shitload of great comics. That being the case, things tend to fall between the cracks every now and then, as was the case for the Green Lantern-centered crossover event, Lights Out. With that said, it’s up to Spencer and I to give this event the Retcon Punch treatment it deserves. Lights Out serves as a the first big event in the GL books since the new creative teams took command. Ultimately, Robert Venditti, Van Jensen, Justin Jordan, and Charles Soule deliver a story that seemingly picks up right where Geoff Johns and company left off, while shaking up the status quo enough to send our characters off in some new and interesting directions. Continue reading

Green Lantern 24

green lantern 24

Today, Shelby and Patrick are discussing Green Lantern 24, originally released October 2nd, 2013.

Shelby:  What does it mean to lose the will to fight? To be willful is generally not a compliment; usually it means someone who does what they want, when they want without any consideration of the consequences, but on it’s own will is drive and motivation. That’s why I’ve always been so pleased with the way Blue Lanterns (Rest in Peace) need a Green Lantern to mount an offense: hope is fine and all, but hope without the will to do something about it is merely inaction. Robert Venditti kicks off the Green Lantern Lights Out event with a bang, both literally and figuratively, as Relic descends upon Oa and we contemplate the consequences of truly losing the will to do anything.
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Green Lantern Corps 23

Alternating Currents: Green Lantern Corps 23, Drew and Spencer

Today, Drew and Spencer are discussing Green Lantern Corps 23, originally released August 14th, 2013.

Drew: When Scott (my younger brother) was in college, he inherited hosting duties for an event called “Wine Wednesdays,” where friends would get together to drink wine on (you guessed it) Wednesday evenings. Due to scheduling conflicts, the event had to move its regular meeting time to Tuesdays, and in the interests of alliteration, became known as “Taco Tuesdays” in spite of really just featuring the wine. That same year, he was living in an apartment his friends all called “Bear Snake.” Anyway, in a message to his friends informing him that this week’s Taco Tuesday would be held at Bear Snake, Scott thought it would be funny to replace all of the vowels with the letter “a,” such that the message read, simply: TACA BAAR SNAKA. The fact that that message could possibly convey that his friends should come to his apartment for wine on Tuesday amuses me to this day, but it’s actually quite common for shared knowledge and jargon to pile up in similar ways. Green Lantern Corps 23 achieves something approaching “TACA BAAR SNAKA” impenetrability, digging DEEP into recent Green Lantern history, delivering an issue that may be difficult for all but the most hardcore fans to follow. Continue reading

Green Lantern Corps 22

green lantern corps 22

Today, Patrick and Shelby are discussing Green Lantern Corps 22, originally released July 10th, 2013.

Patrick: My little sister studied in Ecuador for a semester in college. She spent a couple weeks tromping around the rain forest and camping on a beach on the Galapogos and dropping her new camera into a river – y’know: normal stuff when you’re studying the biodiversity of one of the coolest places on the planet. Naturally, she came back with new perspectives on birds and insects and had a few anecdotes about hilariously adorable seal pups on the beach. But the part of the experience that she ends up talking about — and I trust the part of the experience that stayed with her the most — is just about the friends that she made while hiking the Forest in the Clouds. When I asked her about that, she shrugged and said “It turns out human beings are the most fascinating mega-fauna on Earth.” She was being flippant (as flippant as one can be while still using words like “mega-fauna”), but it’s an oddly profound statement: for all the wonders of the world, people are going to be the most interesting thing you encounter. DC’s galaxies are vast, and jam-packed with strange and wonderful things. Issue 22 of Green Lantern Corps features a lot of these wonders, but all without losing sight of the of the most interesting mega-fauna at the heart of it: John Stewart and Fatality.
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Green Lantern Corps 21

green lantern corps 21

Today, Patrick and Mikyzptlk are discussing Green Lantern Corps 21, originally released June 11th, 2013.

Patrick: Any comic series you’re going to read from the Big Two publishers is going to be something of a Frankenstein monster. In an editor-driven system, even the most auteur creators have to construct their stories by committee. And that’s great: there’s no way a single mind would have the time or patience to construct all these stories on their own. Plus, collaboration yields kick-ass art, and the one-man comic creation is the incredibly rare exception. The latest incarnation of Green Lantern Corps has a tall family tree, with prestigious branches like Peter Tomasi and Alan Moore, but it also has a confusing mishmash of fathers — after Josh Fialkov walked off the series, Green Lantern writer Robert Venditti (he’s credited as “co-pilot”) constructed a story  for which Van Jensen wrote the script. It’s no wonder that first issue for the new creative team is a jumble of interesting ideas and characters, impossibly focused on both embracing and escaping the past. It’s a mess, but sort of a charming one. Continue reading

Green Lantern 20

green lantern 20 wrath

Today, Patrick and Shelby are discussing Green Lantern 20, originally released May 22nd, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Patrick: Geoff Johns’ final issue of Green Lantern is framed with a narrative device I was first introduced to in the movie The Princess Bride: the old man reading the story to a young man. The flick is an adaptation of novel, and the novel proports to be a rediscovered classic, heavily annotated by the “editor,” William Goldman (who actually just wrote the whole thing). All three of these example serve to elevate the story itself – you don’t need to look to the real world to find a captive audience, there’s one right there in front of you. This issue takes the entirety of Johns’ run and gives it a reverent audience, promoting the nine years since Green Lantern: Rebirth to mythic stature. I’ve been following the entirety of that run, so I’m part of that audience, and I’m moved and affected in very real ways reading this issue. But the bright lights and decades-old mythology groan under the weight of so much self-congratulation. This is a victory lap – mileage will vary.

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Cram Session: Avengers 1-10 – Origin Bombs

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Jonathan Hickman has been ramping up to some world-altering shit. We’ll be digging into Infinity with zeal, but it means catching up with both Avengers and New Avengers. We started our coverage of the bi-weekly Avengers with issue 11, and if you want to join us there – here’s a video recap to get you all situated.

Green Lantern Corps 20

green lantern corps 20 wrath

Today, Patrick and Mikyzptlk are discussing Green Lantern Corps 20, originally released May 8th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Patrick: It might be pure, dumb circumstance that this issue of Green Lantern Corps came out a full two weeks before this epic run of Green Lantern stories comes to a close. The cover of this issue brashly proclaims that the story within is an “epilogue.” And it is – in the strictest sense, everything that happens in this issue takes place immediately after the crossover has been resolved. Peter Tomasi and Fernando Pasarin’s preemptive coda challenges the very idea that a Green Lantern story could end and explores a deeper truth about what we want, what we need and what we expect from serialized storytelling. Continue reading

Green Lantern Corps 19

green lantern corps 19 wrath

Today, Patrick and Mikyzptlk are discussing Green Lantern 19, originally released April 10th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Patrick: It’s hard not to see Volthoom as an author surrogate. This is a creature who feasts off the emotional turmoil of the Green Lantern characters and can alter their pasts with a snap of his glowing, iridescent fingers. So why is he the bad guy? Comic book fans are very quick to turn on creative or editorial teams when it seems like the choices they’re making threatens what the fans hold dear. Scott Lobdell mentions that Tim Drake was never Robin? “Oh fuck that guy.” Dan DiDio says the Crises never happened? “Well, he’s an idiot anyway.” Fans harbor such ire for creative missteps that it (unfortunately) makes sense to make the character who re-writes history the bad guy. But what about the writers we love – where are they represented? There are writers that live and die with these characters, why should they be solely represented by a universe-stomping big-bad? Green Lantern Corps 19 provides the antidote for just that.

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